Disc Players

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Paul Miller  |  Dec 16, 2009
It’s not a coincidence that the second ‘universal’ CD/SACD/DVD-A/BD disc player on the market is from Marantz, the first hailing from Denon in the form of its revolutionary DVD-A1UD [HFN, Oct ’09]. Industry watchers will already know that Denon and Marantz both come under the umbrella of D&M Holdings [see boxout, p37] and that certain core technologies are shared – but only to a point. So let’s be clear at the outset: the £5000 UD9004 is not simply one of Denon’s £4500 DVD-A1UD players housed in black Marantz livery. And what finery, Marantz relocating the litany of logos that underlines Denon’s fascia to its top surface for a more sober facade clearly modelled on its exclusive KI Pearl series [HFN, Sept ’09].
Keith Howard & Paul Miller  |  Feb 16, 2010
Odd timing, you may think. As SACD and DVD-A celebrate – if that’s the word – a decade of underachievement as CD’s putative successor(s), with DVD-A now moribund and SACD reduced to the status of a niche music carrier, Mark Levinson releases its first CD/SACD player. Not a universal player, note – the No512 has no truck with music on DVD-V or DVD-A, let alone BD – nor even one able to unlock the full potential of multichannel SACDs, since it is stereo only. Ironically, Mark Levinson the man, as opposed to Mark Levinson the company (with which he has had no association for many years), has long been a vocal advocate of SACD, but only now does a product bearing his name support the format that, in the interim, has become a cul-de-sac in audio’s tree of life.
Paul Miller  |  Nov 19, 2011
SACD capability and a clever variable output make the McIntosh a strong performer The SACD won’t go away because enough of us realise that it sounds fabulous. It still has an important market in Japan, and supporters in unlikely places which keep the software flowing. McIntosh is one: as traditional a manufacturer as you can name, and not tempted towards controversy. Mac’s approach to SACD is almost matter-of-fact: it eschews 5.
John Bamford & Paul Miller  |  Oct 05, 2009
It’s a fact that McIntosh gear has never been hugely popular this side of the Atlantic as its bold, retro styling appeals only to a minority of European consumers today. If you’re trying to integrate a high quality music system discreetly into a family-friendly living room it’s unlikely you’ll be shopping for a McIntosh. Which is something of a preamble to make the point that McIntosh’s latest MCD301 CD player is every bit a ‘big Mac’, sporting the marque’s traditional livery and looking as ‘macho’ as ever. It’s as American as a Hummer or a Harley alright.
Review: James Parker, Lab: Paul Miller  |  Sep 27, 2021
hfncommendedWell, one thing's for sure: the new SACD/CD player/DAC from McIntosh looks quite unlike any other machine of its kind. So, does the sound live up to the unique style?

Take a quick look at the £4995 McIntosh MCD85, and you'd probably think it was another in the seemingly endless line of amplifier variations emerging from the Binghamton factory in upstate New York. In fact, the first sign that this isn't actually a power amp is the weight. Thanks to their hefty transformers and solidity of build, the company's powerhouses tend to be back-achingly heavy, and arrive on pallets – the new MA1200 integrated amp, for example, weighs in at a shade under 49kg, and the MC901 monoblock is getting on for twice that. By contrast, the MCD85 is a manageable 12.5kg boxed, and a positively featherweight 9.3kg in the buff.

Ken Kessler  |  Mar 07, 2026  |  First Published: Apr 01, 2026
hfnvintageMounting its disc mech beneath a motorised cover, this German-made transport appeals to Ken Kessler’s sense of style. But how does it sound?

No, I don’t know what ‘Meracus’ means, and I stopped playing around with anagrams after I reached ‘rum case’. How about ‘US Cream’? No way: Meracus is so decidedly, unabashedly a German company that it couldn’t possibly apply. If you’ve ever studied a hi-fi magazine from the Fatherland or visited the Frankfurt or Berlin audio shows, you’ll know what I mean: staggering build quality, weird shapes, bold colours, lots of glass, wholly unique operational procedures. And the £4000 Meracus Imago is almost deliberately ‘unexportable’, because the customer has to be on some Teutonic wavelength to get to grips with it. Study the photos. You’ve never seen another CD transport like it, right?

Dave Berriman & Paul Miller  |  Jun 05, 2009
Although CD has improved in leaps and bounds since its introduction, the sound initially disappointed many audiophiles and music lovers. One of the first companies to realise that CD replay could be improved was Meridian, giving rise, in 1984, to the Meridian MCD and MCD Pro. Based on a robust Philips mechanism, but with Meridian’s own analogue circuits and oscillator, the MCD Pro really lifted CD sound and a succession of Meridian CD players have continued to set high standards ever since. The CD-only 808 was launched in 2004, but Meridian has developed its replay technology so far since then that it has significantly re-designed and re-launched it as the 808.
Review: Tim Jarman, Lab: Paul Miller  |  Nov 16, 2021
hfnvintageIt may have been based on a machine from Dutch giant Philips but this was the first CD player from a specialist high-end British manufacturer. How will it sound today?

Compact Disc enjoyed a halo of glamour in its early years that the more established formats had lost. Talk of laser beams and digital electronics, those holographic rainbows on the disc surface – not to mention all the smart new hardware – brought an interest in top quality listening to a whole new demographic.

Richard Holliss  |  Nov 07, 2014
Metronome’s T3A Signature CD transport, despite its not inconsiderable price, is substantially more affordable than the company’s ‘sculpted art’ Kalista and Calypso models. It’s a manual top-loader with an integrated power supply, housed in a sturdy chassis with a thick fascia of brushed aluminium available in silver or black. The unit sits on three substantial feet with circular recesses, into which inverted Delrin cones magnetically locate for maximum isolation from any external vibration. Sliding back the top plate cover of the T3A to load a CD reveals its transport mechanism, a Philips CDM12 Pro 2 v6.
Hi-Fi News Staff  |  Nov 07, 2014
Metronome’s T3A Signature CD transport, despite its not inconsiderable price, is substantially more affordable than the company’s ‘sculpted art’ Kalista and Calypso models. It’s a manual top-loader with an integrated power supply, housed in a sturdy chassis with a thick fascia of brushed aluminium available in silver or black. The unit sits on three substantial feet with circular recesses, into which inverted Delrin cones magnetically locate for maximum isolation from any external vibration. Sliding back the top plate cover of the T3A to load a CD reveals its transport mechanism, a Philips CDM12 Pro 2 v6.
John Bamford & Paul Miller  |  Jan 05, 2009
With its design team headed up by Dominique Giner, Metronome Technologie is a French high-end audio company founded in 1987. Alongside world famous hi-fi marques such as Koetsu, Audio Research, Krell Industries and Sonus faber, Metronome’s products are imported and distributed in the UK by Absolute Sounds of south-west London. Recent visitors to hi-fi shows at Heathrow may have come across Metronome’s magnificent Kalista Reference CD transport with matching C2A two-box DAC making sublime music in one of Absolute Sounds’ ‘Absolute Studio’ demonstrations, partnered with DarTZeel amplification and Magico speakers. While Metronome produces some slightly more ‘real world’ CD spinners such as the CD3 Signature (a mere £6900 for the transport), the Kalista line-up represents Metronome’s no-holds-barred statement products.
Review: Tim Jarman, Lab: Paul Miller  |  Apr 08, 2026  |  First Published: May 01, 2026
hfnvintageIt’s the mid-’90s and French brand Micromega launches a range of CD players that are upgradable, one to the other. It also incorporated a new hybrid DAC from Philips...

Although at the time of writing Micromega seems not to be available in the UK, it was once a well-known ambassador for French hi-fi, its CD players and DACs having a strong following in the 1990s. Micromega had a similar strategy to Meridian and others with its early models, utilising standard Philips parts and assemblies before making detail improvements – a popular approach with audiophiles looking for something more esoteric than the mainstream offerings.

Martin Colloms  |  Apr 12, 2024  |  First Published: Jul 01, 1993
hfnvintageMiniature components claiming high-end performance... Martin Colloms hears French company Micromega's Microdrive, Variodac and Microamp

Sitting in a neat stack on the desk in front of me as I write, the subjects of this review remind me of those pretty Toshiba Aurex units of yesteryear [HFN Apr '16]. There are three Micromega components in all: the Microdrive CD transport (an improbably small device, this); the Variodac, comprising a Bitstream digital-to-analogue converter with remote power volume control and an additional line input; and finally, the Microamp, a neat-looking stereo power amplifier block.

Review: Adam Smith, Lab: Paul Miller  |  Sep 11, 2019
hfncommendedThe iconic visuals belie Musical Fidelity's recent change in ownership – so will this familiar M2 series CD/amp combination still tempt the budget-conscious enthusiast?

In these evolving days of digital music, cloud storage and online streaming, it might seem counter-intuitive for Musical Fidelity to release a line-only amplifier and 'plain vanilla' CD player. The £799 M2si integrated has no inbuilt DAC, no Bluetooth, no Wi-Fi and not even a phono stage, or indeed the option of one. And, peer round the rear of the matching £799 M2scd compact disc player, and the only connections you will find are outputs. Once again, it has no digital inputs, no antennae sticking out and no wireless wizardry up its sleeve. What's going on?

Ken Kessler & Paul Miller  |  Jan 05, 2009
Predisposed as I am toward Nagra, the long-awaited CD player presents a quandary: Although this brand has a hold on my heart – I would gladly live forever with their valve electronics – I am increasingly distressed by the ever-spiralling pricing of high-end audio. Nagra, being both Swiss and high-end, is as guilty as any of widening the chasm between reality and sanity. £8500 for any CD player is to take the mickey. Yet something so ‘right’ about the wee Nagra CDP almost makes me want to forgive the pricing.

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