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This is the fourth dance-related Pentatone programme with the youthful-looking Yamada (now 37), principal guest conductor with the Suisse Romande. Its founder, Ernest Ansermet, made the imaginative orchestrations here for Debussy’s Épigraphes (two-piano originals). These come as a breath of fresh air after the elaborate scoring of the Roussel, although the Suisse Romande players certainly respond to its challenges. Les Biches is heard in the five-movement Suite adapted from the frothy 1924 ballet, and Yamada brings an ideal light touch to this music – where, incidentally, you hear a theme duplicated in Stravinsky’s Pulcinella.

There’s obviously something of a blooming of Nordic double-bass player/composers with solo albums at the moment, for here we have Norwegian ‘big fiddle’ virtuoso Mats Eilertsen with a scintillating set of self-composed pieces originally part of a collection commissioned for the 2014 Vossa Jazz Festival, and evolved on the road to create this ensemble album played by a septet. And you can tell the musicians have been working closely to develop the recordings here, so well do they connect in an expressive mélange of brass and woodwind, pianos both acoustic and electric, some superb guitar-work by long-time Eilertsen collaborator Thomas T Dahl, and of course the composer’s own bass. The music is understated, mesmeric and consistently captivating, and – despite our reservations in the lab panel below – instruments still sound crisp, clear and natural. AE Sound Quality: 90% Hi-Fi News Lab Report While this is certainly a 96kHz rendering and one that avoids peak-level overload, spectral analysis reveals a clump of (digital?) spuriae around 30kHz [see graph].

96kHz/24-bit, FLAC; Chandos CHSA5175 (supplied by www. chandos. net) The BBC Symphony for Vivaldi? Well, Tasmin Little says she prefers a ‘big sound’ for ‘The Four Seasons’, and Chandos provides a warm cohesive balance with clear continuo. To my mind, harpsichordist David Wright is the star of the show, coming into his own in ‘Autumn’ with a linking cadenza and a virtual Doppelgänger shadowing the violin.

The concepts of down ’n’ dirty blues and fine sound don’t always go hand in hand, but that’s certainly the case with this set from singer/songwriter/guitarist Lance Lopez and producer/bassist Fabrizio Grossi. Of course, it helps if you can pull in the odd guest artist, and here they’re of the calibre of Warren Hayne, Walter Trout and ZZ Top’s Billy Gibbons. However, it’s not a case of ‘sling in a flashy trademark solo’, as each meshes seamlessly into the band’s sound. As Grossi puts it, ‘It’s not a guest record, those guys are part of our family and just happened to show up on that song’.