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Review: Adam Smith,  |  Mar 25, 2021
hfncommendedOmnidirectional and horn-loaded to boost sensitivity, are these really the 'beautiful moon' of floorstanders?

When it comes to makers of true omnidirectional speakers, it seems that those with the highest profile currently hail from Germany. MBL's Radialstrahlers and the German Physiks models occupy the upper echelons of the market, while at the more affordable end it's the Duevel name that springs to mind most readily. Based in Osnabruck, the latter company is the brainchild of Markus and Annette Duevel, who founded the business in 1988.

Ken Kessler  |  Mar 23, 2021  |  First Published: Jan 01, 1997
hfnvintageClassic tubes meet modern tech in the £30,000 Project T-1 monoblocks. Is this Marantz's ultimate amplifier, asks an awestruck Ken Kessler

Contemplating the Project T-1 power amplifiers from Marantz, I realise that nothing in hi-fi should surprise us any more. If, in 1990, someone had told you that, by 1997, the hi-fi community would be clamouring for single-ended triodes and horn systems, that Quad and McIntosh and Marantz would reissue their valve classics, that Mobile Fidelity would open a new LP pressing plant and that Krell and Audio Research would introduce integrated amps, you'd have had that someone committed.

Review: Adam Smith,  |  Mar 22, 2021
Very big in the Far East since 2005, Line Magnetic offers a comprehensive range of tube-based disc players, DACs, phono stages and amps. Here's the entry-level integrated

We may now live in an age of digital and streaming, but the number and sheer variety of valve amplifiers on offer seems to be on the increase. Perhaps more remarkable are those designs that unashamedly hark back to a previous era, attempting to keep it alive by the use of modern technological twists. One of the main proponents of this philosophy is Chinese company Line Magnetic, the £1699 LM-34IA integrated reviewed here being just one of a wide range of its amps inspired by famous designs of the past.

Johnny Black  |  Mar 19, 2021
Released as a double album on the Columbia label back in 1969, one LP electric with a supporting trio the other acoustic and solo, it only belatedly received recognition for being such a groundbreaking work. Is it time to re-evaluate our views on the blues?

Exactly why Henry Saint Clair Fredericks, better known as Taj Mahal, has never been hoisted shoulder high as the quintessential bluesman to emerge from the 1960s remains a mystery that may be never be explained. But we'll have a go.

Review: James Parker,  |  Mar 18, 2021
hfnedchoiceTouted as the 'world's first multi-DAC DAP', Astell&Kern's premium portable takes tweaking-on-the-move to a new pace. We run to keep up with the features on offer

Once upon a time there was just Astell&Kern, the company building its reputation on superior digital audio players (or DAPs) aimed at those for whom playing music from their phone just wasn't enough. In an era when the multifunctional pocket device is designed to take over every task you could imagine, from browser, emailer, camera, music player and – well – phone, the idea of carrying a dedicated audio device around may seem like something of an anachronism. 'An MP3 player, grandad?'.

Steve Sutherland  |  Mar 16, 2021
Used by Oasis, Muse and a raft of acclaimed indie artists along the way, this studio set in a secluded creek boasts a unique creative atmosphere. Steve Sutherland explains why

Leaving the main stream, they passed into what seemed at first sight like a little land-locked lake. Green turf sloped down to either edge, brown snaky tree-roots gleamed below the surface, while ahead of them the silvery shoulder and foamy tumble of a weir, arm-in-arm with a restless dripping mill-wheel filled the air with a soothing murmur of sound... It was so very beautiful that the Mole could only hold up both forepaws and gasp, "O my! O my! O my!"'.

Review: Andrew Everard,  |  Mar 15, 2021
hfnoutstandingNow housed in a 'chassis within a chassis', featuring an uprated USB interface and slicker Lightning OS, Auralic's G2.1 series kicks off with the Aries streaming transport

At first glance, Chinese company Auralic's range looks baffling, such is the choice of similar-looking units – and it's becoming more so with the arrival of new 'second generation' G2 models, confusingly distinguished by the addition of a '.1' suffix on its product designations. In the new lineup there's the Vega G2.1 streaming DAC, at £5999, the Sirius G2.1 upsampling processor at the same price, the £7999 Leo GX.1 master reference clock, and the product we have here, the £4199 Aries G2.1, described as a 'Wireless Streaming Transporter'.

Christopher Breunig  |  Mar 12, 2021
As Christopher Breunig prepares to take a short sabbatical on a series begun in 2014 (continuing under new management) he adds a comment or two on some favourites

When I began collecting, EMI's producer Walter Legge was reviving Otto Klemperer's recording career after his fallout with Vox, and we had Beethoven's Leonora Overtures and Symphonies Nos 3, 5 and 7 (the 'Eroica' my very first LP).

Review: Andrew Everard,  |  Mar 11, 2021
hfnoutstandingMore room and wallet-friendly than the flagship Borg, Fink's compact KIM packs no less 'tech'

No, they're not named after a Kardashian, a Rudyard Kipling novel or even Mel & pop partner. Instead, the new KIM standmount speakers from FinkTeam, selling for £8900 a pair complete with their dedicated open-frame stands, take their lead from the company's Borg speakers in having a Star Trek association. In this case it's somewhat less villainous, in the form of Voyager character Ensign Harry Kim, the ship's Operations Officer. It could all have been so different: story is, Kim was originally to be called by one of several names, including Jay Osaka.

Barry Fox  |  Mar 09, 2021
Barry Fox on books with insights into the personalities behind the podium

Before my local bank branch closed, someone in head office came up with a cunning plan. Shut half the counters and pipe in classical music to soothe the nerves of customers seething at the longer wait for service. Played just loud enough to be recognisable, but too whispery to be enjoyable – like the tizzy spill from someone else's headphones – the noise just simply annoyed.

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