We hear a midi-sized multi-CD player from 1987 boasting a digital filter on board, but does multi-play convenience mean there's a penalty to pay in terms of sound?
The word 'autochanger' strikes fear into the hearts of LP listeners, bringing thoughts of clanking levers, heavyweight arms and stacks of records slamming on top of each other. The situation is more favourable when it comes to CD. Most players handle discs mechanically anyway, and so only a relatively straightforward extension to the mechanism is needed to allow more than one disc to be loaded at a time.
This month we review and test releases from: Joachim Eijlander, Royal Concertgebouw Orchestra, Monty Alexander, Sophia Loren, Russian National Orchestra/Kent Nagano and David Gerrard, Ewan Robertson, The Choir Of Paisley Abbey/George Mcphee.
This month we review: Kremerata Baltica/Gidon Kremer, Mario Brunello, Bavarian RSO/Mariss Jansons, COE/Nikolaus Harnoncourt and .BBC SO/Martyn Brabbins
As the Coventry group prepare their second LP things are already starting to fall apart... Steve Sutherland listens to the half-speed-remastered 40th anniversary reissue
Here they are, Britain's most successful and influential breakthrough band, revered by the critics, adored by the fans, unashamedly copied by start-up bands… But Jerry Dammers, the geezer in charge, wants to mess with the magic and do something quite worryingly different.
Omnidirectional and horn-loaded to boost sensitivity, are these really the 'beautiful moon' of floorstanders?
When it comes to makers of true omnidirectional speakers, it seems that those with the highest profile currently hail from Germany. MBL's Radialstrahlers and the German Physiks models occupy the upper echelons of the market, while at the more affordable end it's the Duevel name that springs to mind most readily. Based in Osnabruck, the latter company is the brainchild of Markus and Annette Duevel, who founded the business in 1988.
Ken Kessler | Mar 23, 2021 | First Published: Jan 01, 1997
Classic tubes meet modern tech in the £30,000 Project T-1 monoblocks. Is this Marantz's ultimate amplifier, asks an awestruck Ken Kessler
Contemplating the Project T-1 power amplifiers from Marantz, I realise that nothing in hi-fi should surprise us any more. If, in 1990, someone had told you that, by 1997, the hi-fi community would be clamouring for single-ended triodes and horn systems, that Quad and McIntosh and Marantz would reissue their valve classics, that Mobile Fidelity would open a new LP pressing plant and that Krell and Audio Research would introduce integrated amps, you'd have had that someone committed.