Vintage

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Review: Tim Jarman, Lab: Paul Miller  |  Jun 14, 2022
hfnvintageThis late-'80s flagship CD player boasted no shortage of metal for your money while offering 4x oversampling to boot. But with few to be found, is it worth tracking down?

The law of diminishing returns was perhaps never more evident than when the CD player arrived in the early '80s. As more machines came to market in the years that followed, all but the crudest would offer a level of perfection unthinkable to the majority of audiophiles in the 1970s.

Ed Selley  |  Nov 24, 2010
With the introduction of stereo LPs in 1958, Leak wasted no time in bringing stereo equipment to market. The fi rst public demonstration of the Stereo 20 amp and matching preamp took place in April 1958 at the Audio Fair in London. This must have been quite a coupe for Leak as most rival manufacturers at the show were demonstrating mono equipment. The price of the Stereo 20 was 29 Guineas with its partnering Point One stereo preamp costing 20 Guineas.
Review: Tim Jarman, Lab: Paul Miller  |  Oct 23, 2020
hfnvintageWhile a near dead-ringer for the amp it replaced, this '60s integrated saw Leak leverage new technology to boost performance and widen its appeal. How does it sound today?

It's not unusual for a successful hi-fi product to be updated with mild revisions during its lifetime. Often the changes are minimal: a tidied-up fascia to match a new model added elsewhere in the range, or an extra function or minor circuit redesign. This was certainly not the case with the Leak Stereo 30 Plus amplifier of 1969, which replaced the Stereo 30 [HFN Oct '10] first seen in 1963. Side by side the two looked much the same, but inside the 30 Plus was all new in order to take advantage of improved technology.

Review: Tim Jarman, Lab: Paul Miller  |  Sep 19, 2023
hfnvintageWith retro styling currently all the rage how will this integrated compare, especially considering it was the most affordable amp in Luxman's mid-'70s lineup? We find out

The L-30 was the cheapest amplifier in Luxman's 1976 range. Not that it looked anything like a budget model – rather, it had an almost intangible feel of quality and superior finish that in terms of showroom appeal put it above all but the very best offerings from the Japanese big names at the time.

Review: Tim Jarman, Lab: Paul Miller  |  May 16, 2019
hfnvintageGlitsy looks and a lack of niceties such as time display, but this version of the Philips CD300 CD player was first to market where it became king of the 14-bit machines

The CD-73 is surely one of the best loved and best remembered of the first generation of CD players. With its eye-catching looks, it stood out among a sea of bland black boxes. Usually it would have been difficult for a company of Marantz's standing to come up with a fully engineered model so quickly, but having recently secured the backing of Philips, it was able to release not one but two class-leading CD players for the opening 1983 season.

Review: Tim Jarman, Lab: Paul Miller  |  May 24, 2022
hfnvintageBuy one of these late-'70s beauties secondhand today and you'll own an amp from a pedigree name with radio thrown in for 'free'. So, is this a receiver worth considering?

The receiver (tuner/amplifier) has always divided opinion, in the UK at least. While popular in Europe and the US, the British market never embraced these units to the degree it did separate tuners and amplifiers. And this wasn't because they could not rival a two-box counterpart on performance due to any technical reason. The real issue was that two top-quality units built into one housing could result in an indivisibly expensive product, one many consumers may not have been able to afford.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 16, 2021
hfnvintageIt may have been based on a machine from Dutch giant Philips but this was the first CD player from a specialist high-end British manufacturer. How will it sound today?

Compact Disc enjoyed a halo of glamour in its early years that the more established formats had lost. Talk of laser beams and digital electronics, those holographic rainbows on the disc surface – not to mention all the smart new hardware – brought an interest in top quality listening to a whole new demographic.

Richard Holliss  |  Dec 22, 2014
In Tony Michaelson’s company started with one diminutive but memorable product, called simply ‘The Preamp’. He started by making them on his kitchen table… What made the product so eyecatching was the acrylic front, with the product name illuminated in red. In its original form, The Preamp had an appeal all of its own. It was so tiny, so simple, yet so businesslike.
Review: David Price, Lab: Paul Miller  |  Nov 01, 2018
hfnvintage.pngBack in the '80s, several British 'cottage industry' companies made integrated amps for purist customers, but this is surely the most 'mysterious'. How will it sound today?

In hi-fi as in life, the 1980s was a transformative time. From speaker stands and audiophile speaker cable, to mini monitors and expensive, minimalist integrated amps – the 'go for it' decade of Filofaxes, red braces and VW Golf GTis showed us what was to come.

Hi-Fi News Staff  |  Jan 30, 2015
Naim Audio’s first product, the NAP 160 power amplifier, was introduced in 1971; the NAP 250 appeared in 1975. It was technically unusual in that it used a strictly regulated power supply, whereas the vast majority of power amplifiers, unlikely today, typically made do with an unregulated one. Arguably, the NAC 12 preamp was even more unusual than the NAP 250. In ultimate form it required a standalone external power supply – the SNAPS – at a time when such an arrangement was virtually unheard of.
Martin Colloms  |  Jul 07, 2023  |  First Published: Apr 01, 1993
hfnvintageIts components may work in all-Naim systems, but in this review of the company's latest pre/power Martin Colloms looks at the alternatives too

Neither I nor the Editor could remember when HFN last reviewed a Naim amplifier so, to redress the balance, we are covering the company's latest pre and power duo here. Priced at £1880, the NAC 82 carries the full remote control first seen on the top-of-the range NAC 52 preamp. An optional extra board (around £120) provides analogue disc input (MC or MM).

Trevor Attewell  |  Apr 09, 2025  |  First Published: Mar 01, 2025
hfnvintageBritish company steps up with a three-way reflex-loaded loudspeaker with a twist, but will its sound have Trevor Attewell head over heels in love?

The Point 5 from Nightingale Acoustics is a very unusual loudspeaker, which might be said to wear its heart on its head. Starting at the other end, its body is a basically rectangular cabinet made of 19mm particle board with an integral front panel that is stepped inwards by 24mm over the top 180mm, the two levels being joined by a slope.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 22, 2019
hfnvintageSophisticated styling, touch controls and the promise of all the benefits of direct-drive using a sub-platter driven by a belt. Can this late '70s record player really deliver?

Think of CD players and Philips will be one of the first names to come to mind. This is not necessarily the case when it comes to turntables, even though the company has produced a multitude of models over the years. Its turntable motors could be found in the early Linn LP12 and many other similar designs, yet to most British listeners a complete Philips turntable, like the AF 877 seen here, is something of a novelty.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 15, 2022
hfnvintageFuss-free and highly affordable, this compact valve integrated was an early foray by the Dutch company into the '60s separates market. But how will it sound today?

How much power does your present amplifier produce? Expectations have risen over the years to the point that wattages in the three-figure range are no longer exceptional. But is this necessary? The Philips AG9016 seen here is rated at 2W per channel – not even sufficient to satisfy the fairly lax requirements of the DIN 45 500 'hi-fi' standard, which requires six watts.

Tim Jarman, Lab: Paul Miller  |  Jul 29, 2024
hfnvintageSmallest of a four-strong range of innovative MFB (Motional Feedback) loudspeakers, Philips’ AH585 was in production from 1972-82. How does it fare today?

The Philips Motional Feedback (MFB) loudspeaker has been mentioned a number of times in these pages over recent years. The company achieved considerable success with both its first- and second-generation models, including the 22RH544, but in the UK at least, the third generation is less commonly encountered. The AH585 seen here is the smallest of three consumer speakers, the others being the similar but larger AH586 and the three-way AH587.

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