The Norwegian brand’s latest amp is not just its most powerful integrated, but comes complete with network audio capability. Is this the ultimate one-box amp solution?
Obviously not afraid of a spot of (Russell?) crowing, Oslo-based Hegel describes its new Reference H590 integrated amp, just going on sale at £9000, as ‘Master and Commander’. Apparently it’s ‘A master at musicality’ and ‘The commander of any set of speakers’. Mind you, you might be tempted to forgive the company for its exuberance – after all, the new arrival is something of a monster, standing an AV-receiver-challenging 17.1cm tall, tipping the scales at 22kg and delivering over 300W per channel. Well, 301W a side actually, according to Hegel, making it at least 50% more powerful than its previous top integrated, the H360.
It was the 1962 live album that launched the Surfin' genre. Listening to the 180g reissue, Steve Sutherland still wishes the guy on the sleeve was him
Every now and then, it's OK to be wrong. Not often, I grant you, but on occasion a long-held misbelief can be way better than the actual fact. That lyric you misheard years ago maybe, a phrase which has informed your enjoyment of a particular song – until you discover that the words and meaning were something different all along. Sometimes the reality can ruin the thereafter. And it's better to continue with your fantasy.
This neatly packaged, sleekly-styled Scandinavian integrated offers DAC and streaming functionality, plus a very fine sound thanks to its proven Class D power amp modules
Many think of Apple as creating today’s world of sleek, minimalist consumer electronics – but the business and creative heads of that Californian company – Steve Jobs and Jonathan Ive – were themselves inspired by great talents working in hi-fi, long before the iconic iPod was ever launched. Lest we forget, Jacob Jensen did amazing industrial design work at Bang & Olufsen for decades, as did Dieter Rams at Braun 15 years earlier.
Here’s a network audio bridge, a USB player and computer audio cleaning device, and a Roon Ready endpoint – all in one tiny (and affordable) box. Is there anything it can’t do?
The rise of ‘computer audio’ has rewritten the rules on hi-fi components. What once required a full-width separate can now be achieved with an almost vanishingly small box of computer technology, all ready to connect into your existing system. You can stream using a Raspberry Pi, an Asus Tinkerbox or an Intel NUC – to name but a few – and a whole industry has sprung up making add-ons for these mini-computers to turn them into digital or analogue audio devices, or even complete ‘just add speakers’ systems.
With a claimed 550W on tap, this US-made pre/power amplifier combo offers serious quantities of sound per pound. How does this muscle amp-on-a-budget perform?
It’s often said that less can actually be more. For example, many high-end hi-fi products are devoid of fripperies because the lion’s share of the build budget is spent on the bits you can’t see, such as high quality components. This in turn gives better sound per pound, or so the theory goes. Yet other designs come festooned with features and often lack ability in the sonic stakes.
Appropriately, the veteran bass player’s second album with his trio starts with a delicate, considered bass-led piece, ‘Contact’. It starts with taut, cleanly-recorded solo bass, gradually joined by the slightest of shimmers from Joey Barron’s cymbals and the odd subtle chord from pianist Marc Copland, before settling into a more familiar piano trio form. Even then, Peacock is constantly busy in the background, and Barron rock-solid.
Marc Coppey is a French cellist now 47, his talents first spotted by Menuhin, whose repertoire spans from Bach to Boulez and Carter. He plays a 1711 Matteo Goffriller cello – and here, of course, faces enormous competition in the Dvorák from the span of Casals to Fournier, Rostropovich and Isserlis.