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Nothing yet has convinced me that we have seen any period, since hi-fi separates became a 'thing', when there were more phono stages than we have right now. I say this because the ModWright PH 9.0's price of £2900 puts it smack in the middle of an inordinately crowded sector. I'm obviously being naïve here, or just pretending that you can still go into any number of hi-fi shops and ask, 'Can I compare a few phono stages?'.

Nothing causes more consternation than a product seemingly 180 degrees at odds with a company's core philosophy, whether hi-fi, cars, watches, what-have-you. Audio Research dealt with the repercussions of its first solid-state amp… but an all-transistor amp from the equally tube-centric Copland? Not its first – these were the mid-'90s CSA8/CSA18 – so the CSA70 probably won't cause too much of a ruckus despite the absence of bottles.

The exact definition of what constitutes a DAC has become a little blurry in recent years. Where once the outboard 'Digital-to-Analogue Converter' offered S/PDIF and possibly USB digital inputs together with fixed and/or variable outputs on RCAs and/or XLRs, the latest generation has undergone a fair bit of mission creep. Some of this is undoubtedly in response to the wealth of new digital sources but it also speaks to the relaxing of the principles of hair-shirt minimalism that audio has worked to over many years.

In the heated-up marketplace that is 'LP Playback Circa 2022', and as with the ModWright PH 9.0 phono stage, we are also experiencing a surfeit of cartridges, tonearms and decks. With so crowded a playing field as this, Vertere – about as iconoclastic a manufacturer as analogue has seen in recent times – has to make its Sabre cartridge stand out from the rest. The company has chosen to address a usually neglected niche: true high-end moving-magnet designs.