From crude prototype in 1938 to its initial production run in 1947, the Klipschorn was founder Paul W Klipsch's 'cornerstone' horn loudspeaker. How does it fare today?
Viewed from a modern perspective, there's more than an element of 'forget everything you know' about the latest incarnation of the Klipsch Klipschorn AK6, a classic now heading for its 80th birthday. It was designed in 1946 from earlier prototypes by company founder Paul W Klipsch – officially described by the US brand as 'genius, madman and maverick' – in an Arkansas tin shed, and it's been continuously made and refined ever since.
This downsized, but perfectly-proportioned, facsimile of B&W's 801 D4 flagship is smaller in all but sound...
It's all good and well lusting after a flagship like the B&W 801 D4 [HFN Nov '21], but not everyone has the means or opportunity. Cue the 803 D4, which is a modestly downsized version costing (nearly) half the price. Intriguingly, it also utilises the same technology and similarly designed drivers as the 801 D4, including the trademark turbine head.
Hi-fi's 'go-to' speaker innovator, Andrew Jones, is behind MoFi's first loudspeaker – a robust standmount featuring a dual-concentric driver with nothing less than a 10in cone
Launched in the 1970s as an audiophile-grade record label, Chicago's Mobile Fidelity has acquired a celebrated reputation among vinylistas, particularly for its One-Step pressings [HFN May '17]. Its move into the world of vinyl replay in 2016, under a new MoFi Electronics division, was arguably a long time coming. The range now extends to cartridges [HFN Jan '22], phono preamps [HFN Mar '20], and three turntables – the StudioDeck [HFN Jan '20], UltraDeck [HFN Jul '19] and the luxurious, Fender-branded PrecisionDeck. And the next obvious step? Loudspeakers.
Less than a year after PS Audio launched its inaugural loudspeaker, this flagship floorstander has already inspired a trickledown sibling. Will the FR20 unseat the FR30?
The advice given by Apple's Steve Jobs to 'Start small, think big' is pretty sensible, going hand in hand with that old saw about not trying to run before you can walk. That recommendation seems to have eluded Colorado-based company PS Audio, which launched its speaker line last year with the big aspen FR30 [HFN Jun '22], arriving in the UK with a price tag now running at £30,000, and clearly aiming high straight out of the box.
The smaller of DeVore's 'Orangutan' loudspeakers still achieves that elusive goal of offering high sensitivity and an amp-friendly load, but without full-fledged horn-loading
Here's a platitude which should adorn a t-shirt made mandatory attire for all audiophiles: 'It's OK To Like More Than One Thing'. In my view, hi-fi is no more cut-and-dried than wine, cars or shoes. Components are not mutually exclusive. With speakers in particular, there are more competing, different-sounding technologies than just about any other part of the chain. And what DeVore Fidelity has in its £9998-per-pair Orangutan O/93 is a design which ticks numerous boxes, all the better to alleviate any guilt about loyalty to a single topology.
The third iteration of B&W's 703 floorstander is the first to feature the brand's iconic 'tweeter-on-top' module
Although a major player in the domestic hi-fi market, B&W's loudspeaker catalogue appears relatively streamlined – beginning with the entry-level 600 series and crowned by the flagship 800 series, and with these latest 700s sandwiched in-between. This lineup, which we're told is aimed both at 'performance-orientated' audiophiles and 'non-specialist' buyers, surely marks B&W's sweet spot. And that's certainly an apt description for the 703 S3s auditioned here.
These 'artisanal' speakers hail from Spain and combine Purifi and Mundorf driver tech with Krion cabinets
These days we could probably name no more than 11 or 12 manufacturers of TVs, but ask us about loudspeakers and you'd fall asleep before we'd got as far as companies beginning with the letter 'D'. The industry appears to be in rude health, with models to suit all tastes and budgets, and there are plenty of options that you might not have come across before. Kroma Atelier's Stella Xtreme perhaps being one of them.
Do your speakers make the earth move? If not then Alta Audio may have the answer with its XTL bass loading...
Alta Audio, likely a new name to most UK hi-fi enthusiasts, was created with the idea of finding new solutions to old problems. Founded over 30 years ago in New York, USA, its £10,000 Alec floorstanders are the central models in its Statement series, above the standmount Alyssa and below the magnificently monikered Adam.
For over 40 years and two generations, this family-run speaker specialist has epitomised the best of Danish design
Everything about the Audiovector R 8 Arreté is impressive, from the size and scale of the speaker – it stands 144cm tall and weighs over 72kg – to the seemingly fiendish complexity of the design, which appears to have drivers firing and venting in all directions. The piano-lacquered Italian Burl Walnut veneer, seen here, is gorgeous too, and offered alongside Italian Grey, black and white finish options.
Anniversary celebrations continue with this four-strong Magellan series and trickle-down from the 'Grand Concert'
Historically, the city of Soissons in the north of France played a major role in the First World War. But for the last 40-plus years, to hi-fi buffs it's been better known as the home base of Triangle, one of France's major loudspeaker brands. It's a company that decidedly loves to celebrate birthdays, as after launching limited Anniversary models of the Antal [HFN Sep '21] and Comète last year, it has yet another festive offering – this time a complete range encompassing four loudspeakers and two dedicated stands. Strictly speaking, Triangle was founded in 1980, which makes it nearly 43 years old. Yet with the last few years being what they were, the brand has had to wait patiently before unpacking all its anniversary cadeaux.
It's V for Victory as Wilson's Alexia loudspeaker is more than simply 'tickled-up' with a host of detailed revisions
Ah, the sweet spot! Positioned in the exact middle of a seven-model range of Wilson Audio floorstanders, between the Sasha DAW [HFN Mar '19] and Alexx V [HFN Jan '22], the new Alexia V – by accident or design – now occupies that most coveted of spaces. One of hi-fi's inexplicable phenomena, a 'sweet spot' seems to exist in pretty much every hi-fi model range, from turntables to amps to speakers, when a stand-out in performance relative to size and cost just happens. Yes, the new Alexia V is that special.
The smallest of the five-strong standmount/floorstanding Peaks series from YG Acoustics promises to move mountains
Depending on your age, there's the potential for confusion in the naming of YG Acoustics' latest loudspeakers. The Peaks series is inspired by the Rocky Mountains looming over YG's base a few miles outside Denver, and most of our readers will be from generations with 'life experience', and upon hearing the title 'peak' will likely associate it with products of aspirational quality. In the argot of London teenagers, however, 'peak' is now taken to indicate unexpected bad luck. In truth, the recent collaboration between Cambridge Acoustic Sciences and YG's mid-US manufacturing base has been nothing but fortuitous.
Years in the making, DALI's KORE flagship breaks cover and it's a triumph of engineering, style and superlative sound
There are many ways to express that emotion of delighted surprise when encountering something unexpected: everything from the archaic 'Gosh' or 'Goodness', through the more contemporary low whistle or 'Wow', or even the kind of expletive never found in these pages. Meanwhile, the Blessed Google suggests that the Danes might say 'hold da helt ferie', literally 'take a whole vacation', which I guess is somewhere close to the American 'get outta here'. But for those of us brought up on British films of the latter part of last century, perhaps the best reaction to these new DALI flagship speakers is just to mention their name, perhaps followed by 'blimey' for the full effect.
The largest standmount in AVID's all-alloy Reference range is bigger and heavier than most floorstanders...
Standmount speakers – it's easy to see why they're popular. They're relatively compact and light enough to position with ease, whether on bookshelves or stands. They aim to offer a compelling sound in smaller spaces, are affordable, often due to mass-production overseas, and can be driven with ease by relatively modest amplification. Trouble is, the AVID Reference Three, while undeniably a standmount speaker, flies in the face of all the above.
One-time royalty of the horn-loaded full-range driver, Lowther is reclaiming its crown. We hear the 'princess'
Although I am no devotee of horns, I adore two of the genre's specialists, Lowther and Klipsch, and recall the delights of the former's Bicor and Acousta. But I had thought Lowther had joined other defunct brands until I met Martin Thornton in late 2019, at the last pre-Covid Tonbridge Audiojumble. I was overjoyed to hear that he had acquired the company's remnants, designs, name and everything else needed to relaunch it. Three years on, and he's arrived with an all-new Lowther, dubbed the Almira.