Disc Players

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John Bamford & Paul Miller  |  Jan 05, 2009
With its design team headed up by Dominique Giner, Metronome Technologie is a French high-end audio company founded in 1987. Alongside world famous hi-fi marques such as Koetsu, Audio Research, Krell Industries and Sonus faber, Metronome’s products are imported and distributed in the UK by Absolute Sounds of south-west London. Recent visitors to hi-fi shows at Heathrow may have come across Metronome’s magnificent Kalista Reference CD transport with matching C2A two-box DAC making sublime music in one of Absolute Sounds’ ‘Absolute Studio’ demonstrations, partnered with DarTZeel amplification and Magico speakers. While Metronome produces some slightly more ‘real world’ CD spinners such as the CD3 Signature (a mere £6900 for the transport), the Kalista line-up represents Metronome’s no-holds-barred statement products.
Martin Colloms  |  Apr 12, 2024  |  First Published: Jul 01, 1993
hfnvintageMiniature components claiming high-end performance... Martin Colloms hears French company Micromega's Microdrive, Variodac and Microamp

Sitting in a neat stack on the desk in front of me as I write, the subjects of this review remind me of those pretty Toshiba Aurex units of yesteryear [HFN Apr '16]. There are three Micromega components in all: the Microdrive CD transport (an improbably small device, this); the Variodac, comprising a Bitstream digital-to-analogue converter with remote power volume control and an additional line input; and finally, the Microamp, a neat-looking stereo power amplifier block.

Review: Adam Smith, Lab: Paul Miller  |  Sep 11, 2019
hfncommendedThe iconic visuals belie Musical Fidelity's recent change in ownership – so will this familiar M2 series CD/amp combination still tempt the budget-conscious enthusiast?

In these evolving days of digital music, cloud storage and online streaming, it might seem counter-intuitive for Musical Fidelity to release a line-only amplifier and 'plain vanilla' CD player. The £799 M2si integrated has no inbuilt DAC, no Bluetooth, no Wi-Fi and not even a phono stage, or indeed the option of one. And, peer round the rear of the matching £799 M2scd compact disc player, and the only connections you will find are outputs. Once again, it has no digital inputs, no antennae sticking out and no wireless wizardry up its sleeve. What's going on?

Ken Kessler & Paul Miller  |  Jan 05, 2009
Predisposed as I am toward Nagra, the long-awaited CD player presents a quandary: Although this brand has a hold on my heart – I would gladly live forever with their valve electronics – I am increasingly distressed by the ever-spiralling pricing of high-end audio. Nagra, being both Swiss and high-end, is as guilty as any of widening the chasm between reality and sanity. £8500 for any CD player is to take the mickey. Yet something so ‘right’ about the wee Nagra CDP almost makes me want to forgive the pricing.
Keith Howard & Paul Miller  |  Jun 14, 2010
From almost anybody else, the launch of a new outboard DAC would rate as one of the audio industry’s more mundane events. But a DAC from Naim Audio – called, yes, the Naim DAC – is a development of more moment. Not so much for what it is but because it unravels what was, until now, one of the marque’s design dogmas. Naim was late to the digital audio party, launching its first CD player in 1991, almost a decade after Compact Disc’s arrival.
Review: David Price, Lab: Paul Miller  |  Oct 01, 2019
hfncommendedThis French company's 'ecosystem' is founded on an extensive range of power and audio cables, but the brand's design philosophies also extend to an amp and CD player       

The world of high-end audio just wouldn't be the same without products like the Origine S2 from Neodio. It resides in that rarefied section of the hi-fi market where designers get to see their dreams fulfilled in large and beautifully appointed products. Head honcho Stéphane Even has energetically embraced the chance to make leading-edge, premium hi-fi products. As well as purveying expensive cables and isolating feet, his company makes the £15,000 CD player/DAC you see before you, alongside its companion A2 integrated amplifier.

Hi-Fi News Staff  |  Nov 07, 2014
Oppo’s new BDP-105EU is a universal disc-spinning, network-streaming, digital hub, processor, preamp and audiophile DAC all rolled into one chunky and imposing package. The lush 32-bit ESS Sabre DACs from the BDP-95EU remain, and you can now feed these from the disc drawer, coaxial and electrical S/PDIF digital inputs, three type A USB sockets, front and rear HDMI sockets, wired Ethernet orWi-Fi, using the supplied dongle. While the ’95EU’s e-SATA port has been deleted, this machine now leverages Audio Return Channel to input audio from ARC-compatible devices, such as a TV, connected to either of the twin HDMI outputs. The inclusion of an asynchronous type B USB input allows the ’105EU to be hooked direct to your PC, and the Oppo is capable of decoding pretty much any common audio format up to 192kHz/24-bit FLAC.
John Bamford & Paul Miller  |  Sep 05, 2009
One of my less endearing traits, of which I have several according to my long-suffering wife, is that I’m inclined to show off now and again. So when chatting to an acquaintance on the telephone recently I simply couldn’t resist dropping into the conversation that my living room was currently ‘cluttered’ by two outrageously expensive CD players: the £8000 Wadia 381i [see HFN July ’09] and the new £10,000 Oracle CD2500 MkII. Moreover I was going to have to spend several days listening to music on them, using the familiar Wadia as a point of reference, and subsequently write a critique on Oracle’s new baby. Such is a reviewer’s lot.
Paul Miller  |  Oct 05, 2009
Convergence between national markets is fueling the development of new, one-size-fits-all AV products at an unprecedented pace, often reducing shelf life to a few short months. New BD players are a case in point. Such is the pace of technology, and the scramble to patch both HDMI and Profile standards, that no sooner had we completed our review of Panasonic’s DMP-BD30 Blu-ray player than its replacement, the DMP-BD50, was announced. So one review was shelved and another immediately instigated.
Andrew Harrison & Paul Miller  |  Jan 05, 2009
Italian hybrid amplifier specialist Pathos Acoustic unveiled its first CD player last year, the stylish Endorphin top-loader and has now already followed it up with a lower-priced alternative. Now while no-one could mistake the new Digit in its shoebox aspect case for the sci-fi statement of the Endorphin, Pathos says that the two CD players share the same technology inside, with the differences between them limited to the transport mechanism and the power supply. The Digit is designed to sit alongside the similarly-proportioned Classic One integrated amplifier, itself a more affordable version of the company’s more extended range of high-end valve/solid-state hybrid amplifiers. It’s a cleaner design than the Classic amp, though, without any bright red capacitors or transformer to populate the top board, nor the figured wood frontispiece.
Review: Tim Jarman, Lab: Paul Miller  |  Apr 15, 2021
hfnvintageIt was the Dutch company's first ever portable CD player and one of the first players from Philips to use a 16-bit chip. But how does this milestone machine sound today?

While Philips' dominance of the market for full-sized CD players in the early days of the format has been well documented in these pages, little mention has been made of its activities in the field of CD portables. Despite an obvious flair for innovation and creativity, the company is not especially known for producing miniatures – that crown belongs to the Japanese, and Sony in particular.

Ed Selley  |  Nov 17, 2011
How does the original CD player stand up nearly thirty years after its introduction? It was in March 1983 that the compact disc system officially arrived in Europe. With it came the first European-made CD player, the top-loading Philips CD100. Four years before, in March 1979, Philips had given a first press demonstration of a Compact Disc player prototype, using 14-bit digital encoding. Philips was already marketing 30cm video discs but believed that there should be a separate, smaller disc format for audio.
Review: Tim Jarman, Lab: Paul Miller  |  Feb 24, 2023
hfnvintageThis late '80s player may have been built to a price using a DAC suited to portables, but it promised few compromises when it came to sheer sound. How will it shape-up today?

One of the many impressive achievements of the early CD era was the way in which the price of players remained constant, or even fell, as the technology used inside them improved. The first machines were masterpieces, beautifully constructed utilising the best materials and processes. However, it was soon realised that when it came to the basic task of playing a disc, much could be stripped away, and in the years that followed the format's release this was exactly what began to happen.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 25, 2020
hfnvintageWhile its looks belie its flagship status, this '80s CD player was designed with just one aim in mind: bring credibility to Philips' cutting-edge tech. How does it sound today?

The Philips CD960 of 1987 was part of a range that included the FA860 amplifier [HFN Feb '20]. As one of the company's occasional flirtations with the top end of hi-fi, this series was intended to demonstrate that the Dutch brand could offer components capable of state-of-the-art performance, as well as provide a boost in status to the more affordable models in the range.

Paul Miller  |  Apr 05, 2009
So you want to enjoy the best that Blu-ray has to offer but you’re loathe to part with that ‘legacy’ AV receiver, a fine-sounding and perfectly serviceable multichannel amplifier but one that pre-dates HDMI connectivity? Thanks to Pioneer’s flagship BDP-LX91, your options just got broader. You see this is one of the very first BD players with sufficient on-board processing power to decode both Dolby TrueHD and DTS-HD Master Audio. It’s also one of the first to offer a full 7. 1 channel analogue output – perfect for direct and unencumbered connection to the multichannel analogue inputs of that treasured AV amplifier.

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