This month we review and test releases from: Minnesota Orch/OSMO vänskä, Mancini, Piazzolla, Gardel, Bacalov Filippo Arlia/Cesare Chiacchiaretta, Pacific Chorale/Robert Istad, Jos Van Immerseel and Dr. Chesky.
This month we review: R Strauss, Paul Lewis, Rodrigo, Beethoven, Brahms, Debussy, Falla, Franck, Mendelssohn, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, and Wagner.
It looks like the S5 stereo power amp, both inside and out, but the Michi M8 monoblock is altogether more powerful and, as a result, offers a sound with a charm all its own
You'll have to examine the £5399 Michi M8 monoblock power amp very closely to see how it differs from the company's S5 stereo model, reviewed previously alongside the £3299 P5 preamplifier [HFN May '20]. The two are the same price and size, look identical and have much the same 'ask a friend to help' mass. In fact, the M8 weighs marginally less than the S5, at 59.1kg – the difference presumably accounted for by the need for two-channel inputs on the stereo amp whereas the mono version has only single-channel connections, on both balanced XLR and unbalanced RCA sockets.
Written under duress during four months in spring 1937, this would become his most popular work. Christopher Breunig sets out the background and suggests recordings
New pieces by composers Harrison Birtwistle or Peter Maxwell Davies, say, will have received polite applause and a few boos from the audience at their premieres. But no government response.
The sweet spot in a three-strong series of late '80s amps, this high current integrated promised to handle low impedance speakers without breaking a sweat. We listen...
Most hi-fi enthusiasts know how many watts their amplifier can produce, but does that figure tell the whole story? In the early '80s, Harman Kardon's HCC (High Current Capability) range of integrated amplifiers gave listeners another number to think about, which was how much current an amplifier was able to source.
One of a growing choice of 'audiophile' network switches, this one comes from Digital Music Library specialist Melco. Can this work magic in any networked system?
When Japanese-based Melco launched its first 'Digital Music Library' [HFN Feb '15], it more or less started a trend for audiophile music storage devices, and these days there's no shortage of rivals out there, all claiming to deliver the best possible sound for your network audio. However, its first 'Audiophile Dataswitch' enters a somewhat different arena, where it's not exactly a pioneer.