Debuted in the flagship Vivaldi, and now trickled down to the Bartók, dCS's APEX upgrade brings enhancements to the PSU, Ring DAC clocking and analogue output
Maybe it's a sign of the times, or the state of the specialist high-end audio market, but this latest version of dCS's Bartók streaming DAC, often referred to as the company's 'entry-level' model, is now almost twice the price of the original [HFN May '19]. Then, the Bartók was £9999, or £11,999 when fitted with the optional headphone amplifier; now the Bartók APEX, taking on board the company's latest package of enhancements, first seen in the Vivaldi APEX [HFN Jun '22], is £19,000, rising to £21,500 if you choose to take the headphone option.
Adding Neil Young to CSN brought supergroup status and a multi-selling album, but the band were not happy, says Steve Sutherland, as he hears the 180g reissue
This is Graham Nash talking about David Crosby just over a year ago: 'Who are you? Are you a decent person? Or are you an a**hole? It would be very easy for me to get into why I don't want to do any more Crosby, Stills and Nash or Crosby, Stills, Nash & Young work. There are too many reasons. It's too complicated. It's too painful. I'm just telling you, it's over. It's an incredible shame because when we're good, we make very good music that touches people's hearts and changes their minds. But he tore the heart out of CSN and CSN&Y because he's not a really great person'.
Less than a year after PS Audio launched its inaugural loudspeaker, this flagship floorstander has already inspired a trickledown sibling. Will the FR20 unseat the FR30?
The advice given by Apple's Steve Jobs to 'Start small, think big' is pretty sensible, going hand in hand with that old saw about not trying to run before you can walk. That recommendation seems to have eluded Colorado-based company PS Audio, which launched its speaker line last year with the big aspen FR30 [HFN Jun '22], arriving in the UK with a price tag now running at £30,000, and clearly aiming high straight out of the box.
This facility in San Francisco has been home to bands as diverse as The Grateful Dead, Green Day and Santana. But first Steve Sutherland salutes the man behind the brand
During my late teens in the mid 1970s, whenever I browsed through the stock in a record shop, if I came upon an album produced at Wally Heider Studios, no matter who it was by, I was more than likely to buy it. Such was the quality guaranteed by the Wally Heider brand that the studio became a kind of shrine to me, a far-off holy grail that shone in my imagination as did that holiest of live venues, the Fillmore West.
Nearly ten years on from its first 'My audiophile integrated Amplifier', or MaiA, Pro-Ject launches its latest compact, but feature-packed, phono/digital integrated amplifier
Mini hi-fi, very much 'a thing' in the 1980s, is still breathing today thanks to Heinz Lichtenegger's Pro-Ject brand. 'Small is better', according to Pro-Ject's head honcho, stating that modern music lovers want great sound without bulky hi-fi gear. Surprisingly, the MaiA DS3 integrated amplifier tested here is one of the larger of Pro-Ject's 'Boxes', being part of its DS line which, together with the RS line, trades some compactness for improved electronics. The company's budget E and more accomplished S series are the home of truly diminutive devices.
Brahms the beardless, Brahms the keyboard revolutionary: the D minor Concerto sorts out pianistic sheep from goats. Peter Quantrill surveys almost a century of recordings
Picture yourself sitting in the audience at the earliest performances of the D minor Concerto, in January 1859, the 25-year-old composer at the keyboard. Imagine that the contemporary piano concerto meant Liszt and Litolff: glitter and fluff, brevity and showmanship. How would you take to the epic first movement, itself as long as several whole Mozart concertos? No wonder that it was hissed in Leipzig – Brahms wrote off the event as a brilliant and decisive failure.
It may look like the 3030 from 1976, but beneath the faux-retro exterior of NAD's celebratory, limited edition C 3050 integrated beats the heart of a 21st century amp
Since its founding in 1972 NAD has grown into one of the mainstays of the hi-fi industry, and to celebrate its first half-century of existence, the brand has launched the C 3050 LE streaming amplifier. Taking cues from forerunners such as the C 700 [HFN Feb '22] and the C 389, it's a just-add-speakers package, including HDMI connectivity and an MM-only phono input.
This 1985 album from the Manchester-based outfit proved they were more than just a singles machine, and cemented both their fusion of rock and electronica and their unconventional approach – right down to putting the drummer on the front cover...
It's hardly surprising that a band formed from the ashes of tragedy should take a while to truly find their own musical identity. But after singer Ian Curtis's suicide brought Joy Division to a premature end in May 1980, New Order had shown intermittent moments of brilliance on a string of singles, but not across a whole album.
Arguably the 'sweet spot' in Lumin's range of network-attached players, the new T3 retains the core features of its costlier models, including full use of the super-slick app
The product catalogue of Hong Kong's Lumin, neatly divided between four network players, three network transports, and one-off power amp and streaming amp options, deserves the description 'small but perfectly formed'. That would also be an apt way of looking at its T3, a network player/DAC possessing a neat, easy-to-accommodate design and a feature roster designed to satisfy the needs of the performance-hungry streaming audio enthusiast. In essence, it takes much of what's offered by Lumin's flagship one-box P1 [HFN Jul '22], but trims the spec. (and size) down to a price point of £4195, almost half that of its bigger brother.
This artisan phono stage from Germany has been on a journey of refinement lasting rather longer than a decade, culminating, for the time being, in this Jubilee version
With the notable exception of flatscreen TVs and very high-end hi-fi, generally speaking, technology is enabling smaller product solutions. German brand Lehmannaudio has been leading the charge for bijou components since its founding, and the principle is perfectly illustrated by the Jubilee variant of its evergreen Decade phono stage, released to celebrate the brand's 30 years, and retailing for £3149.