LATEST ADDITIONS

This month we review: Hallé Orchestra/Sir Mark Elder, Akademie Für Alte Musik Berlin/Bernhard Forck, Sinfonia Of London/John Wilson and Cleveland Orchestra/Franz Welser-Möst.

With a heritage that can be traced back over 60 years, and still now only in its fourth generation, the Heresy is manna from heaven for the nonconformist audiophile

American loudspeaker marque Klipsch has a longer history than many, something emphasised by its new 'p***ing off the neighbours since 1946' slogan. And its Heresy model itself dates back to 1957, when company founder Paul W Klipsch first developed a compact three-way floorstander to act as a centre speaker within a stereo installation. It has remained part of the Klipsch stable ever since, undergoing revisions first in 1985 and then 2006. Now it has been relaunched as the Heresy IV, priced £3500 per pair and forming the entry point to the Klipsch Heritage range.

By extreme high-end standards, it's almost an 'entry level' product – so is Dan D'Agostino's Progression Integrated amplifier the perfect introduction to the brand?

After nearly four decades' worth of using Dan D'Agostino's designs, from Krells in the 1980s through to his more recent, eponymous models (I use a Momentum Stereo as my solid-state reference and love it to bits), I thought I knew what to expect. Silly me: surprise No 1 provided by the D'Agostino Progression Integrated was that I could lift it without any assistance. Surprise No 2 was a price under £20k.

With a rich heritage in the pro audio field, US brand Bricasti is paying closer attention to the high-end consumer market with this new, dual-mono pre/power combination

Few products passing through the HFN review process elicit quite as much discussion as has this Bricasti pairing – or at least one half of it. Our initial listening results were slightly puzzling, with a sound clearly doing many things right when interposed between editor PM's dCS Vivaldi One/Melco front-end [HFN Feb '18] and Bowers & Wilkins 800 D3 speakers [HFN Oct '16], and yet our musical souls were not entirely stirred. Was this an example of unpredictable system matching? Some judicious high-end separates swapping revealed the £19,500 M25 power amp was certainly able to deliver the goods in no uncertain fashion. But did the £13,500 M20 preamp sound just a little too smooth?