Are the days of the disc almost over? Evidence to the contrary comes in the form of this flagship SACD/CD transport and network DAC/preamp from T+A's 'High Voltage' series
I think I can be pretty confident in saying there aren't too many new British hi-fi components out there whose development has been government-funded. Clearly they do things differently in Germany, where the Federal Ministry of Economics and Energy underwrote the design and development of the network-capable DAC/preamp forming half of the subject of this test, T+A's £23,400 SDV 3100 HV. The project has borne fruit in the behemoth of a digital converter you see here, all 26kg of it, described as a 'Super High Definition Audio DAC with bit-perfect data transmission and resolutions of DSD1024 and PCM768'.
Far from being just cute and compact, Pro-Ject's Box Design range is now all grown up – as this high quality CD/DAC/preamp combination so vividly demonstrates
Considering where Pro-Ject's Box Design range started, it's come a very long way. It all began with a compact and very affordable phono stage, the original Phono Box, launched as an interface between the company's wildly successful lineup of turntables – which arguably spearheaded the entire 'vinyl revival' – and the amplifiers of the time, many of which had long since dispensed with inbuilt phono equalisation.
The latest – and largest – model in Focal's Kanta range combines its signature style with innovative materials
You might be tempted to see the Focal Kanta range as Utopia-lite: while the loudspeakers in what is now a three-strong lineup are one-piece designs, lacking the adjustable articulation of the flagship offering, they do echo the company's Utopia style [HFN Dec '18]. This is done by shaping the front baffle so that, in the £9000 Kanta No3 we have here, the two bass drivers are in a section of baffle sloping gently back from bottom to the midpoint where the tweeter is mounted, while the midrange driver at the top is slanted slightly downwards.
The high-tech Cambridgeshire company has added a dedicated CD/SACD transport to its Rossini range – and it, and the updated DAC, are remarkably flexible devices
AdCS Rossini CD player? Doesn't the company already have one of those, usable as either a standalone device or as a transport for its range of digital-to-analogue converters? Well yes, and the Rossini Player continues in the range as a pure Red Book device because, at the time it was developed, dCS was unable to source a suitable SACD/CD combination transport.
This latest integrated amp from a stalwart of the US high-end may be stereotypically big and bold, but it's also both extremely flexible and surprisingly affordable
Although many aspire to grabbing themselves a chunk of American high-end audio, there's all too often a problem – price. It's very tempting to look at the price-tags back home in the States and shake one's head at the UK ticket. But most of us can guess at the differences between the US and UK markets, the import taxes and costs involved in shipping and distributing small samples of heavyweight equipment.
A little over half the price of the mighty H590 amp, in a slimmer design and with very similar facilities and output, this new arrival from Norway is a sure-fire bargain
They're clearly fans of the old buckled swash at Hegel: having evoked Master And Commander in announcing its £9000 H590 flagship amplifier [HFN Oct '18], the Norwegian company says it's calling the new H390 'Robin Hood'. Why? Well, it's all a matter of re-distribution of wealth, apparently, for the £4900 debutant takes much of the ability of its big brother, and makes it available to those of us of humbler means.
This 'music server' is rather more than it might initially appear, and you can apparently use it alone, or with another music server model, the CX. So what's that all about?
One soon comes to realise that, in the new world of computer-based music playback, nothing is quite what it seems. What's more, the terminology used to describe the products designed to make it possible seems almost wilfully imprecise.
We're a long way from the old idea of hairshirt hi-fi here: the latest heavyweight integrated amp from Krell's Connecticut factory comes fully-loaded – and then some!
You need to do some serious rethinking on first encountering the Krell K-300i. If you're expecting a simple device all about massive power and minimalism, you're going to be disappointed, but for those looking for an amp able to handle all the needs of the modern music listener, this one could just be bang on the money.
The top model in this slimline range takes on the big boys – do built-in subwoofers give it sufficient clout?
Our admiration of what GoldenEar's Triton Five model achieves for the money [HFN Mar '19] also prompted a desire to hear what the Maryland company could do when going for broke. Its ambitiously named 'Reference' flagship is definitely playing with the big boys at £9495, and with brands better known, at least in the UK. So it has its work cut out…
The model name may be a mouthful, but this new arrival from the Japanese music server specialist aims high with a separate linear PSU. Are two boxes better than one?
By now the Melco brand is very well-established in the 'computer audio' arena, with a range of fairly similar-looking slimline server devices designed to feed music to network players, or directly to a DAC via a dedicated USB output. However, the offering isn't as rare as once it was, with rivals now providing alternatives to multifunction NAS units, and also claiming audiophile credentials.