Review: Andrew Everard

Review: Andrew Everard,  |  Mar 01, 2018  |  0 comments
hfnoutstanding.pngSitting at the top of the German company’s range, this flexible pre and hefty stereo power amp are designed to take on the high-end’s big names, and take no prisoners

The PA 8.2 preamplifier and SA 8.2 stereo power amp sit at the top of the German company’s Ovation range, although there’s also the option of buying its MA 8.2 monoblock amps in place of the SA 8.2. These are essentially the SA 8.2 bridged internally to give even greater power – rated at 600W/8ohm in place of the stereo amp’s 250W a side. However, despite the commonality, there’s no bridging option on the stereo model reviewed here.

Review: Andrew Everard,  |  Feb 01, 2018  |  0 comments
hfnoutstanding.pngA high-end luxury headphone solution from a new name, the M1 offers a unique in-house twist on established technology. Is it the ideal solution for 'head-fi' enthusiasts?

There's no denying that headphone listening, or 'head-fi' as some fans describe it, is one of the boom sectors of the audio industry. There are now more upmarket headphones on the market than ever before, along with dedicated amplifiers and other accoutrements, and it's a safe bet that one of the busiest areas of any hi-fi shows is going to be the personal audio zone.

Review: Andrew Everard,  |  Jan 01, 2018  |  0 comments
hfncommended.pngThe style may be ‘retro’, but this powerful integrated amp from a Far East legend is no exercise in nostalgia: it lacks fashionable digital inputs, but has serious sonic appeal

OK, so it may help explain the whole ‘vinyl revival’ thing, from portable record players with greater tracking weight than a Caterpillar bulldozer to supermarket own-brand LPs, but looking to the past will only get you so far. Forget all that longer summers, colder winters and ‘jumpers for goalposts’ stuff: even nostalgia’s not what it used to be. Products must stand on their own merits in today’s competitive market.

Review: Andrew Everard,  |  Dec 01, 2017  |  0 comments
hfnoutstanding.pngNot the diddiest of the new Diamonds, but can the smart-looking 11.1 live up to its heritage?

The highly competitive British budget speaker market has long been a thing of wonder – or should that be bafflement? – for overseas observers. For many years, all the major players in the industry vied to squeeze maximum sales appeal out of boxes designed to sell for around £100 a pair, with each successful debut instantly setting itself up as the brightly-lit target for its near rivals.

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