Vinyl Release

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Steve Sutherland  |  May 16, 2023
Adding Neil Young to CSN brought supergroup status and a multi-selling album, but the band were not happy, says Steve Sutherland, as he hears the 180g reissue

This is Graham Nash talking about David Crosby just over a year ago: 'Who are you? Are you a decent person? Or are you an a**hole? It would be very easy for me to get into why I don't want to do any more Crosby, Stills and Nash or Crosby, Stills, Nash & Young work. There are too many reasons. It's too complicated. It's too painful. I'm just telling you, it's over. It's an incredible shame because when we're good, we make very good music that touches people's hearts and changes their minds. But he tore the heart out of CSN and CSN&Y because he's not a really great person'.

Steve Sutherland  |  Apr 07, 2023
Musically accessible, lyrically inscrutable, and buoyed by stellar session work, this 1972 debut ensured Steely Dan weren't buried by Bowie et al, says Steve Sutherland

What's the greatest guitar solo ever? Well, off the top of my head I'd say Jimi Hendrix on his version of Bob Dylan's 'All Along The Watchtower', where he makes a number of miraculous stylistic changes and creates mysterious sounds never heard on this planet before or since. Then I'd go for Frank Zappa just letting rip on his dope-growing satire 'Montana' from Over-Nite Sensation. And thirdly I'd plump for Jimmy Page ascending into the stratosphere on Led Zeppelin IV's 'Stairway To Heaven'.

Steve Sutherland  |  Mar 07, 2023
Four years after their electrifying debut, Axl, Slash and co returned with not one, but two double albums – and it was all downhill from there, says Steve Sutherland

Back in the late 1960s there was a band hailing from San Francisco called Moby Grape. They had five talented members who could all sing, play and compose to an incredibly high standard incorporating pop, rock, country and blues styles. They looked pretty cool too, with a perfectly contemporary anti-authoritarian attitude that saw one of their number flipping a middle finger against the American flag on the cover of their self-titled debut LP in 1967 – naughtiness that was airbrushed out by their spooked record company.

Steve Sutherland  |  Feb 07, 2023
Featuring sitar, violins, backwards recordings and some sage words from Peter Fonda, this 1966 album found the Fab Four firing on all cylinders, says Steve Sutherland

I coulda been a contender, but Revolver did me in. There I was, nine-and-a-half years old, living the high life – well, as high as life could get for a small boy in Salisbury, Wiltshire – and in a band called The Little Beatles. I was Ringo, my friend Keith McArdle was John, Kirsteen, his sister, was George, and Robert 'Bo' Parr was Paul. We wore home-made Beatles suits and Beatles wigs and mimed behind toy instruments to Beatles hits.

Steve Sutherland  |  Jan 20, 2023
For the group's tenth album, Roger Waters put his own spin on George Orwell's famous parable. The result was 'nobody's favourite Pink Floyd LP', says Steve Sutherland

Kate Bush had her Bronte. And her Joyce. The Doors had their Blake via Huxley. Dire Straits had their Shakespeare. Led Zeppelin had their Tolkien. The Police had their Nabokov. It seems like since time immemorial rock and pops stars have plundered literature for lyrical inspiration. Even Ozzy had his Crowley. And Pink Floyd were no exception.

Steve Sutherland  |  Dec 23, 2022
This uplifting R&B and gospel album from the family band was the highlight of a long career, evangelises Steve Sutherland as he hears the 180g reissue

One of last year's musical highlights was the release of Summer Of Soul, the documentary lovingly assembled by Questlove about the Cultural Festival that took place on six Sundays between June the 29th and August the 24th 1969 at Mount Morris Park in Harlem, New York.

Steve Sutherland  |  Nov 04, 2022
Cobbled together by Malcolm McLaren to bring the 'Burundi beat' to the masses, this New Wave group made a brief but memorable impression on Steve Sutherland

Anyone remember SFX? Anyone? No? Nobody? Not to worry. It didn't live that long. SFX was a music magazine launched in November 1981, and which died on the vine in the Summer of '82. It was edited by ex-NME writer Max Bell and the twist was that all the content was on a cassette tape, not printed on paper. Billed as 'The only music magazine on C-60', there were about 19 issues in all, sold in the shops mounted on cardboard.

Steve Sutherland  |  Oct 07, 2022
A great TV or movie soundtrack can introduce you to long-forgotten music – and nothing does it better than this eclectic double LP on 180g, says Steve Sutherland

Say hello to Jesus Malverde. He may or may not have actually existed, apparently sported a handsome moustache, and today he's Mexico's patron saint of drug smugglers. Yup, you read that right. Mexico is such a marvellously messed-up place that it remains highly religious but simultaneously economically reliant on the dope trade.

Steve Sutherland  |  Sep 09, 2022
Marc Bolan gave kids of the '70s a new exciting sound with this chart-topping LP, now reissued on 180g vinyl. Steve Sutherland celebrates the 'rock 'n' roll poet'

It might not have been as seismic, say, as Judas dobbing Jesus in to Pontius Pilot, or Bob Dylan hitching his wagon to The Band and suddenly turning electric, but a betrayal's a betrayal, right?

Steve Sutherland  |  Aug 09, 2022
Through rare tracks recorded at the producer's backyard studio, this 180g triple vinyl LP serves as a testament to the genius of Lee 'Scratch' Perry, says Steve Sutherland

Prior to the current condemnatory climate where all fake news is regarded as a deadly sin, we often used the word 'apocryphal'. It meant an event of dubious authenticity which was so enticing that, despite the lack of any absolute proof, it was widely and enthusiastically embraced as being true. In other words, we didn't always let the facts get in the way of a good story.

Steve Sutherland  |  Jul 19, 2022
This album from the pioneer of 'spiritual jazz' combines his tenor sax tone and unique technique with a masterful backing band. Steve Sutherland hears the 180g reissue

True story: one recent Sunday afternoon I was hanging out in Just Dropped In, Coventry's finest independent record store, when Alun the owner popped a record on. Within the next 20 minutes or so I counted four customers strolling over to the desk to enquire the genesis of the music we were all enjoying. The four customers were all very different: one was a teenage girl resplendent in Goth array, one was a rockabilly dude, one was a tweedy teacher sort, and one was a gnarly old bloke. Okay, the gnarly old bloke was me.

Steve Sutherland  |  Jun 17, 2022
This 180g reissue of the American folk singer's second – and final album – gives Steve Sutherland a chance to sample a voice that's 'best served with whiskey...'

I'm reading a book at the moment called Seasons They Change: The Story Of Acid And Psychedelic Folk by Jeanette Leech. Pretty much on every page there's reference to an artist or band that I've never heard of, which is some going as I like to think I know a thing or two about music. Anyway, with Spotify or YouTube at the ready, over the past few weeks I've sampled the wares of such artists as The Habibiyya, Jan Dukes De Grey, Malicorne and many more.

Steve Sutherland  |  May 17, 2022
The band leader was an unusual but inspired choice for the soundtrack of Otto Preminger's courtroom drama, says Steve Sutherland, as he considers the 180g reissue

Whether life was imitating art or vice versa is a moot point, but whichever way you look at it Joseph Nye Welch was one extraordinary geezer. A partner in a Boston law firm called Hale and Dorr, on the 9th of June 1954 he found himself in court challenging Senator McCarthy to provide 'before sundown' the list of 130 Communists posing a so-called subversive threat in defence plants across the US.

Steve Sutherland  |  Apr 19, 2022
Sondheim and Bernstein's 1957 musical has been reborn as a new Hollywood blockbuster – and a 180g reissue of the original recording. Steve Sutherland reports

The twenty seventh of September 1957, the morning after the night before, and the reviews are in... 'The most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons... a profoundly moving show that is as ugly as the city jungles and also pathetic, tender and forgiving... flaring scores that capture the shrill beat of life in the streets... The astringent score has moments of tranquillity and rapture, and occasionally a touch of sardonic humour… This is a bold new different kind of musical…'

Steve Sutherland  |  Mar 14, 2022
Boasting three of his most cherished songs, this LP would put Stevens in the vanguard of the '70s singer-songwriter movement. Steve Sutherland hears the 180g reissue

In Malibu, it seems, miracles really do happen. 'I was an Englishman. I didn't know it wasn't wise to go out at that time of day and take a swim, so I did. I decided to turn back and head for shore and at that point I realised, "I'm fighting the Pacific". There was no way I was going to win. There was no-one on this earth who could help me so I did the most instinctive thing... I called out to God and said, "God, if you save me, I'll work for you", and in that moment a wave came from behind me and pushed me forward. He saved me... The tide somehow had changed and I was able to get back to land.'

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