This month we review: Deutsche Kammerphilharmonie Bremen/Paavo Jarvi, Kristoffer Hyldig, Choir Of Gonville & Caius, Cambridge/Matthew Martin and Lintl, Nyári, Magdeburg Opera/Anna Skryleva.
Martin Colloms | Sep 28, 2023 | First Published: Jun 01, 1997
Martin Colloms shows some ART appreciation as the US company celebrates 30 years with a statement single-ended line-only preamp
Conrad-Johnson's 'Anniversary Reference Triode' has been some time in the making. In fact, an early version was developed seven years ago which has since been used as a lab reference. The ART is simply a remote-controlled line preamplifier, which at £15,000 is priced far beyond any previous Conrad-Johnson offering in this sector. It will be made in a limited edition of just 250 – probably just right for a modest production run at this elevated price level.
The UK's longest-serving cable company celebrates 50 years with a special edition version from its X-Tube range, and it's a 'Golden' upgrade.
Was it really 25 years ago that QED celebrated its Silver Anniversary with a special edition XT speaker cable? Or a full half century since the brand burst into our audiophile consciousness with, three years later, what must surely be the most famous cable of all time – QED 79-strand? Monster Cable would surely argue the toss, but for hi-fi fans building their first system on a budget, the classic figure-of-eight 79-strand (still only £1.99/m) has long been the go-to choice.
The premier 'server/player/reclocker' from New Zealand brand Antipodes Audio boasts a host of proprietary technology and supports up to 24TB of user-installed SSD storage
Network audio is a significant growth area in hi-fi, helped along by network-connected transports and servers, designed to be used into offboard DACs. We used to call these devices 'network bridges', interposed between the home network, and any storage devices thereon, and an audio system. Nowadays they've grown beyond that basic functionality, being able to access music stored internally or via directly connected drives. Meanwhile, the 'network connectivity' is used to access online streaming services, and offer remote control via a tablet or smartphone app.
While unmistakably a 'Koetsu', this Coral stone-cloaked MC demonstrates that every one of the brand's mineral/stone-bodied pick-ups brings its own personality to the party
At the high-end of the hi-fi industry, there are companies that, while well-known to the audiophile cognoscenti, still remain something of an enigma. Japanese cartridge brand Koetsu fits that description – its name is often uttered in hushed, reverential tones, but if you're hoping for a quick Google to unleash a thorough technical insight into its products, as you might for Audio-Technica or Ortofon, then you're in for a disappointment. The £8498 Coralstone moving-coil tested here is one of Koetsu's top models, but flies in under the radar with minimal fanfare.
With an impressive back-story, impeccable engineering and glorious finishes, these imposing '5th generation' Italian speakers promise much – so do they deliver? Certo!
The Amati G5 sits at the top of a four-strong new 'fifth generation' range of the company's Homage speakers, so-called because they pay tribute to the tradition of musical instrument manufacturing in Cremona, Italy. And they do so not just in name, but in the way they're made, with extensive use of selected woods, handcrafting based on the work of traditional luthiers of the past, and even a lute-shaped profile, which first saw the light of day in the previous Homage series [HFN Oct '17].
With retro styling currently all the rage how will this integrated compare, especially considering it was the most affordable amp in Luxman's mid-'70s lineup? We find out
The L-30 was the cheapest amplifier in Luxman's 1976 range. Not that it looked anything like a budget model – rather, it had an almost intangible feel of quality and superior finish that in terms of showroom appeal put it above all but the very best offerings from the Japanese big names at the time.
With the 'proof of concept' SourcePoint 10 already under his belt, MoFi's Andrew Jones has engineered a more compact coincident driver array for the SourcePoint 8 cabinet
Speaking to designer Andrew Jones at High End Munich in May '23, he kidded that his latest loudspeaker could be considered the 'European' version of his larger SourcePoint 10 [HFN Apr '23]. 'People were often surprised by its size – it does host a 10in driver after all – so something smaller was needed', he explained. Cue the 'modest' SourcePoint 8, with its 8in version of the launch speaker's inaugural 10in coaxial driver.