Vinyl Release

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Steve Sutherland  |  Oct 31, 2024
Jackson Browne For Everyman Featuring David Crosby, Glenn Frey, Joni Mitchell and more, Browne's second LP is a flagwaver for the 1970s Cali dream. Steve Sutherland hears the 180g reissue

Lana knows what I'm on about. In the song 'Brooklyn Baby' from her brilliant 2014 LP Ultraviolence, Ms Del Rey complains, 'They think I don't understand the freedom land of the '70s'. She was born, you see, in 1985 and Lana - known to her mum and dad as Elizabeth Grant - is deemed by those who should know better to be too young to appreciate the '70s aesthetic.

Steve Sutherland  |  Oct 25, 2024
This 1970 folk-psych album disappeared without trace for three decades. Steve Sutherland sings its praises and salutes its rediscovery as he hears the latest 180g reissue

Awhile back, I entered a vintage store on the outskirts of Indio, California, and happened to spy a vinyl copy of Parallelograms by Linda Perhacs. I lifted it gently down from the shelf. It was a first pressing. On Kapp. Gold-dust! And home it came with me.

Steve Sutherland  |  Sep 11, 2024
Often seen as an attempt to ape The Beatles’ mystical magic, this 1967 oddity, now reissued on 180g, is The Stones at their most ragged, says Steve Sutherland

Following on from last month’s Vinyl Release about brilliant records that nobody else likes but you, I bet I’m not the only one who has an album that, although you’ve played it on and off down the years, even the decades, you can’t decide whether it’s any good or not. On one occasion it may sound great. Significant even, a landmark piece. Other times it just sounds... well, rubbish.

Steve Sutherland  |  Aug 31, 2024
The San Francisco power pop band chased perfection on their second album – and broke up a little over a year later. Steve Sutherland checks out the 180g reissue

It’s a crime, that’s what it is! An absolute outrage! Chances are you feel the same way as I do about a favourite album that no one else in the world seems to give a fig for. I’m not talking about the one that reminds you of your first date or some other sentimental attachment. I’m referring to the LP that was released into an uncaring world and inexplicably ignored when, by every measure you employ to judge a record’s artistic worth, it should have been embraced, applauded, lauded and been top of the charts for weeks on end.

Steve Sutherland  |  Jul 28, 2024
This 1989 classic, now remastered on 180g vinyl, riffed on computer technology and James Joyce’s Ulysses on its way to No 2 in the charts. Steve Sutherland listens in.

It’s October 1989 and we’re chatting with Kate Bush on the occasion of the release of her sixth LP, The Sensual World. This is an album that not only sounds utterly sumptuous but, looking back on it now, appears to predict the spiritual and social upheaval we’re entering today with the growth of artificial intelligence.

Steve Sutherland  |  May 07, 2024
Ex-Happy Mondays stars Shaun Ryder and Bez returned to the top of the UK charts with this rockin', rollin' and rappin' LP. Steve Sutherland applauds its return on 180g

Pinch yourself. You're not dreaming, although it might get a bit Alice In Wonderland a little later on. We are dining al fresco on a terrace overlooking vineyards near Nice in the South of France. At the head of the table is our host, Michael Hutchence, who we have popped over from London to interview.

Steve Sutherland  |  Apr 05, 2024
Blending genres and fusing samples, this 1998 album – now remastered on 180g – cemented Norman Cook's status as the king of Big Beat, says Steve Sutherland

It may well have something to do with the wretched state of the world right now but have you noticed how the 1990s are back in vogue? Celebrated by those who lived through it as a halcyon decade on a par with the legendary 1960s, the '90s are being glowingly reassessed as a time of growth and hope when world politics had not gone totally crazy, we weren't all existing on the breadline, the arts were actually appreciated as something inspirational and worthwhile, and anything seemed within the range of possibility for just about everyone.

Steve Sutherland  |  Mar 15, 2024
Rock tempos and mind-melting guitar solos rub shoulders with down-and-dirty lyrics on a 50-year-old album now remastered on 180g vinyl, says Steve Sutherland

There are a number of reasons why musicians take umbrage with their work being hosted on streaming platforms. Some bridle against the scant renumeration forthcoming. Others have taken a moral stance, unwilling to be considered bedfellows with artists or podcasters who they deem to be politically undesirable. And then there are those who consider the very nature of streaming itself to be artistically damaging.

Steve Sutherland  |  Feb 06, 2024
Now reissued on 180g vinyl, Joni Mitchell's third album found the singer-songwriter perfecting her confessional – and highly influential – style, says Steve Sutherland

It's complicated. There's a song on Blue, Joni Mitchell's fourth LP, which is not the album we're here to celebrate. The track's called 'A Case Of You' and compares the giddiness of getting drunk with being in love. But that's not the type of case I have in mind. The case I'm thinking about is the one associated with a courtroom when the prosecution and defence argue over someone's guilt. In other words, the case of Joni Mitchell.

Steve Sutherland  |  Jan 03, 2024
This album showcases the rule-breaking, genre-busting band in their prime, says Steve Sutherland, as he soaks up the sounds of its 20 songs, reissued on 180g vinyl

My friends and I, we were suit-and-tie guys...' This is Darryl L Lewis speaking. Don't worry, it's unlikely you'll have heard of Darryl. He's one of the people that musician and record producer Questlove invited into the edit suite when assembling the footage for Summer Of Soul, the film he created in 2021 documenting the 1969 Harlem Cultural Festival, which took place on six Sundays between June the 29th and August the 24th at Mount Morris Park (now Marcus Garvey Park) in Harlem, NYC.

Steve Sutherland  |  Dec 06, 2023
Britpop, Britart and gangsta grooves... Steve Sutherland hears the 180g reissue of a collection of slick 'n' snappy tunes used as the soundtrack to a hit '90s UK crime caper

We've just cleared customs at JFK and the six of us have piled into a stretched limo laid on by a mate who's in New York working with The Spice Girls. Karen, the limo driver, takes us straight to a club none of us will ever know the name of. It's one of those exclusive establishments with a frontage resembling a hole in the wall. No signage or anything as gauche as that.

Steve Sutherland  |  Nov 07, 2023
This landmark album rewrote the folk rulebook, but that didn't stop the band splintering before it was released. Steve Sutherland hears the recent reissue on 180g vinyl

Way back in the day, I was telling Jerry Garcia of The Grateful Dead about one of those weird cartoons that used to pop up in episodes of Monty Python's Flying Circus on the telly. The particular cartoon in question featured a giant big toe, sliced off at the joint, which had been re-assembled as the tip of the trunk of some kind of prehistoric mammoth – an error in extrapolation which sought to ridicule scientific assumption in a similar vein to the way the Pythons mocked religion and politics, etc.

Steve Sutherland  |  Oct 06, 2023
Four years in the making, this swansong album from the electronic music pioneers swapped samples for session musicians. Steve Sutherland celebrates its brilliance

What if you could reinvent your life and have another go at it, starting somewhere, somewhen else? Me, I'd opt to have been born a decade earlier and I'd have moved to Los Angeles in 1965, aged 17. That way I'd have been hanging around the Sunset Strip in 1967 where, at the Whisky A Go Go alone, I'd have seen Love, The Doors, The Byrds, Jimi Hendrix, Buffalo Springfield, Moby Grape, Spirit, Janis Joplin, and Them with Van Morrison. I might even have hopped a short haul or thumbed a ride to Monterey where the Pop Festival was, as they say, happening.

Steve Sutherland  |  Sep 06, 2023
This debut record didn't launch the band to stardom, but remains much-loved by fans and the musicians it influenced. Steve Sutherland hears the 180g reissue

A funny thing happens when you get to a certain age and you've had a bit of a past life; people start writing about you. You crop up in their memoirs or they mention your name in interviews and reminiscences. As a rule these things are best avoided, especially if you're thin-skinned about personal criticism, although I can mostly handle the contrary opinions and character assassinations, writing them off as differences of perspective or sour grapes.

Steve Sutherland  |  Aug 11, 2023
This fifth album by the glam rock/hair metal pioneers from Finland (and Leamington Spa) should have been the start of something beautiful, says Steve Sutherland

Let's say you are walking along Shaftesbury Avenue in London in the general direction of Cambridge Circus. It is the mid 1980s. Maybe you've been to the Shaftesbury Theatre just over the road to see a show. Or maybe you've just been for a dip in the Oasis swimming pool next door. Whatever, you've worked up a bit of a thirst so you duck through the door of the Oporto public house, just on the corner opposite St Mungo's home for the homeless, and take the couple of steps to the bar.

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