Network Audio Players/Servers

Primare – the company that describes itself as 'the sound and vision of Scandinavia' – is also becoming rather more visible in the UK and rest of Europe thanks, in part, to the boost provided by a couple of EISA awards. Based in Sweden and founded by Danish designer and audiophile Bo Christensen, Primare has found its métier over the past few years. Its Prisma platform brought integrated wireless streaming functionality to the hi-fi world before most – and delivered it with typical Scandinavian panache. Ergonomic excellence is central to the brand's values, and this is surely a concept whose time has come.

The rise of ‘computer audio’ has rewritten the rules on hi-fi components. What once required a full-width separate can now be achieved with an almost vanishingly small box of computer technology, all ready to connect into your existing system. You can stream using a Raspberry Pi, an Asus Tinkerbox or an Intel NUC – to name but a few – and a whole industry has sprung up making add-ons for these mini-computers to turn them into digital or analogue audio devices, or even complete ‘just add speakers’ systems.

So far, Quad's Artera family has comprised the Play (a combined CD transport, DAC and preamp) and the Stereo [HFN Nov '15], which is a power amp using the company's Current Dumping topology. Both solid-state components, not only are they compact and dapper but high functioning and lifestyle literate too – a feat that's trickier than it might seem. But not as tricky as folding all of the above (plus streaming) into a chassis with the same proportions as the other components in the Artera range.

So it turns out that network amplifiers built around BluOS streaming technology are like buses. No sooner had we waved goodbye to the £1299 NAD C 700 [HFN Feb '22], then up popped the Attessa Streaming Amplifier from Roksan, a little more expensive at £1495 but cut from the same just-add-speakers cloth. This joins a competitive market alongside not only NAD's device but Bluesound's £850 BluOS-based Powernode, plus other streaming integrateds including Cambridge Audio's Evo 75 and Audiolab's Omnia. Handy for Roksan, then, that it has a lot going for it.

With that large screen on show, it's clear the £2799 RAS-5000 is not a back-to-basics Rotel amp. Offering multiple streaming options and smart connectivity, including HDMI eARC, this is a receiver to tempt both hi-fi newbies and hardcore traditionalists. Of course, there are many HDMI-kitted rivals out there, including the Cambridge Audio EVO 150 , Marantz Model 40n , and Yamaha R-N2000A to name just a few. And like the latter two, Rotel's all-in-one packs all its 'modern' functionality into a full-sized housing that will be familiar to followers of the brand. Neither is this a one-off, as the 2x220W/4ohm-rated RAS-5000 is a bigger, more capable brother to the slender S14 streaming amplifier (£1799) launched at the tail-end of 2022.

When is a DAC not a DAC? When it turns into a multifunctional network-connected music player, that's when! Increasingly, the lines between products that exist to convert digital inputs into analogue audio and full-blown network players are becoming blurred. So, just as there are players provided only with digital outputs – network transports or bridges to be paired with an outboard DAC – so we now have DACs with network capability built-in. Add an app running suitable UPnP control software, and you have a complete streaming solution.