Opinion

Steve Harris on the UK-based, classical music-focused streaming and download platform that aims to give its artists a fair share of the pot – while still looking out for lovers of Compact Disc

I was particularly interested to read the recent review of the Technics SL-1200GR2 [HFN Sep ’24]. This is because for a very long time I’ve owned and been happily using a much earlier example of the direct-drive breed. I can’t now recall exactly when I bought it, but I’ve had a Panasonic/Technics SL-1500 turntable and arm with a Shure V15 series cartridge since about 1973. And it has continued to deliver good performance for about half a century!

The main sign of the SL-1500’s age after so many decades of use is that the small rotary potentiometer, which tweaks the rotation speed, has developed a ‘burn spot’ just at the place that sets 33.33rpm. This means that, nowadays, I have to let the deck run for about a quarter of an hour before use and then check if the speed has settled down correctly, or needs a slight tweak.

Mark Craven on why he has no favourite amplifier technology, why music fans have it better than cinephiles when it comes to streaming quality, and listening to songs in the right order

When the Covid lockdown made traditional music concerts a no-go, artists and venues turned to live streaming over the Internet. But first, says Barry Fox, they had to master the technology...

Many years ago I saw a poster which showed a young woman in a wheelchair at the top of a flight of stairs that led down to a public washroom. The point being made was simple: she wasn’t disabled by being unable to walk. The problem was that whoever installed the facility had ignored the existence of people who found the stairs a barrier.