The largest standmount in AVID's all-alloy Reference range is bigger and heavier than most floorstanders...
Standmount speakers – it's easy to see why they're popular. They're relatively compact and light enough to position with ease, whether on bookshelves or stands. They aim to offer a compelling sound in smaller spaces, are affordable, often due to mass-production overseas, and can be driven with ease by relatively modest amplification. Trouble is, the AVID Reference Three, while undeniably a standmount speaker, flies in the face of all the above.
Aimed at very high-end headphone users, dCS's Lina Network DAC, Master Clock and Headphone Amplifier might also be the ideal compact system front-end for audiophiles
Headphone use has changed in recent years, from something to be endured through necessity to its own subset of hi-fi listening, with no shortage of ambitious and upmarket hardware currently available. Now dCS is on that bandwagon, for while it's been busy launching its APEX DAC technology for its 'full-size' offerings [HFN Jun '22] it's also developed the Lina, which is not so much a headphone amp as a complete playback system.
Matrix Audio's Element X2 introduces design, control and input upgrades to the X's network DAC/headphone amp and preamp. All this and a colour touchscreen to boot
At first glance, one might wonder why Matrix Audio felt any need to update its Element X network DAC [HFN Jan '21], the latter receiving our 'Outstanding Product' tag at £2795. However, look at this new X2 model and – while it's still conceptually the same, with a broad retention of technology from the ESS ES9038PRO DAC to the Crystek clock – it's clear much has also changed.
Auralic's latest streamer/DAC combines with its upsampling processor, and at first glance there seems to be some duplication of effort. So how do they work together?
The trouble with many modern hi-fi ranges is trying to work out what each of the boxes does. I've recounted before the tale of the tower of identical-looking Linn components stacked up in the premium lounge of a well-known airline, and the amusement there was in watching 'elite' passengers trying to work out where to insert their Dire Straits CD. Similarly, Auralic also has a wide range of digital devices, and given that they all look alike, it's sometimes hard to work out what does what.
Germany's 'Sound Performance Laboratory' has launched its largest stereo power amp yet. We pair the s1200 with SPL's Elector preamp for a big-hearted, all-analogue system
Based some 40 minutes west of Düsseldorf, SPL sounds like an attractive prospect for those who like their music loud – though in this case the name has nothing to do with Sound Pressure Level, standing instead for 'Sound Performance Laboratory'. Mind you, the promise of room-shaking raises its head again with the new flagship power amplifier in the company's domestic – or 'Professional Fidelity' – range, which promises 'Mastering Grade Listening'. The new Performer s1200 (£6499) may only measure a smidge under 28cm wide and a little over 20cm tall, making it a tiddler in the pantheon of high-end stereo power amps, but it's still capable of a claimed 300W/8ohm, rising to 520W/4ohm. This should be more than enough for even the most demanding speakers and level-hungry listeners.
Engström's pursuit of the 'pure Scandinavian Sound' reaches its peak in the ARNE amplifier – a triode tube amplifier that takes aim at solid-state competition
This isn't our first encounter with the valve amplification from Swedish company Engström, the ERIC Encore power amps [HFN Oct '21] lighting our blue touch paper of interest. The ARNE integrated amplifier, its 'entry-level' offering, is quite possibly an amp best suited to what comedy writer Danny Robins made famous as 'The Cold Swedish Winter', it also doubling as potent heat source. The curvaceous glass cover protecting the pairs of power triodes gets very warm indeed, so this amp needs plenty of 'fresh air'.
Now in mkII guise, Lindemann's network-attached DAC and analogue preamp sees a raft of internal updates and the promise of 'production secured for upcoming years'
Look at the latest iteration of Lindemann's network music player, the £3450 Musicbook Source II, and you'd be forgiven for thinking that nothing much has changed [HFN Jun '20]. This is still a compact unit, just 28cm wide and a mere 6.3cm tall, with nothing much on show save a power/standby button sunk into one end of the top-plate and an edge-mounted volume control, with a push-to-mute function, at the other.
This well-established German brand's Reference K loudspeaker series starts off with a compact, but deep, standmount design and it sounds as polished as it looks...
What do you envisage when you think of 'serious speakers'? All too often it can seem that bigger means better, judging by some of the behemoths we've recently had through the HFN listening room. For a while it seemed that every speaker stood taller than us, and had a mass well into three-figure kilo territory, often with a price that would buy a very decent car, even in the current shortage-inflated market. In the face of all that, Canton's Reference 9K could look desperately unfashionable, standing as it does just 41cm tall and with a price of £2850 in either black, white or cherry veneer finishes, all with a multilayer lacquer topcoat.
Described as the company's most versatile digital player to date, Lumin's P1 is an unashamedly high-end network audio solution. But can it be all things to all users?
As is so often the case with network audio products, the salient question concerning the Lumin P1, yours for £8495 in a choice of silver or anodised satin black sculptural milled-from-solid casework, is what it is exactly. The company can help with that, suggesting it can be just about anything you want: a network player, a DAC, a preamp (complete with analogue inputs as well as the digital array), or all three.
Availing itself of the latest DSP and Class D amps, the Pearl Pelegrina is a sophisticated 'connected' speaker
There's no escaping it: sitting in front of Cabasse's Pearl Pelegrina, the £22,599 flagship of the French company's Pearl speaker range, the punning phrase 'the eyes have it' kept going through my mind, so great was the sense of these spherical enclosures fixing me with a beady stare. Of course, this look is nothing new for the designers in Brest, out on the tip of Brittany: at the top of its range is the huge La Sphère loudspeaker [HFN Feb '10], its 70cm globe perched atop a helical stand, and driven by a rackful of dedicated crossovers and amplifiers.