With the latest Apogee, ribbon technology comes in a more affordable package. Ken Kessler's assessment follows Martin Colloms' review
The US company Apogee has expanded its range of open-panel loudspeakers, which began with the Apogee model itself. This was a large-scale design using three separate diaphragms, with pure aluminium ribbons for frequencies above a few hundred Hertz. Three other models are now in production, comprising, in descending order of size and price, the Scintilla [HFN Sep '85], Duetta, and now the so-called 'baby' of the group, the £2500 Caliper.
Ken Kessler takes delivery of the Audio Research SP-11 preamplifier
The time is early June, and let us imagine that this issue has been on the stands for two weeks. Editorial secretary Jennifer Scotland walks to where I am sitting and dumps a pile of letters on my desk. The angry correspondence has arrived.
The loudspeaker firm, famed for its late-1950s amps, makes a late-1990s return to tube electronics with two new integrateds. Ken Kessler listens
When the grapevine alerted the world's tube crazies to the return of Rogers amplification, visions of two-tone faceplates danced before our eyes. A nice Cadet III [HFN May '13], or maybe an HG88 visually unchanged but suitably modernised. The collector in me rejoiced. But the Rogers beancounters felt that an all-new product was a more sensible proposition, which is why the E-20a and E-40a all-valve integrated amps have nothing whatsoever to do with the preceding models. Indeed, they have little to do with Rogers.