Quad's first new speakers in some seven years feature an evolved version of the ribbon tweeter seen in its 'Corner Horn' of 70 years ago. Now, of course, they come in pairs!
For nearly nine years, I have been listening to Quad's ribbon-hybrid S-1 speaker – the brand's smallest two-way box-type system – as part of my day-to-day desktop set-up. When they were launched, I revelled in the realisation that they were a throwback to Quad's first ever loudspeaker, the Corner Ribbon of 1949, and the all-new Revela 1 tells you that the company's boffins, based in the UK and China, haven't been sitting idle since 2015.
This month we review: Bergen PO, ET AL/Sir Mark Elder, Bavarian RSO/Bernard Haitink, Bertrand Chamayou and Borys Fedorov, Anna Fedorova, Mikhail & Dana Zemtsov.
The jazzical nature of this ostensibly religious piano cycle invites an array of approaches that range from reverential grandeur to gaudy showmanship, finds Peter Quantrill
In the summer of 1944, the head of music at French radio asked the 35-year-old Olivier Messiaen, and the Catholic writer Maurice Toesca, for a reflection on the Nativity in words and music, to be broadcast over the Christmas season. Beyond its title, there is nothing very Christmassy about the piano cycle that became Vingt Regards, which may be why Messiaen's contribution was eventually shelved.
Few brands can match Luxman when it comes to blending traditional engineering values with timeless elegance, and the new PD-191A flagship is an exemplar of the art
There is a coterie of Japanese brands whose products never fail to delight. Along with Air Tight, Denon, SAEC, Stax and a smattering of other high-end producers, Luxman has provided gem after gem, from valve amps of undeniable desirability to great turntables. Luxman's latest flagship deck, the PD-191A, honours the brand's traditional mix of beguiling sound, superior build quality and stunning looks.
Martin Colloms | Mar 22, 2024 | First Published: Mar 01, 2000
Martin Colloms wonders if this all-tube line preamplifier can re-establish Audio Research's supremacy in the exalted reaches of the high-end
As an increasing number of digital source components come equipped with variable output level one might think that line controllers – preamps without a phono cartridge input facility – are an endangered species. This will make sense to those embarking on an all-digital system, mixing a variety of digital sources and prepared to convert from the analogue disc domain to digital via an A/D converter function. Indeed, some digital control units are digital-only and cannot handle analogue signals at all.