This programme by a Belgian piano trio which debuted in 2011 contrasts those by Shostakovich, written (No 1) as a teenager, the other during the war years. His contemporary Sergei Prokofiev is represented by the Cinq Mélodies, ‘songs without words’, revised in 1925 for violin and piano, and the early Ballade for cello and piano. It’s quite a shock to hear this flamboyant music after the introversion of the Shostakovich masterpiece (especially as the transfer levels leap up for the duos!). Reconstructed from incomplete parts, Trio No1 is a competent essay but the step to the cello’s harmonics opening No 2 is to move to another artistic world altogether.
Having scored her biggest international hit with her 2010 album Same Girl [ACT 9024-2], the South Korean-born singing star takes a new direction with this one – her ninth (and fourth for ACT) – recorded at Sear Sound, New York, in Dec ’16, and produced/arranged by keyboard wiz Jamie Saft – he’s also co-writer with Vanessa Saft of track 3, ‘Too Late’. Youn Sun Nah opens with her own five-minute ‘Traveller’, a characteristic blend of strength and melancholy, and goes on to offer an eclectic choice of covers, all beautifully done. Marc Ribot contributes brilliantly to several tracks, with electric and acoustic guitars, from the fast-moving Paul Simon song that’s the title tune to perfect Staples/Al Green funk on Lou Reed’s ‘Teach The Gifted Children’ and a majestic reading of Jimi Hendrix’s ‘Drifting’. It’s a great album with great sound too.
It wasn't a budget buy, but this late '70s integrated from the masters of the MOSFET spearheaded fresh thinking on amplifier design. But how does it sound today?
The advantages of using separate pre and power amplifiers over an integrated is a discussion that can still occupy audiophiles for hours. What was almost a necessity in the valve era became less technically significant once transistors were established, a quality solid-state preamp circuit being undemanding in terms of space and power.
Hugely flexible, hugely capable and, well, just plain ‘huge’, dCS’s flagship Vivaldi four-box digital stack has been condensed into a one-box solution. So why a limited edition?
There comes a time when you have to pop the champagne cork, relax and have fun. That’s what dCS (Data Conversion Systems Ltd) has done with its new £55k Vivaldi One single-box disc player/upsampling DAC/streamer. It’s a limited edition of just 250 pieces, designed to celebrate the company’s 30th anniversary. In that time, the company has gone from being an Official Secrets Act signatory supplying advanced radar systems for the RAF towards the end of the Cold War, to one of the most respected high-end digital audio specialists around.
With a concentric mid/treble and coupled-cavity bass, the smallest Adante series speaker is no ordinary standmount
There was a time, back in the 1980s, when much of what was novel in loudspeaker design emerged from KEF’s R&D department in Maidstone, Kent. Odd as this may seem as a way of introducing a new ELAC speaker from Germany, it’s doubly relevant because the £2600 Adante AS-61 – indeed, the entire three-model Adante range (not including the ASW-121 powered subwoofer) – incorporates two features associated with that golden era at KEF: one that has remained familiar, and a second that has rather declined into obscurity.
The 'entry-level' floorstander of Sonus faber's Homage Tradition series is much more than a shrunk-down Amati
Anyone familiar with Sonus faber will love the superlative craftsmanship of the Vicenza-based company's loudspeakers. Although pretty much all high-end designs are extremely well turned out these days, this Italian company remains on another level – producing speakers that resemble art pieces, rather than just big boxes trying to look expensive.
The latest in a long line of 'affordable audiophile' turntables from a highly popular UK brand, the Planar 2 offers easy set-up, good looks and a taste of serious hi-fi sound
The 1970s were something of a high watermark for the vinyl format. Bolstered by Mike Oldfield's smash hit Tubular Bells, 1975 saw the highest ever LP sales in the UK, and this drove demand for turntables. At the time, the budget king was Garrard's rudimentary SP25, but soon the Japanese gifted us the fine Pioneer PL-12D, a deck that really raised the performance bar.
It's costlier still than its predecessor, but Questyle's updated portable Digital Audio Player-and-dock combo delivers great sound quality – both at home and on the road
Shenzhen-based brand Questyle impressed the pundits with its debut QP1R digital audio player (DAP), launched back in 2015 at just the right time to exploit the increased interest in high-quality portable players and DACs. At first glance, the new QP2R looks very similar, with the same rugged and sturdy design – available in either gold or an Apple-esque 'space-grey' – and that distinctive armour-plated volume control protruding from the top of the device.
A high-end luxury headphone solution from a new name, the M1 offers a unique in-house twist on established technology. Is it the ideal solution for 'head-fi' enthusiasts?
There's no denying that headphone listening, or 'head-fi' as some fans describe it, is one of the boom sectors of the audio industry. There are now more upmarket headphones on the market than ever before, along with dedicated amplifiers and other accoutrements, and it's a safe bet that one of the busiest areas of any hi-fi shows is going to be the personal audio zone.
Naim’s meticulous engineering of its Statement amplifier did not stop with the bespoke alloy casework, but extended to the speaker cable itself.
During the development of its flagship Statement amplifiers [HFN Jun ’15], Naim Audio went into exquisite detail, even defining the silicon substrate and legs of its custom transistors. So while analysing every component and length of PCB track, Naim Audio also turned an engineering eye towards the cables that might accompany its ‘ultimate amplifier’. Its Super Lumina cable is the result, priced at £650 per terminated stereo metre (£3245 for a 5m stereo pair).