Disc Players

You don’t have to be a marketing analyst with a subscription to the Financial Times to understand why SACD might win the format war. Clearly, the SACD crew has delivered more hardware and (most importantly) in the order of ten times more software than DVD-Audio, according to the estimates of music vendors I’ve canvassed. All of which makes the arrival of a high-end SACD player with a mid-range price point something worth considering.

Rotel has crowned its new Michi Q5 a 'Transport DAC', which strikes us as a somewhat vague description of what is, first and foremost, a CD player. Yes, it has digital inputs to make wider use of its onboard DAC, plus digital outputs, but just one glance at the Q5's distinctive top-loading drive mechanism – plus the fact it resides under the 'CD player' tab on Rotel's website – tells you this is a unit primarily aimed at silver disc lovers.

Much gnashing of teeth and wringing of corporate cheque books later, and the B&W Group has become the latest recipient of Philips’ cherished Red Book licence: an exorbitant magic wand that bequeaths the rights to design and assemble own-brand CD players, rather than simply modify an existing box. Incidentally, I hear from trusted sources that manufacturers who have traditionally opted for this cheaper halfway-house will soon be stomped on from a great height. B&W can therefore sleep soundly at night as two variants of a new BitStream player are launched under its ‘Aura’ brandname.

As the EISA Awards jury noted this year [HFN Oct ’24], AV furniture is ‘often overlooked… but has a crucial part to play’. Monitor Audio would agree, and having acquired Blok in 2019, it has launched a redesigned Stax 2G system this summer. Retaining its predecessor’s wooden box-like supports and full-width shelves, the improved modular form-factor promises to be easier to configure and assemble.

With Soulnote having already proved its analogue mettle in these pages with the E-2 phono preamp , does the brand have similar prowess with digital? And not just with CDs, for this S-3 flagship is a fully-fledged SACD player.

This review deals with two first-generation DCC players. Philips and other companies are committed to this medium, to judge from the fast expanding list of pre-recorded software, if not in the range of hardware to match. DCC will certainly not oust CD: it is better to think of it as a stepping stone between analogue compact cassette and the digital audio systems of the future – systems that must surely avoid the cumbersome format of tape. But for the time being, these machines may be counted a success.

Think JBL and, not unreasonably, you’ll probably think ‘speakers’. The company has been in the loudspeaker business for getting on 80 years, having been founded in California in 1946 by James B Lansing, from whom it takes its name. Lansing himself took his own life just three years later but left an insurance policy to keep the company going, in which form JBL has become an internationally famous audio company and, since 1969, part of what is now Harman International. In 2017 Harman became an independent subsidiary of South Korea’s technology giant, Samsung.