For Souvenance, Anouar Brahem’s last release and HFN album of the month [HFN May ’15] this master of the oud enlisted a string orchestra to join some of his regular accompanists, but this time he’s started afresh. Having recruited the great ex-Miles bassist Dave Holland (who played on Brahem’s album Thimar in 1997), the renowned fusion drummer Jack DeJohnette was a natural choice. British composer Django Bates was suggested by ECM co-founder Manfred Eicher, who’d just been recording the pianist’s Belovéd trio, and though absent from the contemplative ‘Bahia’, Bates brings a wealth of ideas elsewhere. In the final, aptly-titled ‘Unexpected Outcome’, what seems at first a simple, even jazz pulse from Holland soon develops into something far more subtle.
Having scored her biggest international hit with her 2010 album Same Girl [ACT 9024-2], the South Korean-born singing star takes a new direction with this one – her ninth (and fourth for ACT) – recorded at Sear Sound, New York, in Dec ’16, and produced/arranged by keyboard wiz Jamie Saft – he’s also co-writer with Vanessa Saft of track 3, ‘Too Late’. Youn Sun Nah opens with her own five-minute ‘Traveller’, a characteristic blend of strength and melancholy, and goes on to offer an eclectic choice of covers, all beautifully done. Marc Ribot contributes brilliantly to several tracks, with electric and acoustic guitars, from the fast-moving Paul Simon song that’s the title tune to perfect Staples/Al Green funk on Lou Reed’s ‘Teach The Gifted Children’ and a majestic reading of Jimi Hendrix’s ‘Drifting’. It’s a great album with great sound too.
The ever-glamorous great-great-grand-daughter of the author of War And Peace claims a Swedish heart and a Russian soul, and has recorded albums with those titles to prove it. Since then she’s most often been heard singing with her life partner, pianist Jacob Karlzon, but she has chosen a guitar trio format for this album of theme songs. Guest stars Iiro Rantala on piano and Nils Landgren on trombone flesh out the lush opener, ‘Calling You’ from the 1987 movie Baghdad Cafe. ‘Marlowe’s Theme’ from Farewell My Lovely has a neat solo from Rantala while guitarist Krister Jonsson really comes into his own when he switches to electric rock guitar – for example on Seal’s ‘Kiss From A Rose’ from Batman Forever.
Recorded for the German jazz label ACT at the end of 2012 at Nilento Studio, Gothenburg, this is Korean singer Youn Sun Nah’s third album (Same Girl, from two years before, is also available from highresaudio. com but so far not Voyage, from 2008). Lento takes its name from Scriabin’s E minor Prelude, Op. 16:4 and is the opening track.