This flagship DAC from Canada, complete with a raft of in-house digital and power supply technologies, and very slick control app, is a complete network music solution
When is a DAC not a DAC? When it turns into a multifunctional network-connected music player, that's when! Increasingly, the lines between products that exist to convert digital inputs into analogue audio and full-blown network players are becoming blurred. So, just as there are players provided only with digital outputs – network transports or bridges to be paired with an outboard DAC – so we now have DACs with network capability built-in. Add an app running suitable UPnP control software, and you have a complete streaming solution.
In a world where every other product seems to have streaming this or network that, this compact box from the German brand is about as direct – or linear – as it can get
Writing in his Welcome page last month, editor Paul Miller explained how shifting hugely heavy equipment about is all part and parcel of the HFN reviewing 'experience'. Perhaps he was eyeing a recent speaker launch proudly declaring that its new products weigh over 450kg apiece. Add on their external crossover with its power supply, and a quartet of high-quality amps to drive them, and you could well end up wondering whether your floor will support a tonne and a half of hi-fi.
Close on the heels of T+A's flagship Solitaire P headphone comes this appropriately luxurious partner combining familiar digital tech with a Class A headphone amplifier
Well, it seems everyone's doing it, so why shouldn't German high-end company T+A have its own headphone system? Hot on the heels of its first headphone offering, the Solitaire P planar magnetic design [HFN Jun '20], T+A also has a matching headphone amplifier, the HA 200 – and here it is. Even by the standards of some of the headphone exotica out there, the Solitaire P/HA 200 duo is pitched unashamedly high: the 'phones will set you back £4800, and this headphone amp £6600 in either black or silver finishes, making the whole system the thick end of £11,500. So you're going to have to be pretty serious about your headphone listening to consider it.
Ever at the cutting edge of both analogue and digital Class D amplification, NAD's new M33 is the first to utilise Purifi's groundbreaking modules. All this and streaming too...
Launched last year, NAD's M10 all-in-one streaming system [HFN Jun '19] was remarkable in two ways. One was that this compact 'just add speakers' package was actually part of the brand's elite Masters Series, more usually populated by high-end DACs and amplifiers, while the other was that this little system, selling for around £2000, was exceptionally good, receiving a glowing review in HFN before going on to win a 2019-20 EISA award as Best Smart Amplifier.
There certainly aren't many speakers that look like them, but these baby models – yes, really – in the Swiss brand's wireless active range combine style with all-alloy substance
When the entry-level model in a speaker range costs £70,000 a pair, and weighs no less than 80kg – that's each speaker – you'd rightly assume you're in very serious high-end territory. And yes, imposing though the Prana speaker looks, its two aluminium enclosures mounted on a hefty 'Z-frame' and the whole enterprise standing some 99cm tall, this is the baby of this particular range. Above it sit the Satya speakers, 1.23m tall, 140kg apiece and £110,000 a pair, while the flagship is the 1.47m tall, 180kg-a-pop Samadhi, yours for a nice neat £200k a pair...
With its eye-catching looks, flexibility, solid engineering within and a remarkably grown-up sound, this entry-level DAC from iFi Audio is a conspicuous hi-fi bargain
We've come a long way since iFi Audio was started as an offshoot of high-end brand Abbingdon Music Research, building its initial reputation with its 'Purifier' products, designed to clean up digital signals. And if anyone was labouring under the delusion that these were devices designed to tackle non-existent problems – you know, the old 'digits is digits' thing – the company has since expanded into making everything from complete systems to some of the most cost-effective DACs and headphone amps around. After all, its excellent xDSD [HFN Jul '18], was a 2018-19 EISA Award-winner, following on from the 2014-15 winning footsteps of the nano iDSD [HFN Dec '14].
This is not quite the most affordable of Lumin's network-attached players, but the D2 looks good, is sensibly priced and – thanks to a super-slick app – is a delight to use too
As the model number suggests, the £1845 Lumin D2 is the latest version of the company's affordable network audio player, the entry point for a range that started with the A1 back in 2012. And while the range has expanded, and some things have changed, much still seems the same: the D2 is compact, at just 30cm wide and a mere 6cm tall, and so light at 2.5kg that my stiffish Chord Company interconnects almost lifted it off its feet!
Danish-based Dantax Radio reinvents a classic: a rework of the Raidho D2.1, now fitted with tantalising drivers
Déjà vu, all over again? Very recently we were playing 'spot the difference' with the Scansonic MB5 B floorstanders [HFN Jun '20], a superficially lookalike but substantially revised version of the old MB5 and one of the latest from Dantax Radio's growing GamuT/Raidho/Scansonic family. This month the focus is back on Raidho itself, with the arrival of a new version of the D2.1 speaker [HFN May '18] where, as with the M5/M5 B, there's quite a bit of visual similarity between old and new.
From a new and extended Raidho family these Scansonic floorstanders now benefit from the 'GamuT touch'
We've been here before, reviewing the Scansonic MB5 speakers three years ago [HFN Aug '17]. However, collective amnesia has not set in, for despite the £6249 MB5 B looking near enough identical in its choice of black or white silk finishes, it is in fact a new version of the design, reworked by chief designer Benno Baun Meldgård. Hence the 'B' suffix on the new model.
Launched to the audiophile world at CES in 1995, Balanced Audio Technologies may have lifted off like a rocket but has only had patchy distribution in Europe. Until now...
Balanced Audio Technologies – BAT for short – has been much discussed over its 25-year life to date, but until now has remained an object of distant interest for UK audio fans. Now, thanks to distribution by Yorkshire-based Karma AV, all that might be set to change, so perhaps now is the time to take a closer look at the brand.