Review: Andrew Everard

Review: Andrew Everard,  |  Jan 03, 2022  |  0 comments
hfnoutstandingLook beyond the ostentatious livery and tongue-in-cheek labelling, and darTZeel's flagships are revealed as sensational amplifiers, with a sound as imperious as it is refined

If you want an amplifier with a face, not a fascia, start saving up for a darTZeel. Designer Hervé Delétraz has a sense of humour – turning an on/off button into a 'nose' with selector/volume knobs as bulbous eyes and grinning LEDs beneath. Then there's this Swiss manufacturer's mix of golden fascias and red casework, already iconic as the brand's house style over its two decade timeline.

Review: Andrew Everard,  |  Dec 13, 2021  |  0 comments
hfnoutstandingThe latest additions to Chord Electronics' range don't immediately give up the secrets of what they do – but dig deeper, and you'll find they're intriguing digital components

There are times when one might think Kent-based Chord Electronics is being wilfully abstruse in its selection of model designations. After all, its flagship DAC is called DAVE [HFN Apr '16], and its pocket-sized DAC/player combination is the Mojo [HFN Jan '16] and Poly. Then there's the portable Hugo DAC/headphone amp, now in both Hugo 2 [HFN Aug '18] and less-portable Hugo TT (for 'tabletop') versions [HFN Dec '15], to which the company has now added two extra units, named 2go and 2yu.

Review: Andrew Everard,  |  Dec 02, 2021  |  0 comments
hfnoutstandingA new 800 series, and a return to the original 801 name, but the 801 D4's enhancements are more than skin deep

Some six years since the arrival of the Bowers & Wilkins 800 Series Diamond range, and over 40 years after the launch of the company's original 'no compromise' 801 model [Audio Milestones, HFN Jan '13], here we are with an all-new flagship lineup for the Worthing-based company. The timing's about right: in the rolling programme of upgrades, we've seen the 600 and 700 series replaced since the 800 D3 models broke cover [HFN Dec '15], and the company makes no secret of the fact that work started on these new 800s almost as soon as the last generation was released.

Review: Andrew Everard,  |  Nov 18, 2021  |  0 comments
hfnoutstandingArguably the most durable model in the Kudos catalogue, the C20 has witnessed a graceful 12-year evolution

As is so often the case, last time I was at a hi-fi show – c'mon, you remember shows – I was amused by the reaction of a visitor. Having listened to a fully active system using Naim electronics and a pair of Kudos Titan speakers, 'Hmmm,' he said to no-one in particular, and with deadpan seriousness, 'Not bad for a stand company…'. Well, stands may have been the beginnings of Kudos, but it's come a long way since then.

Review: Andrew Everard,  |  Nov 15, 2021  |  0 comments
hfnoutstandingOriginally inspired by Class D maven Bruno Putzys, the innovative Mola-Mola brand returns with a fully integrated version of its separate amp, DAC and phono technologies

Never judge a book by its cover… or an amplifier by its industrial design. Take the Kula integrated amplifier from Groningen-based Mola-Mola – at first glance you may raise an eyebrow at this relatively compact, if solidly-built and undeniably stylish, integrated amplifier's £9900 price-tag. Then, complete with optional onboard DAC (£5999) and £1799 MM/MC phono stage, it adds up to just under £17,700 – well, that should raise the other brow into an expression of some shock.

Review: Andrew Everard,  |  Nov 11, 2021  |  0 comments
hfnoutstandingBuilt as a 'box within a box', and promising a slicker all-round performance, Auralic's G2.1 series now extends to the fully-fledged Altair streaming DAC/preamplifier

We've commented previously on the similarity – at least in styling – between many of the products in the Auralic range, and here's another head-scratcher in the form of the Altair G2.1. It's only a little more than the Aries G2.1 'Wireless Streaming Transporter' [HFN Feb '21] – £4599 plays £4199 – yet this model, designated a 'Digital Audio Streamer', is a much more comprehensive product. It comes complete with onboard DAC, a preamp that allows it to drive a power amp or a pair of active speakers directly, and there are even analogue inputs – a line level and MM phono – to reinforce that role as a complete system hub.

Review: Andrew Everard,  |  Nov 01, 2021  |  0 comments
hfnoutstandingWith radical styling, serious room-heating ability and possibly the highest price per Watt ever seen in these pages, these Swedish power amps are the result of a family obsession

To misquote Sly & The Family Stone just a little, Swedish hi-fi company Engström – it only makes tube amplifiers – is a family affair. Founded by engineer Lars Engström and his industrial designer nephew Timo as recently as 2008, the company is based in Lund, just northeast of Malmö, and has its R&D HQ some 600km away in Nacka, south of Uppsala on the Baltic Sea coast. The division of labour in the company sees Lars Engström as chief engineer, having given up work in fields as diverse as navigation, microcomputing and railway signalling systems in 2001 to concentrate on amplifier development, while his nephew is responsible for the look of the products, and the company operations.

Review: Andrew Everard,  |  Oct 18, 2021  |  0 comments
hfnoutstandingIf it isn't broken, don't fix it... but Simaudio's MOON 280D outboard DAC is certainly enhanced by the addition of the updated MiND 2 streaming module and app

There are two ways to make a network music player. One is to take a streaming platform and integrate a DAC to provide analogue outputs, while the other is to start with a DAC and then build in the network playback capability. The two approaches have their strengths and weaknesses. Typically, the network player with DAC will be just what it says: a full-featured machine, usually complete with a display, but with limited connectivity for external digital sources. The DAC with streaming, meanwhile, will commonly have more digital ins, but sometimes less network audio capability.

Review: Andrew Everard,  |  Oct 11, 2021  |  0 comments
hfncommendedThe middle model in Scansonic's trio of M-series loudspeakers is one of the growing breed of 'compact floorstanders'

Take a look at these Scansonic floorstanders, and you'll notice they look big and impressive, especially for speakers selling for a sensible £1499 in very on-trend black or white silk finishes. But don't let our photographs of the M20 fool you for those mid/bass drivers are just 10cm in diameter – or four inches in old money – and the baffle a few cm wider still. Recalibrate your view based on those figures, and you'll realise these speakers are well short of a metre tall – 93.5cm, in fact – and that, if not quite knee-high to a grasshopper, means these aren't what you'd call 'room-dominating'.

Review: Andrew Everard,  |  Sep 30, 2021  |  0 comments
hfnoutstandingThe no-nonsense mountain-inspired aesthetic is unmistakable, but despite the heady pricing this pre/power amp combo is from one of Boulder's more affordable ranges

It's the style of the Boulder 1100 series amplification that grabs you first – very different from the common image of US-made high-end hi-fi, even if the £30,000 1160 stereo power amp lives up to at least some of the stereotype with its 61.2kg mass. Instead of the usual scattergun buttons, grab-handles and menacing – not to mention finger-slicing – heatsinks so common in products of this type, seemingly built with no concession to domestic acceptability, the Boulder power amp and its matching £22,500 1110 line-only preamp have a much softer look.

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