Aurorasound's VIDA (Vinyl Disk Amplifier), launched in 2011, has marked its first decade with a number of revisions to merit MkII status. How does it stack up in 2022?
Small Japanese specialist brands always fascinate me, due in part to my delight that they can co-exist with the Sony- and Panasonic-sized manufacturers. While every nation has its bijou marques, there's an uncanny aura to the likes of 47Lab, Shindo, Air Tight and Kondo, plus countless MC cartridge makers, that differentiates them from equally exotic producers from the UK, USA, Italy, Germany and beyond. Aurorasound could also only be Japanese, its VIDA MkII, an evolution of the VIDA [HFN Jul '13], ticking every box.
When it came to Lilliputian LP players Sony was late to the party, but is this early '80s deck with two motors and a tangential arm now an overlooked gem? We find out...
The 'small and square' turntables that appeared in the early 1980s were arguably the last important development in vinyl playback before CD arrived. Begun by Technics in 1979 with its SL-10 [HFN Apr '19], Japan's hi-fi industry rushed to produce something similar, with varying degrees of success.
Like its predecessor, the MA9000, McIntosh's mighty MA9500 still combines transistors with transformers but the host of under-bonnet updates bring more than a little polish
What should an audiophile demand from an integrated amplifier with a price tag approaching £15k? There's an expectation it should be beautifully built and finished and, more than likely, hail from a respected marque with a long pedigree. There must be a sense of owning something special and exclusive. The performance, meanwhile, will need to be at or near the top of what's possible at the price, and with no shortage of power. As for the new £14,995 McIntosh MA9500, and without wishing to give everything away in my opening paragraph, it looks to tick all these boxes!
EISA, or the Expert Imaging and Sound Association, is an organisation representing 60 of the most respected special interest publications and websites from 29 countries that cover Hi-Fi, Home Theatre Video, Home Theatre Audio, Photography, Mobile Devices, and In-Car Electronics. Every year EISA’s Expert Group members, including editors from this publication, test a very wide range of new products from their field of expertise before comparing results and voting to decide the cream of every product category.
Written in the midst of personal crisis, the Second smiles and laughs with a humour that can be elusive. Peter Quantrill discovers which conductors land all the punchlines
Two years after the First Symphony, completed in 1800, Beethoven made a different kind of statement with the Second, on a grander scale, evident from the emphatic proclamation of D major rather than the First's quizzical gambit which deliberately contradicts its stated key of C. The Second seems to have been the longest symphony (by number of bars) composed up to that point in the genre's relative infancy – though Beethoven may have had in mind the spacious grandeur of Mozart's final symphony in D major, the 'Prague'.
Described as the company's most versatile digital player to date, Lumin's P1 is an unashamedly high-end network audio solution. But can it be all things to all users?
As is so often the case with network audio products, the salient question concerning the Lumin P1, yours for £8495 in a choice of silver or anodised satin black sculptural milled-from-solid casework, is what it is exactly. The company can help with that, suggesting it can be just about anything you want: a network player, a DAC, a preamp (complete with analogue inputs as well as the digital array), or all three.
Through rare tracks recorded at the producer's backyard studio, this 180g triple vinyl LP serves as a testament to the genius of Lee 'Scratch' Perry, says Steve Sutherland
Prior to the current condemnatory climate where all fake news is regarded as a deadly sin, we often used the word 'apocryphal'. It meant an event of dubious authenticity which was so enticing that, despite the lack of any absolute proof, it was widely and enthusiastically embraced as being true. In other words, we didn't always let the facts get in the way of a good story.
Availing itself of the latest DSP and Class D amps, the Pearl Pelegrina is a sophisticated 'connected' speaker
There's no escaping it: sitting in front of Cabasse's Pearl Pelegrina, the £22,599 flagship of the French company's Pearl speaker range, the punning phrase 'the eyes have it' kept going through my mind, so great was the sense of these spherical enclosures fixing me with a beady stare. Of course, this look is nothing new for the designers in Brest, out on the tip of Brittany: at the top of its range is the huge La Sphère loudspeaker [HFN Feb '10], its 70cm globe perched atop a helical stand, and driven by a rackful of dedicated crossovers and amplifiers.
As much a community as a recording complex, Bearsville gave birth to albums as diverse as The Band's Cahoots and Meatloaf's Bat Out Of Hell. Steve Sutherland has the story...
His ultimate weapon was silence. Which was weird considering his vocation in life was managing musicians. Don't get me wrong, Albert could curse and scream and bully and belittle with the best of them, but when all the histrionics were getting him nowhere he'd just clam up and stare like a statue. For a very long time. Which usually freaked everyone out and then, of course, they'd accede and he'd get what he came for.
This icon of British hi-fi is typically sparing in its celebration of milestones, but SME's Diamond jubilee demanded something very special indeed. And here it is...
If the engineers at SME felt the need for a motivational quote or two while working on the company's new turntable, Rolls-Royce co-founder Sir Henry Royce's 'Take the best that exists and make it better' would have been a good choice. This summed up the challenge facing the UK company in designing a successor to the previous Model 30 flagship – the result is the £49,950 SME Model 60, and it has a tough act to follow.