With its roots in a demo facility in downtown Stockport, this studio would later pump out hits from the likes of 10cc and The Smiths. Steve Sutherland takes up the story
Neither of the two musicians had been in a studio before. The closest they'd come was messing about doing demos on a knackered four-track Teac in an ex-manager's garage. So stepping into Strawberry, all swish and gleaming and stacked with mod cons, they were stunned. And not a little scared.
Betty Davis, Stevie Wonder and an IRS showdown along the way... Steve Sutherland on a studio in America's Deep South that's produced more than its fair share of classic cuts
It's a bit of a mystery why it didn't come out when it should have. One story goes that the record company had no faith in its sales potential and shelved it. Another has it that the singer had a row with the record company boss over a track called 'Stars Starve, You Know', which had a right go at him.
Founded in 1954, this facility would become one of the music world's most renowned studios, giving birth to ska, rocksteady and reggae. Steve Sutherland has the story
One of the many pleasures in collecting used vinyl 45s is coming across a Jamaican cut where the label has been deliberately defiled. What this usually means is that the artist and the title on both sides have been scratched out or ink-penned over so that the disc attains supreme anonymity.
Elvis Presley, Johnny Cash, Jerry Lee Lewis... Steve Sutherland tells the tale of a studio housed in an old auto glass repair shop that is now called the birthplace of rock 'n' roll
Surely the most charming argument in the whole of cinema history is the one between the two impossibly stylish Japanese teenagers in the opening segment of Jim Jarmusch's 1989 indie triptych Mystery Train. The lovers are on a pilgrimage from their home town Yokohama to Memphis. Youki Kudoh's Mitsuko is obsessed with Elvis Presley and insists they visit Graceland as soon as their train arrives.
Inside a former church in London is a recording facility used by such stars as Bob Dylan, Tom Petty and Adele. Steve Sutherland invites you to pull up a pew as he tells its story
Some time in 1985, so the story goes, Dave Stewart of British pop duo Eurythmics had been working in Los Angeles with Bob Dylan and invited him to stop by his recording studio any time he found himself in London. The studio, which was called The Church, was in Crouch Hill, N8 and a few months later Dylan did just happen to be in the UK, so he decided to take up Dave on his offer.
We've had guys calling literally from gaol. They’re getting out the next day and they’re booking their time because, let’s face it, they’ve had plenty of time to write their lyrics…’ We’re listening in to Kevin Churko who, apart from chewing the fat about The Hideout recording studio in Las Vegas, which he just happens to own, also has a bit of a personal history behind him.
From Beyoncé to The Boss, Meat Loaf to Madonna... few studios rival this international brand when it comes to churning out the chart-toppers, as Steve Sutherland explains
You could say that Jerry Ragovoy was quite the songwriter. It was he who penned 'Time Is On My Side', the Irma Thomas classic immortalised by The Rolling Stones. 'Stay With Me' was his too, the top-notch Lorraine Ellison belter. So were 'Cry Baby' and 'Piece Of My Heart', both of which Janis Joplin subsequently made unforgettable.
The brainchild of Richard Branson, this studio in Oxfordshire was where Tubular Bells was laid to tape and Tangerine Dream created Phaedra. Steve Sutherland tells the tale
I'll let you into a little secret. Before no-one else did, and our world became all credit cards and phone taps, the rich stayed rich by never carrying cash. The Queen, for instance, was famous for never having any moolah on her at all, except on a Sunday when, if she was going to church, she'd have a tenner folded and ironed into a neat square so she could discretely slip it into the collection box.
This facility's clients have ranged from Arctic Monkeys to Nina Simone, and it has also pioneered solar-powered sound. Steve Sutherland on a studio not afraid to innovate
Of all the many weird and wonderful characters who have populated our Inside The Studio feature down through the years, if my memory serves me right we have never ever come across a giant rabbit. Still, there's always a first time...
Founded in New York, this facility would expand to three studios in the US, catering to stars like Stevie Wonder, Metallica and The Stones. Steve Sutherland has the lowdown
Chances are you won't be familiar with Marshall Chapman, but she's an American singer/songwriter and one of the unsung heroes of our story. On the 10th of January 1978, she was working on Jaded Virgin, her second LP, when a fire broke out in the studio next door. Chapman downed tools and helped other musicians and engineers who were in the vicinity to carry priceless master recordings to safety outside the building.
Part record label, studio and direct-to-disc recording facility, the home of Third Man in Nashville also houses a Voice-O-Graph recording booth. Steve Sutherland explains...
Ithink I was born in the wrong generation. I probably should have been around in the 1800s, or 1930s. I am a lost soul in this time period, with the Internet, with digital technology and so on. This is not my place to be.'
It was a hit factory in the heart of Soho, a studio in an alley where The Beatles, Bowie, Queen and Elton John would craft their chart toppers. Steve Sutherland on Trident...
'You're a sewer rat decaying in a cesspool of pride… A dog with disease, you're the king of the sleaze…' Life On Two Legs, Setting The Record Straight may not have featured in many best-selling book lists but it's one heck of a read. Authored by Norman J Sheffield in 2013, its title is a play upon 'Death On Two Legs (Dedicated To…)', an uncharacteristically vicious song written by Freddie Mercury which opened Queen's fourth LP, 1975's A Night At The Opera.
From a rock 'n' roll first to punk's earliest record, this Detroit studio was a pit-stop for the pioneers whose creations would shape music's history, as Steve Sutherland explains
There will be plenty of time to talk about Death in a moment. Right now, though, just you concentrate on ramming that speaker deep down in the toilet bowl and make sure the microphone is firmly propped underneath so the sound will bounce off the water and create an echo effect when it's sent back to the other speaker in the studio next door. Oh, and while you're at it, see that wooden pallet underneath the chair? Make sure it's mic'ed up because the foot-stomp is gonna drive the beat.
Used by stars such as Michael Jackson and Alanis Morissette, this facility in Los Angeles was founded by a pioneer in the art of studio design. Steve Sutherland has the story
My first encounter with the Madman was in the Coen Brothers' brilliant 1991 movie about writer's block, Barton Fink. The Madman was a sweaty travelling salesman with a sideline in brutal murders and an unpleasant ear infection. He was played, terrifically, by John Goodman and he was known as Madman Mundt ('Jesus, people can be cruel. If it's not my bulk, it's my personality'.)
Opened in 1978, this studio is where Kate Bush, The Cranberries and U2 created songs that sold worldwide. Steve Sutherland goes to the heart of the Irish recording industry
It may seem counter-intuitive, perverse even, to begin this account of Windmill Lane Studios by dwelling on one of its early shortcomings, but hey, what the heck? When U2 rocked up in the late summer of 1980 to record their debut LP, Boy, producer Steve Lillywhite was far from impressed with the facilities on offer. The band's recent single, 'A Day Without Me', which Lillywhite had produced, had failed to chart and he'd been beating himself up over the way it sounded, particularly the drums.