Opinion

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Opinion
Ted Jordan
Steve Harris  |  May 22, 2025
Across six articles for HFN beginning in 1959, speaker designer Ted Jordan taught DIY enthusiasts the tricks of the trade – and his full-range Eikona driver is still going strong, says Steve Harris
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Opinion
Blurred outlines
Peter Quantrill  |  May 22, 2025  |  First Published: Nov 01, 2024
Music and art can often make an attractive mix for cutting-edge cultural collectives, but the combination is also fraught with plenty of potential pitfalls, reckons Peter Quantrill
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Opinion
New CD players
Andrew Everard  |  May 22, 2025  |  First Published: Nov 01, 2024
A recent encounter with a couple of new CD players had Andrew Everard engaging in a trip down memory lane. But first-world problems aside, he wasn’t too sure he liked what he saw
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Opinion
Vinyl and nonlinear velocity
Barry Willis  |  May 22, 2025  |  First Published: Nov 01, 2024
Why does Barry Willis count himself as a ‘reformed record collector’? Because he can’t see past what he sees as the vinyl format’s inherent flaws, from groove distortion to velocity concerns
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Opinion
Internet radio
Barry Fox  |  May 22, 2025  |  First Published: Nov 01, 2024

When it comes to Internet radio, Barry Fox knows from hard-earned experience that what works today might well not work tomorrow – particularly if your listening takes you around the world

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Opinion
Music and activism
Steve Harris  |  Apr 25, 2025  |  First Published: Apr 01, 2025

From Dylan and Baez to Geldof and Sting there’s a long history of music and activism – now artists including Coldplay and Jacob Collier have climate change in their sights, says Steve Harris

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Opinion
Bass invaders
Mark Craven  |  Apr 25, 2025  |  First Published: Apr 01, 2025

They are the darlings of the home cinema world, but subwoofers aren’t only about bringing a T-Rex into your living room, says Mark Craven – your music system might welcome one, too

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Opinion
Component interactions
Jim Lesurf  |  Apr 25, 2025  |  First Published: Apr 01, 2025

Before you begin fine-tuning your system’s sound with room treatments and seating changes, you should pay attention to ‘interactions’ further back in the chain, says Jim Lesurf

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Opinion
The Record Plant returns
Barry Willis  |  Apr 25, 2025  |  First Published: Apr 01, 2025

The outside needs a lick of paint, but otherwise this famous Bay Area recording studio is ready to make music once more, this time as a non-profit. Barry Willis salutes its owners’ ambition

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Opinion
Return to Ronnie Scott’s
Barry Fox  |  Apr 25, 2025  |  First Published: Apr 01, 2025

Barry Fox heads along to Ronnie Scott’s in London to find out how the legendary live music venue has revamped its sound system, and why it’s in a ‘war of attrition’ with drummers...

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Opinion
NXT’s flatpanel speaker
Steve Harris  |  Apr 16, 2025  |  First Published: Mar 01, 2025
Steve Harris looks at the legacy of NXT’s flatpanel speaker, which once promised to revolutionise audio replay. Did you realise the technology is now more widely available than ever before?
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Opinion
Never too old
Peter Quantrill  |  Apr 16, 2025  |  First Published: Mar 01, 2025
The longevity of conductors can be misleading, says Peter Quantrill, when the sentiment of the occasion obscures the vitality of the music-making. Yet with age can come great wisdom...
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Opinion
Reviving radio's lost dynamics
Jim Lesurf  |  Apr 16, 2025  |  First Published: Mar 01, 2025
After concluding that a well-designed digital FM tuner can surpass the best analogue super tuners of old, Jim Lesurf wonders if software can be used to revive the lost dynamics of music on radio
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Opinion
A night at the opera
Barry Willis  |  Apr 16, 2025  |  First Published: Mar 01, 2025
Front-of-centre drama, battles behind the scenes... Barry Willis attends the opening of Verdi’s Un Ballo in San Francisco, but for him it’s the acoustics that truly bring down the house
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Opinion
Is it worth recording at hi-res?
Barry Fox  |  Apr 16, 2025  |  First Published: Mar 01, 2025
Are only certain musical genres and acoustics ‘worthy’ of recording at high sample rates, or is it more a case of cost and practicality? Barry Fox is in favour of capturing every overtone
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