Review: Jamie Biesemans

Review: Jamie Biesemans,  |  Jul 21, 2022  |  0 comments
hfncommendedThe game of one-upmanship between portable headphone DACs and DAPs continues with Astell&Kern's 'triple amp' SP2000T featuring a KORG Nutube for 'tube warmth'

Far from listening rooms filled with huge monoblocks and heavier-than-a-grown-man loudspeakers, a few brands are catering to another class of enthusiast by taking the concept of a digital audio player (DAP) to new heights. Astell&Kern, a spin-off from Korea's iRiver, crafts very sophisticated pocket hi-fi that's light years removed from the humble iPod.

Review: Jamie Biesemans,  |  Jun 20, 2022  |  0 comments
hfnoutstandingFor 50 years and two generations Germany's Canton has been building 'audiophile' loudspeakers. We catch up...

The Reference lineup from Canton marks the apex of its engineering thinking, combining years of experience with new computer modelling software and a freshly built testing laboratory. Given 'free rein', its designers came up with no fewer than nine separate models for the new Reference K series, including six floorstanders, one standmount, a centre channel speaker and a 750W-rated active subwoofer for home theatre applications.

Review: Jamie Biesemans,  |  May 16, 2022  |  0 comments
hfnoutstandingWhile Marantz's new 40 series shares its industrial design with the Class D Model 30, its core networking and Class A/B amp technology borrows from an earlier generation

By all accounts stylish, network-attached amps, including Cambridge Audio's Evo 150 [HFN Nov '21] or the compact NAD M10 and C 700 [HFN Jun '19 & Feb '22], are carving themselves a successful niche. So it's not surprising that Sound United, parent of Marantz, is making its own pitch. Marantz traditionalists needn't fret, however, for while the new £2199 Model 40n includes high-res wired/wireless streaming, USB and HDMI ARC inputs, the chassis is properly hi-fi-sized and the aesthetics are pure 'Marantz'.

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