Now remastered several times, Britten’s War Requiem was recorded by the composer in 1963. Christopher Breunig recalls its Coventry premiere and, later, his cheeky cub reviewer’s account
Reissued last November on vinyl and in digital formats, Benjamin Britten’s Decca recording of his War Requiem was produced at Kingsway Hall by John Culshaw, and engineered by Kenneth Wilkinson, in January 1963 – eight months after its Coventry Cathedral UK premiere.
When an FM/DAB tuner supports only one antenna, you'll achieve better performance from both types of transmission using a VHF aerial, says Jim Lesurf. But which type, and where to put it?
A few decades ago, FM radio transmissions - particularly those on BBC Radio 3 - were an excellent way to hear music with a very high level of sound quality. Sadly that has been eroded over the years due to a number of changes, which have occurred for various reasons.
Barry Willis has turned some impressive profits reselling vintage audio gear, but these are the exceptions that prove the rule. In fact, much of the time he’s left counting the cost..
An enduring bit of wisdom cautions against extravagant purchases – the must-have new car, for example, that loses 20% of its value the moment it’s driven off the dealer’s lot. Something similar happens with high-end audio, but worse, because were you to try selling your latest cost-be-damned amplifier or ultra-performance DAC two weeks post-purchase, you’d be dismayed to learn that you might recover only 50% or so of what you paid.
Jim Lesurf | Apr 16, 2025 | First Published: Mar 01, 2025
After concluding that a well-designed digital FM tuner can surpass the best analogue super tuners of old, Jim Lesurf wonders if software can be used to revive the lost dynamics of music on radio
With recent data suggesting the vinyl revival is beng solely spearheaded by Taylor Swift, plus environmental concerns about LP production, Steve Harris wonders where it goes next
How much longer can it last? In America, as here, vinyl sales have been growing year on year for nearly two decades. But a 2022 slowdown in growth set some commentators suggesting that the vinyl boom could soon be over.
The BBC isn’t just a creator of content – since the early days of hi-fi it’s collected and archived commercial music. But has its operation become too big to continue, wonders Steve Harris
When you’ve got a million records, some of them might have to go. In January the BBC began a series of online auctions to dispose of unwanted vinyl from its fabled record library. In a tweet, Omega Auctions said it had spent a productive few days clearing out thousands of LPs from the BBC’s archive. You wonder whether this was just another job to them, or whether they thought they’d died and gone to heaven.
Supporters of Evovinyl, a sugar cane-based alternative to PVC, claim it can be used to make records that sound as good as 'the real thing'. For Barry Fox, the proof will be in the pudding
It's hard to be green and analogue. Manufacturing vinyl LPs consumes a lot of fossil fuel and heat energy - one estimate puts the production of PVC (polyvinyl chloride) at 30,000 tonnes per year for use by the global vinyl industry. So, it was big news when British speaker company PMC recently announced investment in UK company Evolution Music Ltd and Evovinyl, an alternative to PVC made from natural sugar cane.
Steve Harris | Mar 13, 2025 | First Published: Jan 01, 2025
Steve Harris has been thrilled by the Radio 3 revival of the BBC’s venerable Friday Night Is Music Night programme – as will anyone with a love of light music, show tunes and pre-’60s pop
Steve Harris | Mar 04, 2025 | First Published: Dec 01, 2024
Goodmans, aided by designers including Ted Jordan and Laurie Fincham, was once a leader in loudspeaker design until OEM moves and ownership changes buried its legacy, says Steve Harris
Half a lifetime ago, I was the youthful editor of another hi-fi magazine in the UK. One day in 1979, I was visited by a senior executive from Goodmans, who explained that the firm’s next hi-fi speaker range would not be built in its own British factory, but would be bought in from Jamo of Denmark. It was a sign of the times for the company which, in the 1950s, had been ‘Europe’s largest Manufacturer and the World’s largest Exporters of High Fidelity Loudspeakers’.
With programme notes now written and translated by chatbots, and record covers created by image generators, can the first classical AI recording be far behind? Peter Quantrill thinks not
It was the word homotonal that caught my eye. Surely no one writes like that in 2024, I wondered to myself. I read on. ‘Similar to Plato’s ideas of the imprint of moral virtues onto the human soul through music…’ – eh? Bear in mind I was reading a booklet note to accompany a new album of Mozart’s piano sonatas. I flipped the page to look for the author’s credit. No name given.
A century-old legend of suspicion and exceptionalism continues to haunt attitudes towards English music, says Peter Quantrill - and it appears that it's the English who won't let it go
The spring cleaning of schedules at BBC Radio 3 took its listeners by surprise, to judge from comments both within and outside the media. The 'shop window' of Record Review on a Saturday morning moved to the first floor, in the afternoon. The spoken-word programmes were shunted off to Radio 4, while Friday Night Is Music Night has resurrected an antique Radio 2 title. The channel's once-serious coverage of new and contemporary music is almost entirely effaced under the controllership of Sam Jackson, who formerly headed up Classic FM.
Having been stopped in his tracks by the sheer enjoyment of listening to music, Jim Lesurf wonders how long his favourite recordings can continue to resonate with distant generations
Afew days ago I decided to listen to a CD that I'd not played in ages. The impact was almost immediate. I'd intended to have it as pleasing background music while I did some work in the kitchen, but after a few bars of music - time stopped! Totally captured by the sheer beauty of the sound, I just stood and listened, unable to do anything else. And this was in a room where there was no stereo imaging as such, and the acoustics of which would never be accepted as a good listening environment for hi-fi sound.
Peter Quantrill | Mar 13, 2025 | First Published: Jan 01, 2025
A pair of prestigious piano competition finals has Peter Quantrill wondering if particular pieces and composers are best left on the shelf, waiting for a musician’s life to catch up with their ability
Barry Willis | Mar 04, 2025 | First Published: Dec 01, 2024
Streaming services have already turned the music industry upside down – now AI content threatens to do the same. Barry Willis talks dystopian technology with producer Rick Clark
It’s a safe bet that most HFN readers are not merely gearheads, but music lovers too. So you might have wondered how economic decisions affect the lives of the artists on whom we depend, aesthetically and emotionally. Back in the days of physical media, musicians launched tours in support of new releases. Tickets were affordable because profits were primarily derived from sales of records. Beginning with Napster, and especially since the advent of streaming, that business model is dead. Recordings today are basically given away as promotional items to sell concert tickets, whose prices have skyrocketed.