His ability to mix funky rhythms with sophisticated arrangements saw this US-born producer create a string of magical smash hit singles. Steve Sutherland looks at the legacy of Allen Toussaint, whose work epitomised the sound of 1960s New Orleans R&B
You'll be aware, no doubt, of the phenomenon known as Cancel Culture – a state of mind in which those celebrities deemed to have diverged from what today passes for socially acceptable behaviour are called upon to renounce their past and present sins or be damned and ditched forever. To some, this impulse to blame and shame, while born of the best intentions, seems to have tipped into the absurd.
A succession of happy accidents or always ahead of the curve? However you judge the career of this British-born DJ and producer one thing's for sure: he became a messianic figure to a generation of clubbers around the world. Steve Sutherland has the story...
Try as they might, they couldn't get arrested. They were two albums into a career that was stalling fast. To be fair, their debut, a wan psych indie thing called Sonic Flower Groove had been quite well received but their eponymous new one was going nowhere, given the cold shoulder by pretty much everyone. Everyone, that is, except for this one dude who ran a very cool fanzine and was rapidly gaining a reputation as an inside track clubland scenester.
The next time you hear the opening chords of 'Hotel California' spare a thought for the man who caught it all on tape... Steve Sutherland celebrates the work of a US-born producer who has shaped the sound of such greats as BB King, Joe Walsh and The Who
Here's a cool pub quiz question for you: who links 1960s Russian leader Nikita Kruschev to The Eagles' Hotel California? The answer? Bill Szymczyk. And while we're at it, here's another. How the heck do you pronounce that surname? Answer: Sim-Zik.
He has penned a dazzling succession of magical melodies, writing many of the most successful hits in the history of pop with theme tunes and Oscar-winning movie scores to his name too. But let's not forget his work as a producer, says Steve Sutherland
They say you can't teach an old dog new tricks but I know for a fact that's a lie. I mean, I was 40 years old when I suddenly learned the difference between a gig and a concert and that the latter demanded the audience behave a mite more decorously than I'd been previously used to.
Nirvana, Smashing Pumpkins, Green Day... it's not easy making albums that sell in their millions while maintaining credibility with your hard-core indie fans. Steve Sutherland celebrates the producer able to 'shift the units while keeping everything cool...'
The singer was suicidal. All he did in his down time was compile list after list of the songs he wanted played at his funeral. Luckily, if you want to put it that way, there was actually very little down time because the singer was labouring in the studio 16 hours a day under the illusion that what was expected of him was to make, in his own words, 'the next album to set the world on fire'.
The producer remembers it this way: 'Billy wanted to make a record that people would put on and say, "What the f*** was that?"'.
Perhaps what distinguishes this British-born producer is that he's not only able to play a variety of instruments but is also a performer. And a hugely successful one too, having been one half of chart-topping duo Eurythmics. Steve Sutherland on Dave Stewart...
Back in 1973, Dave Stewart was stuck in a hippie band called Longdancer. It wasn't a bad gig but Dave was restless. Then he met Erin Grace. She was this gorgeous American singer/songwriter who he bumped into in North London and the two hit it off.
In the 1970s reggae joined forces with punk to create a sound that would reverberate throughout the British music scene. Steve Sutherland celebrates the Barbados-born producer Dennis Bovell, the man behind many of the period's finest dub and disco hits
It's the 13th of October 1974, a date remembered in some circles as Black Friday. The facts are somewhat sketchy but it seems a couple of police officers decide that some black dude is driving suspiciously through Cricklewood in London. They pull him over and are about to arrest him when he legs it into The Carib Club. Six officers give chase and grab him in the toilets. They're bringing him out with a bit of a struggle when some club-goers, mates of the pursued, tackle the cops, stabbing one and setting the fugitive free.
'Anything, anytime, anyplace and for no reason at all...' was how Frank Zappa described his musical style, but how did he set about achieving his production goals when working the studio faders? Steve Sutherland reveals the method behind Frank's fruitcake facade
Since lockdown you will doubtless have failed to escape the endless, and really rather tedious, Facebook/Instagram invitations to make lists. First Gig Attended. Ten LPs That Changed Your Life. Best Guitar Solo Of All Time. Yadda yadda zzzzz. Anyway, if you can't beat 'em... I'm joining the party fashionably late. Try this one on for size. List the Ten Weirdest LPs Ever Made and why they are so weird. I'll get you going if you like.
The Stones, Beatles, Led Zeppelin's landmark debut LP... pick up a classic album at random and there's every chance it will credit the work of this British-born producer. Steve Sutherland on the man who began as the first freelance engineer in rock history
It's a Sunday afternoon late in 1966 and we're in South London working overtime at Olympic Studios. The band have already done their stuff – the basic track was laid down a few weeks earlier at the RCA Records Studio in Hollywood. So today it's just us, the producer, his chauffeur, the engineer and the singer, who's busy behind that screen putting down vocal takes between hitting on a mighty spliff he's rolled to keep him in the zone.
From David Bowie's 'Space Oddity' to the albums that rocketed Elton John up the charts, this British-born producer was one of the first to fuse orchestral arrangements with the fire of rock 'n' roll. Steve Sutherland considers the work and legacy of Gus Dudgeon
In the Spring of 1968, David Bowie, a pop star with a failing career, sat through Stanley Kubrick's trippy masterpiece 2001: A Space Odyssey at least three times at the Casino Cinerama in Old Compton Street. 'It was the sense of isolation I related to,' he explained later. 'I found the whole thing amazing. I was out of my gourd, very stoned when I went to see it – several times – and it was a revelation to me. It got the song flowing.'
He's a maker of massive hits, a man who has worked with global pop superstars such as Lana Del Rey and Taylor Swift. And yet this US-born producer is happiest when honing his craft in a small studio he's built inside his house. Steve Sutherland on Jack Antonoff
When the Californian singer Kesha recently sought through the courts to escape her contract with producer Dr Luke, claiming harassment, abuse, violence and emotional distress among many other allegations, she lost her case, but many prominent figures within the music industry offered moral support. Taylor Swift donated $250,000 to her cause, Adele spoke up for her while receiving an award at the Brits, while Lady Gaga, Iggy Azalea, Lily Allen, Lorde, Haim, Miley Cyrus and Ariana Grande were among those who took to social media to express their backing and their disgust.
From '60s solo artist to Phil Spector's right-hand man, this US-born 'influencer' not only produced superstars such as Neil Young and The Stones, but wrote a string of soundtracks nominated for Academy Awards. Steve Sutherland on Jack Nitzsche
There's a particular species of character that, although essential, has been mighty ill-served by pop historians. It's tough to pin down exactly what role these personalities play in the creation of popular music. What they actually do. And so it's hard to know what we should call them.
His clients have included the cream of rock royalty, so how come this British-born producer is one of the most divisive around? Steve Sutherland on the man who successfully collaborated with the band whose shadow, some say, he never escaped
It was a job you wouldn't wish on anyone, even your worst enemy. A deadly odds-on no-win nightmare. And Jeff Lynne had just been handed the gig.
'Every morning I would wake up with half dread, half exhilaration,' he remembered later. 'The idea of doing it was the most thrilling thing imaginable… but messing it up would be horrible.' The terrible task in hand? To reanimate The Beatles!
From Nico's ethereal Teutonic tones to the snarl of The Stooges and funky acid rock of The Happy Mondays, this British born musician has produced many of the albums now regarded as turning points in the history of pop music. Steve Sutherland on John Cale
See that jittery bloke over there, the one who appears to be severely chemically imbalanced, the one shouting his head off waving around the half-drunk bottle of Stolichnaya? He's the boss. He's in charge. He's the producer. He's John Cale.
From Fleetwood Mac to Focus, Bowie to the British blues greats, this UK-born producer helped create many of the greatest performances committed to tape, while founding his own label along the way. Steve Sutherland celebrates the work of Mike Vernon...
It may not have been the dumbest thing he ever did, but it was certainly up there. David Bowie announced that the set-list for every performance of his 1990 Sound+Vision world tour would be partially decided by the most popular songs from his back catalogue, as voted for by his fans.