Canadian brand long-known for its high-end digital and analogue separates has now added a compact standmount to its range. So a full system is no longer a 'Blue Moon'...
Back in 2016, Simaudio added the MOON ACE to its range of pre, power and integrated amplifiers. A slimline machine with analogue, digital and network connectivity (the latter including Roon Ready status and streaming service support through its proprietary MiND module), the ACE clearly warranted 'just-add-speakers' status. The only problem? Simaudio didn't have any...
Launched 44 years ago, the original 770 loudspeaker with its polypropylene woofer and white baffle was nothing if not controversial. Will the reimagined 770 also make waves?
Hi-fi's 'subjective' revolution was just picking up steam when Mission's 770 shovelled a heap of coal on the fire in 1978. The move away from heavy plastics (Bextrene) was reflected in its polypropylene bass/mid driver while the light but rigid ply cabinet doffed its cap to earlier BBC-inspired designs. Its sound, meanwhile, provoked more column inches over the years than possibly any speaker since! The 770 received a very favourable review in Hi-Fi News [HFN Mar '79, 'Milestones' HFN Aug '12 and 'From the Vault' HFN Dec '15] but, writing elsewhere, a fledgling author by the name of Ken Kessler was, shall we say, less enthusiastic...
Having wowed us with its flagship S7t floorstanders, Perlisten is looking to do more of the same with its DPC driver tech pressed into a more modest, room-friendly cabinet
Perlisten Audio, a newly arrived loudspeaker manufacturer from Wisconsin, US, has already made an impressive entrance with its flagship model, the seven-driver S7t floorstander [HFN Apr '22]. Yet as that speaker boasts a £16,000 price tag – and a 59kg cabinet – many newcomers to the brand will look elsewhere in the range to see how far their budget can stretch. The £7200 S4b auditioned here isn't exactly 'affordable' but does come with a more manageable bookshelf build, plus the promise of a high-end performance similar to that of its towering stablemate, by virtue of shared technologies.
Now a full quartet, T+A's compact but beautifully formed Series 200 has expanded to include a media player, DAC/preamp and Purifi Eigentakt Class D stereo power amp
Siegfried Amft, founder and MD of T+A, declares the intent of the brand's Series 200 is to 'combine the appearance of a Midi system with a high-end performance'. Midi, of course, is a word that evokes memories of 1980s/'90s hi-fi, so I'm surprised to see the term attached to a range that's rather more aspirational in its technology. You might think something has been lost in translation, T+A being a German manufacturer, until you lay eyes on the DAC 200 and its button-heavy compact chassis. From the appearance side, at least, the 'Midi' mission has been accomplished.
With no fewer than eight channels (bridgeable to four), Primare's most powerful amp to date will service the most ambitious bi-, tri- or quad-amp loudspeaker solutions
It goes without saying that an eight-channel power amplifier is unusual. In the hi-fi world, two channels is the default, and even in multichannel home cinemas the trend is to start with five or seven and then, if you must, add more in pairs. Furthermore, the A35.8, priced £4500, arrives not from a specialist custom install brand, or an audio company with pro studio leanings, but from Primare.
Inspired by the flagship Concept 500, Q Acoustics' '50 packs a host of trickledown thinking into its slender frame
When Q Acoustics launched its Concept loudspeaker range in 2013, it began with a sub-£500 standmount – the Concept 20 [HFN Feb '14]. While this was in keeping with the value-for-money reputation the UK brand had developed since its arrival in 2006, within a few years it was reaching higher with the (then) £3000 Concept 300 and £4200 flagship Concept 500 [HFN Jul '17].
New kid on the block, Perlisten Audio, is creating a stir straight out of the gates. We test the flagship floorstander
There's a perception that the US, the home of muscle cars, foot-long hot dogs and canyons a mile deep, is also the home of monster-sized loudspeakers. And not, it must be said, without good reason – there are various American manufacturers that frequently put the floor into 'floorstander', building models that require considerable carpet space and suit large listening rooms. So it wasn't much of a surprise to discover Perlisten Audio, a new brand from Verona, Wisconsin, kicking things off with the S7t, an almost 1.3m-tall seven-driver tower weighing in at 55kg.
The most comprehensively-equipped component of Roksan's Attessa quartet combines phono, line and digital inputs with a BluOS streaming platform and beefy amplifier
So it turns out that network amplifiers built around BluOS streaming technology are like buses. No sooner had we waved goodbye to the £1299 NAD C 700 [HFN Feb '22], then up popped the Attessa Streaming Amplifier from Roksan, a little more expensive at £1495 but cut from the same just-add-speakers cloth. This joins a competitive market alongside not only NAD's device but Bluesound's £850 BluOS-based Powernode, plus other streaming integrateds including Cambridge Audio's Evo 75 and Audiolab's Omnia. Handy for Roksan, then, that it has a lot going for it.
Not all audiophiles have massive listening rooms... System Audio comes to the rescue with an on-wall 'LCR' loudspeaker aimed at both AV and two-channel enthusiasts
If you're looking at System Audio's Legend 7.2 and thinking 'Why would I want to hang a loudspeaker on my wall?' then it's probably not the model for you. And that would be understandable. Many hi-fi enthusiasts have the space and flexibility to accommodate floorstanding or standmount speakers, and no need to pinch real estate from any surface other than their living room floor. For those, an on-wall speaker is a solution to a problem that doesn't exist.
NAD remains a key partner in the BluOS wireless ecosphere and the C 700 is its most streamlined – read affordable and flexible – all-in-one network player/amplifier yet
With its latest 'just add speakers' hi-fi solution, Canadian manufacturer NAD's intentions are crystal-clear. Take the form factor and functionality of its award-winning Masters M10 BluOS-integrated amplifier [HFN Jun '19] but rethink the specification in order to nearly cut the asking price in half. This isn't a surprising move – at £1299, the C 700 is the 'mainstream' all-in-one system that has been begging to be built.