The long-anticipated final piece in Exposure’s 3510 series has arrived – a CD player that leverages the 3010 S2 series electronics and XM CD’s top-loading transport mechanism
With a memory long enough to remember buying my first CD player, a Philips model, back in the mid-1980s, complete with a free copy of Dire Straits' Brothers In Arms, it feels a little strange to be considering the format, launched promising 'Perfect Sound Forever', as something of a niche proposition. Yes, CD has been a huge commercial success, with a 2007 press release marking 25 years of the format declaring that some 200 billion discs had been sold in that first quarter century, and many people having huge collections.
Still big in Japan, the SACD takes pride of place in Soulnote's 'ultimate digital playback system' that also includes the option of digital filterless conversion and external clocking
With Soulnote having already proved its analogue mettle in these pages with the E-2 phono preamp , does the brand have similar prowess with digital? And not just with CDs, for this S-3 flagship is a fully-fledged SACD player.
Gimmick or grand plan as Toshiba looks to spice up the mid-’80s CD scene with a
dual-disc player offering over two hours of continuous music. How does it fare today?
Anumber of our recent Vintage Reviews have featured CD players designed to broaden the appeal of the format by making the hardware available at progressively lower price points. This was one way to maintain sales, but another approach was to add additional features at little or no extra cost.
With visuals inspired by JBL’s hi-fi products from the 1960s, the brand’s ‘Classic’ range of separates are populated by technology familiar to audiophiles some 60 years later...
Think JBL and, not unreasonably, you’ll probably think ‘speakers’. The company has been in the loudspeaker business for getting on 80 years, having been founded in California in 1946 by James B Lansing, from whom it takes its name. Lansing himself took his own life just three years later but left an insurance policy to keep the company going, in which form JBL has become an internationally famous audio company and, since 1969, part of what is now Harman International. In 2017 Harman became an independent subsidiary of South Korea’s technology giant, Samsung.
Putting its re-badged CD players behind it, in 1987 Denon unveiled a machine to take on models from the brands that first brought CD to the market. How will it shape-up today?
Early CD players from Philips and Sony are considered by some collectors to be the most covetable vintage models because they came from the very companies that created the format. You can add to this list machines from Denon, whose Pulse Code Modulation (PCM) system underpinned the way analogue signals were transformed into digital data, recorded, played back and finally turned back into music again.
It may have been bulky with no fewer than ten batteries housed in its brittle case, but this portable player had an ace up its sleeve – its price. How will it shape up today?
When enthusiasts see a product from Crown it's perhaps natural to assume it has come from the American amplifier manufacturer of that same name. Yet this compact CD player from 1987, launched to bring the cost of portable players down to a more affordable level, bears the branding of another company called Crown – the Crown Radio Corporation of Japan.
As Hegel's previous 'last ever' CD player – the Mohican – gets the chop, the audio world faces a new invasion from the Norwegian longships, courtesy of the Viking...
When Hegel announced its Viking CD player, the phrase 'never say never again' sprung to mind. You don't need to have a particularly long memory to recall the company's previous silver-disc spinner was named Mohican [HFN Oct '16] because – geddit? – it was going to be the last such machine the Norwegian company would make. The format's popularity was seemingly dwindling in the face of music streaming and the vinyl resurgence. Hegel even made commemorative t-shirts for its final fling with CD.
Over 40 years have passed since the 8000A amp broke cover, but it's still recognisable in the flagship 9000A, despite LCD screen and DAC on board, and joined by a CD transport
While some manufacturers' product lines can become confusing as models tackling various price points and functionality are launched, relaunched and discontinued, Audiolab has, by contrast, a laser-like focus. It caters very much to the wallet-conscious audiophile, across a clearly delineated stable of amps and players/streamers, which kicks off with its 6000 series and progresses through 7000 and 8300 to the newly launched, flagship 9000 series. This currently comprises two models, auditioned here, but will be joined later this year by another.
With full-sized CD players stealing a march on portables in the late 1980s it was left to Sony to step up with a palm-sized marvel of a machine. How would it fare today?
The appearance of portable CD players in the mid 1980s presented buyers with something of a dilemma. Should they purchase a full-width model or one of the mobile machines, almost all of which could easily be connected to a full-sized system? A portable would be more versatile, but a large player would be expected to offer more facilities and better sound quality.
Compact, clever and priced to entice, this quirky little late-'80s machine caught the imagination of those buying into digital for the first time. How does it shape up today?
When Toshiba unveiled its lineup of new CD players in 1986 it was clear the format had come of age. Just three years after the first machines were launched onto the European market they'd gone from being exotic and expensive to something so accessible there was little point in any keen listener not owning one.
Denon has been in existence for 111 years, resolutely supporting CD playback for the last 40. Its latest CD disc spinner handles SACD too, and joins the 1700 series amplifier
The Denon duo in the limelight here are an obvious refresh of the previous generation DCD-1600NE disc player and PMA-1600NE amp, introduced in 2017, rather than entirely new designs. Partly that's because both the £1299 DCD-1700NE and £1699 PMA-1700NE look very similar, if not identical, to their predecessors. The solid construction, metal front fascia that curves to ensure the Denon logo catches the light, the weighty volume knob in the middle of the amp, the old-school tone controls… it's all very par for the course, as is the choice between black or silver colourways.
Offering all the functionality of full-sized components, this petite five-part '90s system took micro to the max, spawning imitations industry-wide. How does it sound today?
The first time I saw a JVC UX-1 it was pictured on the side of a bus. The image was part of an ad that carried the simple message 'All features, Great, and Small'. And this turned out to be true, for the UX-1 micro system had every function imaginable, sounded like 'proper' hi-fi and was tiny.
An unashamedly budget machine, this late '80s CD player had a mechanical trick up its sleeve that saw it take the fight to its rivals on price. But how will it shape-up today?
It has been ten years, shy of a month, since a Sanyo product last appeared in the HFN Vintage Review pages. This was the Fisher AD 800 [HFN Apr '13], the company's first ever CD player, which was marketed in the UK under the firm's specialist hi-fi and video brand.
The final, or should that be first, component in T+A's 200 series quartet is a CD-playing, network-attached media transport that boasts a proprietary 'SYS-Link' connection
After delighting headphone lovers with the HA 200 DAC/amp [HFN Aug '20], which nicely matched the Solitaire P headphones introduced at the same time, T&A has been on a roll. The HA 200 transpired to be just the first in a range of units forming the new 200 series – all compact separates, but all designed to dovetail seamlessly together.
This late '80s player may have been built to a price using a DAC suited to portables, but it promised few compromises when it came to sheer sound. How will it shape-up today?
One of the many impressive achievements of the early CD era was the way in which the price of players remained constant, or even fell, as the technology used inside them improved. The first machines were masterpieces, beautifully constructed utilising the best materials and processes. However, it was soon realised that when it came to the basic task of playing a disc, much could be stripped away, and in the years that followed the format's release this was exactly what began to happen.