In the last of our series celebrating the work of those masters behind the mixing desk, Steve Sutherland tells the story of not one producer but a hip-hop production team whose looping and layering of samples revolutionised the way records were made
On this particular point, Chuck D is unequivocal. 'Our sole intention was to destroy music'. The record he's talking about, released in June 1988, is hip-hop giants Public Enemy's second LP, It Takes A Nation Of Millions To Hold Us Back.
His ability to mix funky rhythms with sophisticated arrangements saw this US-born producer create a string of magical smash hit singles. Steve Sutherland looks at the legacy of Allen Toussaint, whose work epitomised the sound of 1960s New Orleans R&B
You'll be aware, no doubt, of the phenomenon known as Cancel Culture – a state of mind in which those celebrities deemed to have diverged from what today passes for socially acceptable behaviour are called upon to renounce their past and present sins or be damned and ditched forever. To some, this impulse to blame and shame, while born of the best intentions, seems to have tipped into the absurd.
Perhaps what distinguishes this British-born producer is that he's not only able to play a variety of instruments but is also a performer. And a hugely successful one too, having been one half of chart-topping duo Eurythmics. Steve Sutherland on Dave Stewart...
Back in 1973, Dave Stewart was stuck in a hippie band called Longdancer. It wasn't a bad gig but Dave was restless. Then he met Erin Grace. She was this gorgeous American singer/songwriter who he bumped into in North London and the two hit it off.
From David Bowie's 'Space Oddity' to the albums that rocketed Elton John up the charts, this British-born producer was one of the first to fuse orchestral arrangements with the fire of rock 'n' roll. Steve Sutherland considers the work and legacy of Gus Dudgeon
In the Spring of 1968, David Bowie, a pop star with a failing career, sat through Stanley Kubrick's trippy masterpiece 2001: A Space Odyssey at least three times at the Casino Cinerama in Old Compton Street. 'It was the sense of isolation I related to,' he explained later. 'I found the whole thing amazing. I was out of my gourd, very stoned when I went to see it – several times – and it was a revelation to me. It got the song flowing.'
From Monroe to McCartney, and the soundtracks to more than a few iconic movies, this US-born producer was never afraid to use the latest cutting-edge studio technology while also never forgetting his people skills. Steve Sutherland on the 'Pope Of Pop'...
Afew months ago I claimed in these very pages that Jeff Lynne of ELO assembling his new best buddies Paul McCartney, George Harrison and Ringo Starr to tart up the deceased John Lennon's 'Free As A Bird' home demo and release it as a Beatles single was the worst musical idea ever. Well today, dear reader, I humbly recant that claim for what follows is surely far more dreadful.
'Anything, anytime, anyplace and for no reason at all...' was how Frank Zappa described his musical style, but how did he set about achieving his production goals when working the studio faders? Steve Sutherland reveals the method behind Frank's fruitcake facade
Since lockdown you will doubtless have failed to escape the endless, and really rather tedious, Facebook/Instagram invitations to make lists. First Gig Attended. Ten LPs That Changed Your Life. Best Guitar Solo Of All Time. Yadda yadda zzzzz. Anyway, if you can't beat 'em... I'm joining the party fashionably late. Try this one on for size. List the Ten Weirdest LPs Ever Made and why they are so weird. I'll get you going if you like.
From Fleetwood Mac to Focus, Bowie to the British blues greats, this UK-born producer helped create many of the greatest performances committed to tape, while founding his own label along the way. Steve Sutherland celebrates the work of Mike Vernon...
It may not have been the dumbest thing he ever did, but it was certainly up there. David Bowie announced that the set-list for every performance of his 1990 Sound+Vision world tour would be partially decided by the most popular songs from his back catalogue, as voted for by his fans.
In the 1970s reggae joined forces with punk to create a sound that would reverberate throughout the British music scene. Steve Sutherland celebrates the Barbados-born producer Dennis Bovell, the man behind many of the period's finest dub and disco hits
It's the 13th of October 1974, a date remembered in some circles as Black Friday. The facts are somewhat sketchy but it seems a couple of police officers decide that some black dude is driving suspiciously through Cricklewood in London. They pull him over and are about to arrest him when he legs it into The Carib Club. Six officers give chase and grab him in the toilets. They're bringing him out with a bit of a struggle when some club-goers, mates of the pursued, tackle the cops, stabbing one and setting the fugitive free.
The next time you hear the opening chords of 'Hotel California' spare a thought for the man who caught it all on tape... Steve Sutherland celebrates the work of a US-born producer who has shaped the sound of such greats as BB King, Joe Walsh and The Who
Here's a cool pub quiz question for you: who links 1960s Russian leader Nikita Kruschev to The Eagles' Hotel California? The answer? Bill Szymczyk. And while we're at it, here's another. How the heck do you pronounce that surname? Answer: Sim-Zik.
After running his own studio while a teenager in Texas and playing guitar in Bob Dylan's backing band, this US-born producer went on to become the go-to guy for stars seeking to re-discover the very roots of rock 'n' roll. Steve Sutherland celebrates T Bone Burnett
Is nostalgia stopping our culture's ability to surge forward, or are we nostalgic precisely because our culture has stopped moving forward so we inevitably look back to more momentous and dynamic times?'
From '60s solo artist to Phil Spector's right-hand man, this US-born 'influencer' not only produced superstars such as Neil Young and The Stones, but wrote a string of soundtracks nominated for Academy Awards. Steve Sutherland on Jack Nitzsche
There's a particular species of character that, although essential, has been mighty ill-served by pop historians. It's tough to pin down exactly what role these personalities play in the creation of popular music. What they actually do. And so it's hard to know what we should call them.
From Nico's ethereal Teutonic tones to the snarl of The Stooges and funky acid rock of The Happy Mondays, this British born musician has produced many of the albums now regarded as turning points in the history of pop music. Steve Sutherland on John Cale
See that jittery bloke over there, the one who appears to be severely chemically imbalanced, the one shouting his head off waving around the half-drunk bottle of Stolichnaya? He's the boss. He's in charge. He's the producer. He's John Cale.
He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff
When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.
From The Allman Brothers to Aretha Franklin, this US-born producer helped create much of the greatest music being made as the '50s segued into the '60s. And he happens to be a dab hand with a soldering iron too. Steve Sutherland celebrates Tom Dowd
'I had no finished songs, no real concept or idea of where I was going, nothing but an abstract burning passion for live, spontaneous music. On top of everything else, I refused to make the record under my own name, and was developing a powerful drink and drug problem – not a great position for any record producer to be placed in, but [he] pulled it off.
In 2003, this US-born producer had a hand in almost a fifth of the songs played on British radio. Then he really got started, applying his prodigious talent to pop in a way that would change it forever. Steve Sutherland on the phenomenal Pharrell Williams
It's June 2019 and Pharrell Williams is standing in front of 114 students about to graduate from the Harlem Children's Zone Promise Academies I and II. It's an inner-city school for underprivileged kids, and he's guaranteeing each and every one of them an internship at one of his many enterprises to give them work experience and get their careers up and running.
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