Pre/Power Amplifiers

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Review: Lee Dunkley, Lab: Paul Miller  |  May 01, 2018
hfnoutstanding.pngThe svelte D 3020 contrasted with the iconic 3020 amp of '78, but this V2 trades-in USB for phono and Bluetooth in a bid to regain its crown as the ultimate 'starter amp'

The original NAD 3020 integrated amplifier of the late '70s was a genre-defining product – a compact integrated full of useful features that cost relatively little and became recognised for bringing high-quality home audio to a much wider audience. I wouldn't mind betting that many readers will have owned one at some point or at the very least be familiar with its reputation as an 'all go, no show' audiophile amp for its remarkably likeable sound but rather retiring 'grey slab' looks.

Review: Mark Craven, Lab: Paul Miller  |  Nov 21, 2022
hfnoutstandingStrip out the digital inputs, BluOS streaming module and preamp stage from NAD's M33 and we get a 'purist' implementation of Purifi's groundbreaking Eigentakt Class D tech

Unlike the traffic on the motorway for which this stereo amplifier is definitely not named, Canadian manufacturer NAD is rolling along at pace. The M23 auditioned here, available in just a silver finish, is its latest amp to feature high-performance Purifi Eigentakt Class D technology, following in the footsteps of the £3999 M33 BluOS-capable integrated [HFN Aug '20], the seven-channel £4499 M28 power amp, and the more affordable £1749 C 298 stereo amp [HFN Oct '21]. That NAD should have chosen to adopt Eigentakt modules for a trio of models before upgrading its flagship two-channel Masters series power amp is perhaps something of a surprise. But it proves to have been worth waiting for.

Review: Andrew Everard, Lab: Paul Miller  |  Jul 01, 2018
hfncommended.pngA reversal of digital direction marks out this hi-tech integrated amp from the Masters Series, so can NAD's innovative thinking make the M32 stand out from the crowd?

Just in case you can't work out what the £3499 NAD M32 actually is – straight from the box only a volume control sets it apart from the company's similarly styled M22 v2 power amp – the front panel tells you, at least when powered up, that this is a 'Direct Digital DAC/Amplifier'. Of course, even powering it up may be a challenge for those for whom 'RTFM' is a sign of weakness. After a bit of stabbing of the NAD logo, which glows amber in standby, suggesting it might do something, they'll probably eventually alight on the little touch pad top and centre above the display. Brush this and the amp gets ready to do its stuff, at which point the amber surround on the logo turns white and you're in business.

Review: Jamie Biesemans, Lab: Paul Miller  |  Oct 01, 2024
hfnoutstandingStyled and with features to match the Masters M23 power amp, NAD's M66 streaming DAC/preamp takes on all-comers as both a digital and vinyl hub with Dirac onboard

First announced in the spring of 2023, unexpected delays to the arrival of NAD's M66 have only heightened anticipation of this flagship 'streaming DAC/preamplifier' - especially among owners of the company's Eigentakt-based M23 power amplifier who have been waiting for its companion product. And, yes, while the £4499 M66 could add its wide-ranging feature set (including app control and room correction) to any power amp, the M23 makes for an aesthetically pleasing fit.

Review: Ken Kessler, Lab: Paul Miller  |  Jul 01, 2018
hfnoutstanding.pngInspired by its own VPA amplifier, but with the intent to drive the ultimate high-end systems in large rooms, Nagra set to work designing its 'Statement' monoblocks

Look at the photos: the Nagra HD AMP's slim, vertical layout will remind fans immediately of the company's first power monoblock amplifier, the VPA. This vertical stance is not all that common – remember Halcro? – while the small footprint it affords makes a vertical model instantly appealing for those who value floor space. Nagra's new, top-of-the-range unit, however, is purely a solid-state device which – profile aside – is the antithesis of the all-valve VPA, which was rated at 50W in 'Pure Class A'.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 01, 2018
hfnoutstanding.pngNagra’s monumental HD amplifier series reaches completion as its monoblock power amps are joined by this sensational, two-chassis, fully-balanced HD PREAMP

Nagra has, with the exception of the now-best-forgotten Pyramid amplifiers [HFN Feb ’05], a near-faultless track record. When you consider that the company leapt from professional tape decks to audiophile-grade valve electronics 20 years ago, the transition has been remarkable. With the second of its HD models, the HD PREAMP (joined by the HD DAC), one witnesses the completion of ‘Phase One’ of Nagra 2.0.

Hi-Fi News Staff  |  Nov 13, 2014
Yes, they’re expensive – but Nagra’s electronic jewels are gloriously timeless and beautifully engineered. The new Jazz preamplifier maintains the compact form factor and familiar brushed aluminium casework synonymous with the marque – it’s a Nagra through-and-through. And Nagra says the preamp’s circuitry – which employs 2x12AX7/ECC83s and 1x12AT7/ECC81 dual-triode valves – has been completely rethought to improve stability and reduce noise to the point where its engineers no longer consider a battery power supply a necessity. The Jazz is powered by a hideaway PSU that delivers DC to the main unit via a cable terminated with a Lemo connector.
Review: Andrew Everard, Review and Lab: Paul Miller  |  Dec 04, 2023
hfnoutstandingThe second phase of Naim's 'New Classics' launch brings a new streamer, a preamp and monoblock power amps, all in redesigned slender casework. Are they true 'classics'?

At times of late, it seems Salisbury's Naim Audio is wilfully courting controversy. It's been causing ripples with the brand's faithful fans ever since it launched its all-in-one Mu-so systems and second-generation Uniti products. It wasn't that these arrivals were on a mission to make hi-fi simpler for all, eschewing the tweakery and 'black magic' once suggested as a prerequisite for realising its true potential – no, what broke the usually calm surface was the fact the Naim logo, for decades lit in green, had turned white. Cue Naim aficionados fanning themselves like Edwardian grandes dames with a fit of the vapours.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 16, 2021
hfnoutstandingThe evergreen Uniti Atom all-in-one platform, complete with custom streaming solution, is adapted to service the needs of the most demanding headphone users

Never let it be said the product name isn't long enough – in the 12 years since Naim launched its network audio all-in-one, to which the buyer need only add speakers, it's grown from the simple NaimUniti of the initial model, all the way to this, the £2399 Naim Audio Uniti Atom Headphone Edition. And yet here, less is more.

Hi-Fi News Staff  |  Jan 30, 2015
Naim Audio’s first product, the NAP 160 power amplifier, was introduced in 1971; the NAP 250 appeared in 1975. It was technically unusual in that it used a strictly regulated power supply, whereas the vast majority of power amplifiers, unlikely today, typically made do with an unregulated one. Arguably, the NAC 12 preamp was even more unusual than the NAP 250. In ultimate form it required a standalone external power supply – the SNAPS – at a time when such an arrangement was virtually unheard of.
Martin Colloms  |  Jul 07, 2023  |  First Published: Apr 01, 1993
hfnvintageIts components may work in all-Naim systems, but in this review of the company's latest pre/power Martin Colloms looks at the alternatives too

Neither I nor the Editor could remember when HFN last reviewed a Naim amplifier so, to redress the balance, we are covering the company's latest pre and power duo here. Priced at £1880, the NAC 82 carries the full remote control first seen on the top-of-the range NAC 52 preamp. An optional extra board (around £120) provides analogue disc input (MC or MM).

Martin Colloms  |  Jan 25, 2022
hfnvintageMartin Colloms hears a power amp setting the pace for the 21st century

The development of this completely new power amplifier has been a major undertaking for Naim. Up to now, its designs have been variants on the late Julian Vereker's founding concept, which led to the first NAP 250 stereo chassis some 25 years ago. Even now, the company's biggest current model, the NAP 135, is a monoblock variant of the '250, with more generous power supplies allocated to the separated channels.

Ken Kessler and Paul Miller  |  Jan 15, 2012
You want big valves? Really big? NAT has cooked up a monoblock with a mortadella-fat QB 5/1750 tetrode, and a preamp worthy of the honour. Enter Utopia and Transmitter Any reservations I may have had about Eastern European amplifiers were put to rest by the NAT Se1 MkII reviewed in Aug ’10. It was time, I thought, to stop treating the former Communist Bloc as if it were the equivalent of China circa 1993. If anything, countries like Serbia, Bulgaria and others under the grip of the Commies for a half-century had a much better chance at conquering the high-end than the Chinese did, because they had greater hands-on experience.
Hi-Fi News Staff  |  Jan 22, 2015
It was perhaps Benchmark that set a trend by equipping its compact, high-value DACs with a capable headphone amplifier. They became, in effect, an amalgam of DAC, headphone amplifier and simple preamp, and the HA-1 is from the same mould. Much of its electronics derives from Oppo’s BDP-95EU and BDP-105 universal disc players [HFN May ’12 and Jan ’13]. The HA-1 uses the same ESS 9018 Sabre DAC and the same output circuitry but the headphone amp and preamplifier stages are new.
Paul Miller  |  Oct 01, 2011
Better known for multichannel, the A21 demonstrates that Parasound knows a thing or two about stereo too As with Canada’s Anthem electronics, San Francisco’s Parasound components are often found powering luxurious multichannel ‘home theatre’ systems. Unlike Anthem, however, Parasound does make pure audio (as well as AV) preamps to partner some of its power amps, especially its two-channel models. Designed in the US by John Curl, a veteran whose CV includes classic Mark Levinson and Vendetta designs in years gone by, Parasound’s amps are outsourced to Taiwan for manufacture – which might explain the keen pricing. This A21 power amp from the flagship Halo range suggests a lot for the money, weighing 27kg and resplendent in classy casework.

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