Integrated Amplifiers

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Review: Tim Jarman, Lab: Paul Miller  |  Oct 12, 2025  |  First Published: Oct 01, 2025
hfnvintage

The 1970s was a bumper decade for massive integrated amps and receivers although these big beasts of the audio jungle often remained something of a rarity in the UK

Big stereo receivers never made much of an impact in the UK, but this did not stop the importers servicing the large Japanese manufacturers from offering them from time to time. Pioneer, Marantz and Kenwood all boasted full-fat machines with colossal power output ratings stretching into hundreds of watts per channel – these numbers far in excess of British audiophiles’ experience. Add to this list Sansui, a brand that always had heavyweight models at the top of its ranges. The 7070 model seen here is typical of the breed – it was introduced in 1976 and remained in the catalogue until 1978.

Review: Ken Kessler, Lab: Paul Miller  |  Sep 14, 2025  |  First Published: Sep 01, 2025
hfnoutstanding‘Embracing the future/celebrating the past’, says Quad as it launches its first integrated, styled after the 22 control unit from 1959 and equipped with digital tech from today

Many moons ago I learned about the lack of sense in making predictions, as they usually prove wrong. Despite this I’m happy to posit that we are entering two ‘Golden Ages’. The first appears to be that of superb integrated amps appearing in a flood, including the Marantz Model 10 [HFN Jun ’25], D’Agostino’s Pendulum [HFN Jul ’25] and the Musical Fidelity Nu-Vista 600.2 [HFN Aug ’25]. But they are all high-end units. By contrast, the Quad 3 has a list price of only £1249, and it blew me away.

Review: Tim Jarman, Lab: Paul Miller  |  Sep 14, 2025  |  First Published: Sep 01, 2025
hfnvintageThe 1980s saw the pursuit of low-distortion amplifiers reach its peak. The big brands all had skin in the game but Technics was vying to be market leader with its ‘New Class A’

Consumer Electronics products are traditionally marketed on the basis of progress and technological improvement, and the hi-fi scene is no exception. Amplifiers were already a mature technology in the early 1980s, following big advances in low noise circuitry, robust complementary power transistors, DC coupling and high-speed operation. With these fundamentals in place the larger manufacturers turned their attention to exotic power supplies, remote controls and system integration, equalisers and frequency spectrum displays, special inputs for CD players and, of course, ever more output power to entice customers to upgrade.

Review: Mark Craven, Lab: Paul Miller  |  Aug 26, 2025  |  First Published: Aug 01, 2025
hfnoutstandingFifteen years after the French boutique brand stunned the hi-fi world with its unique ‘Analogue/Digital Hybrid’ D-Premier amplifier, the technology gets a reboot... and an app

French audio marque Devialet has been on quite a journey. Its first product, in 2010, was the D-Premier [HFN Apr ’10], an innovative integrated amplifier showcasing the ADH (Analogue/Digital Hybrid) topology of designer/company founder Pierre-Emmanuel Calmel and colleague Mathias Moronvalle. Eye-catchingly designed, thrillingly innovative and a sonic marvel, Devialet’s amplifier was a shot in the arm for the hi-fi industry.

Review: Ken Kessler, Lab: Paul Miller  |  Aug 16, 2025  |  First Published: Aug 01, 2025
hfnoutstandingHow do you improve on a classic valve amp? Japan’s AirTight has been making its ATM-1 stereo power amplifier since 1986, and it’s now been revised for its third generation

A wish fulfilled? I have already admitted in an ‘Off The Leash’ column [HFN May ’24] that, among the products I’ve never owned, I ‘lusted after’ an AirTight amplifier. So this review was accompanied by more than the usual sense of expectation, this legendary amplifier already relaunched last year as the 2024 Edition, but now officially called the ATM-1e (£8295).

Review: Mark Craven, Lab: Paul Miller  |  Aug 13, 2025  |  First Published: Aug 01, 2025
hfnoutstandingSharing the same casework as its Nu-Vista PRE and 800.2 amplifiers, Musical Fidelity’s ‘lower powered’ 600.2 nuvistor/bipolar hybrid integrated is no less of a big beast...

Two years ago, when Musical Fidelity relaunched its Nu-Vista hardware line with the four-box PRE/PAS amplifier system [HFN Mar ’23], owner Heinz Lichtenegger – whose Audio Tuning company had acquired the brand in 2018 – confirmed plans for two sibling integrated amplifiers. The first of those, the 800.2, surfaced a few months later [HFN Aug ’23]. Now, perhaps belatedly, comes the turn of what Lichtenegger told us would be the ‘lower-power’ Nu-Vista 600.2.

Review: Ken Kessler, Lab: Paul Miller  |  Jul 24, 2025  |  First Published: Jul 01, 2025
hfnoutstandingThe first ‘entry-level’ D’Agostino amp was never going to be a budget offering, but the Pendulum integrated still swings the dial in the direction of ‘affordable’. Start the clock...

Shall we first dispense with the debate about what constitutes ‘expensive’? Just as ‘luxury’ means anything more than you need, ‘expensive’ means anything more than you’re prepared or able to spend. I’m not about to gloss over the fact that £18,000 for a stereo amplifier isn’t chicken feed to most of us, even in a world of amplifiers costing 30 times that amount.

Review: Mark Craven, Lab: Paul Miller  |  Jul 24, 2025  |  First Published: Jul 01, 2025
hfnoutstandingCompact, flexible and a significant refinement over the original, the ‘Black Edition’ of Unison Research’s Triode 25 integrated is a gateway to tube sound without the hassle

Hailing from Treviso in northeast Italy, Unison Research is a brand with an obvious love of tubes, to the point that you half expect to find a hot bottle or two incorporated in its Malibran and Max loudspeakers. Its CD players, the Unico CD Uno and Due [HFN May ’16], have tube-based output stages, while the solid-state amps in the same series have tube-based inputs. But the company is best known for its all-tube amplifiers, of which there are 15 spread across integrated, pre and power ranges.

Review: Mark Craven, Lab: Paul Miller  |  Jun 22, 2025  |  First Published: Jun 01, 2025
hfnoutstandingMarantz returns to the premium hi-fi sector with a trio of heavyweight flagship models including an SACD player/DAC, integrated amplifier and network-attached preamplifier

At the tail end of 2020, when Marantz released its Model 30 amplifier [HFN Jan ’21], the name paid homage to the brand’s Model 1 preamp of 1954 while the chassis styling nodded at past Marantz designs from hi-fi’s ‘golden age’. However, this was not a case of the New York-born (but now Japan/California-based) company jumping headfirst into the so-called ‘nostalgia economy’ with a retro/vintage-inspired product, more the first step in a complete overhaul of its brand image. Since then, there have been various additions to the new-look Model catalogue, but all have sat below the Model 30. Until now...

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 01, 2025  |  First Published: Apr 01, 2025
hfnoutstanding Denon’s first big integrated since its Anniversary PMA-A110 model, launched five years ago, is designed to tug the heartstrings of traditionalist audiophiles. Are you one?

Denon updates its AV receivers at the drop of a hat, but its stereo amplifiers typically enjoy a far longer shelf-life. Side-stepping its 110th anniversary PMA-A110 model [HFN Dec ’20] for a moment, the brand’s previous flagship, the PMA-2500NE [HFN Aug ’16], illustrates this longevity. Nonetheless, there’s a direct line between the PMA-A110 and the £2999 PMA-3000NE tested here, as numerous hardware tweaks devised for that limited edition model underpin Denon’s new stereo integrated.

Review: Mark Craven, Lab: Paul Miller  |  May 30, 2025  |  First Published: Nov 01, 2024
hfnoutstandingIndustry ‘disrupter’ WiiM continues its campaign to shake up the audio scene with another comprehensively-equipped streamer, this time with a Class D amp on board

If I had a pound for every time I’d heard someone talking about WiiM in the last year I would easily be able to afford the £329 streaming amplifier auditioned here. Since its arrival in the UK in 2023, WiiM – the consumer-facing brand of California-based smart technology company Linkplay – has earned a reputation for compact, networked hi-fi products that combine wide feature sets and a forward-thinking control app, but at prices that would have seemed like science-fiction just a few years ago.

Review: Jamie Biesemans  |  May 28, 2025  |  First Published: Nov 01, 2024
hfnedchoice Produced under the watchful eye of Monitor Audio, Blok’s modular ‘hi-fi furniture’ combines acoustic engineering with contemporary design.

As the EISA Awards jury noted this year [HFN Oct ’24], AV furniture is ‘often overlooked… but has a crucial part to play’. Monitor Audio would agree, and having acquired Blok in 2019, it has launched a redesigned Stax 2G system this summer. Retaining its predecessor’s wooden box-like supports and full-width shelves, the improved modular form-factor promises to be easier to configure and assemble.

Review: Jamie Biesemans, Lab: Paul Miller  |  May 27, 2025  |  First Published: Nov 01, 2024
hfnoutstandingA fusion of Yamaha’s hi-fi audio technologies with the proprietary Sound Field modes debuted on its AV hardware decades ago, the HA-L7A is a headphone amp with a twist

For a brand name that appears on very diverse products, from grand pianos to outboard motors, it’s amazing that Yamaha has little in the way of high-end head-fi – the company was a very early adopter of planar-magnetic headphone technology, after all. The HA-L7A DAC/headphone amp is the second product launched to address that deficiency, following on from the YH-5000SE headphone, which garnered an EISA Award last year and is a spiritual successor to the legendary HP-1 from ’76.

Review: Andrew Everard, Lab: Paul Miller  |  May 02, 2025  |  First Published: Nov 01, 2024
hfnoutstandingNaim Audio’s latest single-box solution takes the Uniti Nova, with its NP800 streaming platform, and swaps out the Class A/B amplifier for a higher power Class D engine

The term ‘game-changing’ is widely overused, but it’s fully justified in the case of Naim’s original Naim Uniti. Launched in 2009, it was in the vanguard of CD/streaming/amplifier products, a concept now more widely adopted in the past decade and a half. And in the 15 years since the original Naim Uniti appeared, the company has continuously developed the technology inside the series, not to mention spinning it off into component network players and its Mu-so network speaker systems.

Tim Jarman, Lab: Paul Miller  |  May 02, 2025  |  First Published: Oct 01, 2024
hfnvintage A child of the Rank Organisation, the Linton can trace its roots back to the Leak Delta 30 and Stereo 30 Plus before it. We travel back to Wharfedale’s (early ’70s) halcyon days

The Wharfedale Linton loudspeaker is one of those hi-fi products that seems to have been around forever. It has been produced in many forms and is still with us today in ‘Heritage’ guise. The original Linton, Super Linton and Linton 2 were all strong sellers in the 1960s and ’70s and many listeners will have heard, owned or borrowed a pair at some stage. Lesser known was Wharfedale’s complete Linton system, which was offered in hi-fi’s boom years of the early 1970s. It is the amplifier from the first version of this which we are looking at this month.

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