Cobbled together by Malcolm McLaren to bring the 'Burundi beat' to the masses, this New Wave group made a brief but memorable impression on Steve Sutherland
Anyone remember SFX? Anyone? No? Nobody? Not to worry. It didn't live that long. SFX was a music magazine launched in November 1981, and which died on the vine in the Summer of '82. It was edited by ex-NME writer Max Bell and the twist was that all the content was on a cassette tape, not printed on paper. Billed as 'The only music magazine on C-60', there were about 19 issues in all, sold in the shops mounted on cardboard.
Still featuring the iconic V-shaped plinth, this Jubilee update on Clearaudio's inaugural Reference deck features a Panzerholz plinth and magnetically-assisted ceramic bearing
Bunting must surely be in short supply. Along with the Royal Jubilee, we had SME officially celebrating its 60th birthday while Nagra rolled out the cake for its 70th – and now Clearaudio has released a product to celebrate its '40 years of excellence' (an anniversary that actually fell in 2018, but product delays are nothing new). The good news is that the result is the £17,500 Clearaudio Reference Jubilee turntable; the bad news is that production is limited to 250 units worldwide.
A new dawn? Audio Research's first fresh integrated amp in seven years shows a change of direction while still maintaining a grip on the brand's sonic virtues. Enter the I/50...
Few companies have been as resistant to styling changes as Audio Research. Even after a decade-plus under the ownership of fashion-conscious Italians, ARC products still suggest they belong in studios or government laboratories. Can you imagine the shock, then, when news releases arrived showing a swoopy integrated amplifier available in six colourways?
Moving-coil pick-ups are inherently 'balanced' and Pro-Ject is determined to reveal them at their best with this balanced-wired version of the X2 deck and phono preamp
One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?