LATEST ADDITIONS

C. Breunig (Music); P. Miller (Lab)  |  Oct 08, 2015
Many young soloists have made their debut recordings in one or other of these works. Arabella Steinbacher – whom we associate more with 20th century concertos – says she’s never previously felt the need to record either until she began working with Charles Dutoit (there’s a 2009 Tchaikovsky video from Tokyo on YouTube). The problem is that she tends to slow the music to show off her beautifully cultivated sounds with the 1716 Stradivarius, although Dutoit could hardly be more accommodating. So I much prefer his 1983 Decca CD coupling with Kyung-Wha Chung, whose playing is utterly selfless (and the Mendelssohn finale has an elfin lightness).
A. Everard (Music); P. Miller (Lab)  |  Oct 08, 2015
Hey, guess what? This sounds just as you’d expect from James Taylor – warm, charming, folksy in instrumentation, vocals and lyrics, and above all wistfully, reassuringly – well, James Taylor. As he sings on ‘You And I Again’, ‘I can’t escape this feeling/That we’ve been this way together, you and I’, anyone expecting something revolutionary will be sorely disappointed. But then this mix of fine performances and closely-observed recordings is the perfect milieu for what is both Taylor’s first new work for well over a decade and an unashamedly nostalgic look back over his life. Yes, he still has the ability to challenge, as he does on ‘Far Afghanistan’, but even this is hardly breaking new ground.
C. Breunig (Music); P. Miller (Lab)  |  Oct 08, 2015
Unusually, perhaps even a ‘first’, DG offers this at 192kHz/24-bit resolution. Kremer’s new programme – two really lightweight pieces and more substantial fare by Philip Glass and Giya Kancheli – was last month’s Album Choice CD [HFN Oct ’15] and, we thought, worth revisiting at this higher resolution. The eight-movement Glass Violin Concerto No 2 is a kind of response to Vivaldi’s ‘Four Seasons’ (although ‘Movement III’ is more suggestive of the Brahms). There’s some astonishingly wonderful music in it and the higher-resolution option certainly makes the reiterations of, for example, ‘Song No 1’ seem more purposeful.
C. Breunig (Music); P. Miller (Lab)  |  Sep 01, 2015
96kHz/24-bit FLAC, BIS BIS-2100 (supplied by www. eclassical. com) As a violinist on the Denon label, Jean-Jacques Kantorow’s CDs were invariably well received in HFN/RR. Then he took up conducting and has amassed a considerable discography with his Finnish orchestra.
A. Everard (Music); P. Miller (Lab)  |  Sep 01, 2015
Knopfler’s eighth solo album mixes rock, Celtic and country influences, and more than a measure of introspection, providing a ‘spot the reference’ game for the casual observer and fans alike. There’s more than a hint of Local Hero here and there – well, quite a lot actually – and his homage to Beryl Bainbridge is pure ‘Sultans Of Swing’, unlikely though that sounds. Inspired by his time touring with Bob Dylan – notably in ‘Silver Eagle’ – this is Knopfler as storyteller, from Bainbridge to poet Basil Bunting, whom he met when he was a copy boy on the Newcastle Evening Chronicle. Trouble is, Knopfler’s writing, scoring, and performance are so distinctive that it can sound like there’s not much new here, even though the sound quality of the stripped-down recording is gorgeous.
C. Breunig (Music); P. Miller (Lab)  |  Sep 01, 2015
This new Schola Cantorum Basiliensis production offers eight of the Venetian composer Antonio Caldara’s early trio sonatas – four each from his Op. 1 and Op. 2 – together with a final chaconne (probably an homage to Corelli). These works appeared in 1693 and 1699; thereafter Caldara became best known for his vocal compositions.
A. Everard (Music); P. Miller (Lab)  |  Sep 01, 2015
If perchance you woke up this morning and thought to yourself ‘Y’know what? The one thing really missing from my music collection is a jazz bass solo cover of Nirvana’s “Smells Like Teen Spirit”’, then here’s just the album for you. If not, then you’ll be pleased to know that track is one of very few misfires on this set by bassman Ben Williams – well, along with the over-rapped and insubstantial ‘Toy Soldiers’ immediately after it. Otherwise this is a tightly-recorded, fine-sounding package. It’s a bass-player’s album, which means the instrument is prominent in the clean, crisp mix, but fortunately Williams is a very fine, very expressive player, as is the band with which he’s surrounded himself here, whether on the harder-hitting cuts or the more lyrical tracks.
A. Everard (Music); P. Miller (Lab)  |  Sep 01, 2015
The third album from 23-year-old British blues guitarist Jones opens with a bang, as the band slams into ‘What’s It Gonna Be’, and from there on in the pace doesn’t let up until the closer ‘Stop Moving The House’, taking in along the way a duet with Sandi Thom on the more reflective ‘Don’t Look Back’, and Jones’ labelmate Dana Fuchs deploying her considerable pipes on a cover of ‘Can’t Get Enough Of Your Love’. As a vocalist Jones is an excellent guitarist, and while this album isn’t the last word in subtlety, being more about slam, drive and soaring guitar solos, while the occasional downbeat track sounds rather too AOR, it does its job effectively enough. The rhythm section has real weight and drive, while Jones’ guitar powers out of the mix just as you might hope it would. But somehow I still can’t help hearing the opening of ‘Evil’ and thinking ‘Devil Gate Drive’… AE Sound Quality: 80% Hi-Fi News Lab Report Keen though I am to promote this album’s charitable association, the content itself is evidently compromised.
Anton van Beek  |  Aug 14, 2015
The European Imaging and Sound Association celebrates the year's most desirable hi-fi hardware Welcome to the EISA Awards for 2015-2016. The European Imaging and Sound Association is the world’s largest independent awards panel and one that reflects the collective opinion of the 45 most respected specialist magazines centred on, but not exclusively based within, the European community. While fiscal turmoil within the Euro Zone continues to dominate headlines in the UK, the collaboration of EISA’s member magazines continues without pause just as the aspirations of our fellow hi-fi and music enthusiasts remain undaunted. From the EISA Convention held in May to the final General Meeting in June, member magazines pool their combined experience to arrive at a consensus of the very best in sound and vision products available across the wider Euro continent.
C. Breunig (Music); P. Miller (Lab)  |  Aug 01, 2015
96kHz/24-bit FLAC, BIS-2124 (supplied by www. eclassical. com) The Fifth Symphony has fared well on records, right back to the 1946 Koussevitsky/RCA and particularly with American orchestras. Prokofiev’s 1915 Diaghilev ballet commission for Ala et Lolli, a mythological Scythian concoction, met with rejection: the composer ‘did not understand a thing about dance’, said Balanchine.

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