The compact SabrinaX floorstander has been reimagined from top to bottom, resulting in the aspirational Sabrina V
Everywhere, from the alphabet to Roman numerals, V comes before X, so you might expect Wilson Audio’s Sabrina V to be a lesser version of the SabrinaX model [HFN Dec ’20], which was an upgrade of the original Sabrina [HFN Aug ’15]. Not so: the Sabrina V is a redesigned and rethought version of the X, with changed and improved components, sharpened up styling, and a significant price increase.
This month we review and test releases from: Frank La Rocca/Richard Sparks, Vijay Iyer, Linda May Han Oh and Tyshawn Sorey, Thomas Strønen, Exponential Ensemble, and Reverso
Off-the-shelf chipsets are firmly off the menu for Italy’s Aqua as the brand evolves its unique take on the NOS ‘ladder DAC’ concept... now with a FET/tube output stage
This DAC, to reveal its full name, is the La Scala MkIII Optologic, the third generation of a design from the Milan-based company whose name has nothing to do with water, but instead stands for ‘Acoustic Quality’. Said to be ‘more than a simple upgrade of our La Scala DAC’, this latest version sells for £7850 in grey Nextel powder-coated aluminium casework with either a black or silver finished aluminium fascia.
First came the three-box Lina headphone amp/DAC, followed by the Lina and Lina 2.0 DACs, the latter tickled-up again with the addition of volume and a full-width chassis
On recent form, the £13,500 dCS Lina DAC X could almost be considered ‘conventional’. Following on the heels of the Lina headphone amp system [HFN Nov ’22], and the massive – and massively pricey – multibox Varèse player [HFN Feb ’25], complete with separate mono DACs and the option of an SACD/CD transport add-on, the Lina DAC X looks dangerously like any number of models from rival companies, from its proportions to the inclusion of a front-panel rotary volume.
This month we review and test releases from: Joseph Fort/King’s College Choir; Pilc Moutin Hoenig; Trygve Seim & Frode Haltli; Alice Zawadzki, Fred Thomas, Misha Mullov-Abbado; Ruth Wilhelmine Meyer.
The C series is one of four speaker ranges from Audio Group Denmark’s Børresen Acoustics. We start with the standmount
'Where meticulous engineering meets creative artistry', says Audio Group Denmark of its Børresen loudspeakers. This is a not unfamiliar claim, but there’s no denying that the tall-yet-slender C1 looks suitably distinctive. Available in black or white piano lacquer finishes at £15,000 a pair, they stand just under 43cm tall, or a little over 112cm with the supplied stands, while the enclosure itself is a mere 20.4cm wide.
Big, bluff and promising plenty of bass from its 38cm woofer, the flagship of the French speaker company’s range combines an imposing presence with old-world charm
Standmount? Or floorstander? It’s a question faced by many hi-fi enthusiasts. On one hand there’s the potential for a tight, clean sound from a smaller enclosure, albeit with the need for a stand to bring the speaker up to listening height and stabilise it. Meanwhile, the argument for floorstanding speaker designs involves the possibility of a bigger, more forceful presentation, often taking up no more floorspace than that smaller speaker on its stand. Then again, which design is more aesthetically pleasing is very much a matter of taste...
Although selling for under £1000, this DAC/headphone amp is the flagship model
of Chinese audio marque FiiO. Is the compact but versatile K17 a game-changer?
Underestimate the new generation of Chinese hi-fi manufacturers at your peril, because we’ve come a long way from cheap knockoffs of famous products, inexpensive music players and the like. Just as in the electric car industry, where Chinese companies are showing they have the skills and technology to match the very best, so it is in hi-fi, where brands including Eversolo [HFN May ’25] and FiiO – whose latest product, the £829 K17, we have here – are proving they can develop and innovate.
Korea’s HiFi Rose launches its second-generation streamer/DAC flagship with onboard storage facility, more powerful DSP, improved connectivity and Full HD touchscreen
A rose by any other name is still a HiFi Rose? Well yes, it can appear that way: since it first arrived on the hi-fi scene, the Korean company has launched a head-spinning barrage of products, all of which can, at first glance, look rather similar. However, what’s been going on is a policy of expanding the appeal of the range upwards, downwards and outwards – the last, for example, by adding its own lineup of amplifiers – and introducing a programme of upgrades along the way..