This SE version of Marantz's former 'Japan only' SA-12/PM-12 player/amp combo borrows very heavily indeed from the costlier KI Ruby series, but saves £1000 into the bargain
So what do we have here? The new SA-12SE SACD/CD player and PM-12SE integrated amplifier, selling for £2999 apiece, are the latest in a long line of 'special edition' products from Marantz. Its family tree includes 'Original Special Edition' models, when other brands got in on the 'SE' thing, and the 'KI Signature' versions tuned by the company's late Brand Ambassador, Ken Ishiwata.
One of the oldest and most revered names in vinyl's history is back, refreshed and under new ownership, and with a deck that mixes modern materials with classic design cues
How many audiophiles ten years ago would have thought that come 2020 you would be able to buy a brand new Leak amplifier and a pair of Wharfedale Linton speakers? Not many, I'd bet. And it's now possible to front a system comprising these components with a belt-drive, suspended subchassis turntable made by Thorens, and one with 'TD160' in its name. It seems the onward march of 'retro' is unstoppable!
This month we review and test releases from: Minnesota Orch/OSMO vänskä, Mancini, Piazzolla, Gardel, Bacalov Filippo Arlia/Cesare Chiacchiaretta, Pacific Chorale/Robert Istad, Jos Van Immerseel and Dr. Chesky.
This month we review: R Strauss, Paul Lewis, Rodrigo, Beethoven, Brahms, Debussy, Falla, Franck, Mendelssohn, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, and Wagner.
It looks like the S5 stereo power amp, both inside and out, but the Michi M8 monoblock is altogether more powerful and, as a result, offers a sound with a charm all its own
You'll have to examine the £5399 Michi M8 monoblock power amp very closely to see how it differs from the company's S5 stereo model, reviewed previously alongside the £3299 P5 preamplifier [HFN May '20]. The two are the same price and size, look identical and have much the same 'ask a friend to help' mass. In fact, the M8 weighs marginally less than the S5, at 59.1kg – the difference presumably accounted for by the need for two-channel inputs on the stereo amp whereas the mono version has only single-channel connections, on both balanced XLR and unbalanced RCA sockets.
Written under duress during four months in spring 1937, this would become his most popular work. Christopher Breunig sets out the background and suggests recordings
New pieces by composers Harrison Birtwistle or Peter Maxwell Davies, say, will have received polite applause and a few boos from the audience at their premieres. But no government response.