Ken Kessler brings you his definitive guide to buying reel-to-reel tapes, new and secondhand
For any format, whether new or revived, it is the availability of pre-recorded music that determines its health. That's why the LP came back like gangbusters, and the otherwise-hugely-impressive Elcaset withered away. When it comes to the growing interest in reel-to-reel tapes, three routes exist for feeding the machines, and each has its adherents, while many users will adopt all three when building up a library.
Ken Kessler goes Class A in a small way with the Marantz PM-4
Phone calls from company spokespersons such as Marantz's Steve Harris, are generally one of two types. Either 'Would you like to review our new Model XYZ whatever?' or 'Where the hell is our Model XYZ whatever, which you've had for nine months?' Such phone calls are never about reviewing components that are out of production.
Ortofon's SPU cartridge has reappeared. Ken Kessler gives it a whirl
Paranoia is not a condition to which I subscribed prior to entering the brotherhood of audio writers. Ignorant of my near-leper status, it came as something of a shock to find myself the only valve-loving, moving-magnet cartridge supporter in the immediate vicinity. Thankfully, editor John Atkinson tends to offer advice and make suggestions, rather than threaten my physical well-being for failing to embrace the solid-state, and so decided that a review of a moving-coil cartridge would be a subtle way of sowing the seeds for my conversion. And he knows my weaknesses well: anachrophilia.