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With not just so many ranges in its catalogue, but also many models in those ranges, it’s hardly surprising that Danish speaker company DALI is no stranger to the concept of trickle-down technology. After all, once the development cost of a new component, or an entire loudspeaker, has been spent, why not spread the love by finding ways of carrying over that thinking to other products?

If you have a preconceived notion of System Audio, chances are it’s been formed by its Silverback range of active, wireless loudspeakers. Occupying the top tier in the Danish manufacturer’s catalogue, models including the Silverback 60.2 and Silverback 40.2 [HFN May ’21 and Aug ’21] combine DSP-based crossovers, DACs and integrated amplification, with cable-free transmission via the WiSA standard. Add in the app control and room EQ and there is, to put it bluntly, a lot going on in the Silverbacks – something which can’t be said of System Audio’s new Signature series.

KEF launched its Q series Meta loudspeakers toward the end of 2024 with plenty of fanfare, but to any hi-fi enthusiast with half an eye on this brand, the announcement came as no surprise. We’d already seen how the introduction of the ‘revolutionary’ Meta Absorption Material Technology (MAT) on KEF’s LS50 Meta [HFN Jun ’21] was followed by Meta updates of its Blade [HFN May ’22], Reference [HFN Jun ’23] and then R series [HFN Jan ’24]. At the same time, KEF’s bottom-of-the-rung Q range was last updated in 2017. So, with hindsight, the Q series Meta, topped by the £1999 Q11 Meta floorstander seen here, is about as expected as anything gets in hi-fi.

Headquartered in Kanagawa, Japan, Soulnote has created a trio of product ranges in just ten years. Its mid-range Series 2 comprises a phono stage, DAC and the A-2 integrated

Soulnote’s A-2, available for £6300 in silver or black, is an integrated amplifier with an air of the ‘old skool’ about it. No network or digital connectivity, just analogue all the way, and only line-level too, as the Japanese manufacturer prefers to keep its phono stages separate. There’s no form of system control (ie, 12V triggers), and the user experience is very much plug-in-and-play, aided by an elegant remote and even simpler front-panel display.