Opinion

This past winter I visited a new audio dealer, a fellow I'll call 'Colin'. He's a high-end hobbyist working from his home - a time-honoured practice and an increasingly prevalent one in the Internet age. His large demo room was festooned with recent examples of quality gear from multiple brands, but most conspicuous were the many brightly coloured cables connecting them - the work, he said, of a friend who had spent years researching the behaviours of such cables.

Whenever the BBC makes changes to the sacred rituals of Radio 3, howls of protest follow. New scheduling introduced in February did bring the usual cries of 'dumbing down'. Personally, the changes didn't bother me very much because I'd got so much into the habit of time-shifting my radio listening.

As a follower of cricket and football, I got used years ago to seeing professionals at the top of their game (sorry), who had been born within the current millennium. But conductors? DG has lately been making a song and dance about their latest signing, Tarmo Peltokoski. Born in April 2000, he is now principal guest conductor of the Deutsche Kammerphilharmonie Bremen, and DG has recorded and filmed them together in a trio of Mozart’s mature symphonies.

Experts will tell you it’s easy to make a digital copy of a music stream, or LP, to play in a car or carry around. You ‘just’ suck analogue music out of your hi-fi, feed it into a computer and then ‘just’ send it to a memory device or burn to a blank CD. Yes, but it’s only easy when you already know exactly how. I’ve recently got my hands dirty finding out the easiest ‘how’ for people who want to listen to music, not burrow down computer rabbit holes. Most computers no longer come with a disc burner. But they do come with USB sockets and for £20 you can buy a portable optical burner that literally just plugs into a USB socket. Software (or an ‘app’ in modern parlance) is needed to copy music to a blank CD or USB memory stick that plays at the press of a button.

Vinyl sales keep on climbing. They topped £177 million in the UK in 2023 – seven times higher than ten years ago. The figures come from ERA (which by linguistic contortion is short for the Digital Entertainment and Retail Association). ERA chief executive officer Kim Bayley couples the vinyl climb with ‘the remarkable return of HMV, now back in its Oxford Street home’.

We need to talk about Freely. Why? Because it’s a clear pointer to the future of radio. Broadcasters are already planning for a time when TV and radio are delivered as an IP Internet stream and not a linear over-the-air transmission. Hence the BBC’s huge investment in its iPlayer and Sounds streaming services.