LATEST ADDITIONS

Steve Harris and Paul Miller  |  Dec 01, 2011
The original ‘Electro’ was a milestone design, even if it was not quite what it seemed. Does this legendary 25W pre/power combination really live up to its cult status? Back in 1966, a Norwegian pop band called Mojo Blues topped the local charts with their first single, a cover of The Stones’ ‘Lady Jane’. They followed up with more hits, but eventually disbanded. By 1972, Mojo Blues’ frontman Per ‘Abe’ Abrahamsen had started Electrocompaniet as a small business, importing cheap Bulgarian speakers and building basic PA electronics.
Ken Kessler and Paul Miller  |  Nov 30, 2011
Valve DACs are intrinsically anachronistic - Tim de Paravicini's new EAR-Yoshino DACute takes the retro attitude a stage further by sounding deliberately analogue

Hard to believe, I know, but the EAR-Yoshino 192 DACute Digital Audio Interface is the company’s first stand-alone D/A converter. The company has also produced CD players but, as main man Tim de Paravicini tells me, his previous experiences with digital mainly involved ‘bits of work for studios. ’ But it was this studio connection that led Tim to develop the 192 DACute.

Keith Howard  |  Nov 30, 2011
Following the success of its keenly-priced Studio 1 models, JBL ups the ante with a no less distinctive Studio 5 range The company’s marketing philosophy is pretty simple: if you’ve got it, flaunt it, ‘it’ being JBL’s long and distinguished history in professional audio. Think PA speakers and you’ll probably envisage direct radiating bass drivers coupled with hornloaded midrange and treble units – exactly the image JBL wishes you to have and echoes in many of its domestic speakers which, fl ying in the face of fashion, continue to feature horns. Cue the new Studio 580, middle of the company’s new Studio 5 range which looks to build on the reception accorded JBL’s lesser Studio 1 series, which included bagging the recent EISA European Loudspeaker 2011-2012 Award for the high-value Studio 190 [see HFN Oct ’11, page 11]. Compared to the 190 [HFN May ’11] the costlier 580 might appear to be a retrograde step.
Steve Harris and Paul Miller  |  Nov 30, 2011
From the reborn Transcriptors company comes an all-new turntable with a pedigree, a design that still follows in the footsteps of the classic 1960s and 1970s models The original Transcriptors Hydraulic Reference turntable was one of audio history’s great style statements. The story of the design and its creator, the late David Gammon, was told in our May ’11 Audio Milestone feature. Transcriptors was reborn in 2000, thanks to David’s oldest son Michael Gammon. Encouraged by American collector Don Sellers, Michael started an information website for enthusiasts.
Ken Kessler and Keith Howard  |  Nov 30, 2011
What follows 'The Sonus faber'? A second revision of the Guarneri, the company's best-selling high-end loudspeaker Homage and Memento owners may argue that it didn’t need it, but Sonus faber’s Guarneri is enjoying its second makeover. The world’s prettiest high-end compact speaker has been ‘pimped’ with shiny metal hardware for the back edges and the top plate, the fi nishes have changed, the innards are new. So what remains of the earlier versions’ grace and panache? The Evolution is slightly larger than the Memento at 410x235x412mm versus 380x210x390mm (hwd). Its dedicated pillar, however, has been reduced in height from the earlier 895mm to 795mm.
Andrew Simpson and Paul Miller  |  Nov 30, 2011
From Southern Germany comes a seriously heavyweight deck that's built on solid foundations. But will the Thunder's roar light up the skies or rain on the parade? Thanks to pioneering automotive inventors such as Rudolf Diesel and Karl Benz, German engineering has a long established reputation for ‘quality and innovation’. These qualities could also be used to describe the nation’s hi-fi industry where brands such as ELAC and T+A have been proudly flying Germany’s audiophile flag for decades, paving the way for relative newcomers like Acoustic Signature, with its ranges of turntables which are regular players in the superdeck league. The new Thunder boasts a number of features in common with the ‘milestone’ Ascona (costing £10k more).
Paul Miller  |  Nov 20, 2011
Classy German design matches fine build to engaging sonics Elac’s F247 Sapphire is finished with the sumptuous attention to detail. A slim, elegant floorstander boasts an eye-catching front baffle and mirror-like piano black finish. Elac’s signature JET tweeter and a pair of its multifaceted aluminium mid/bass drivers are fitted. These unusual cones are an aluminium sandwich design with cellulose filling, shaped to reduce unwanted vibrations.
Paul Miller  |  Nov 20, 2011
Dan D'Agostino returns with a product half amplifier, half sculpture, all genius With his new company’s first product, the Momentum Monoblock Power Amplifier, Dan D’Agostino hopes to re-write the rules of solid-state amplifier design. Most notable is a concern for green issues, by addressing the amp’s power consumption when not in use. It’s a claimed 1W – not bad for a 300W amp that thinks it’s a kilowatt. Running in Class AB, and merely warm to the touch after a long session reflects a cooling system which provides much of the Momentum’s visual presence: solidcopper bars (venturis) that form the amplifier’s flanks.
Ed Selley  |  Nov 20, 2011
This slimline floorstander features some unusual unusual driver materials Awarded EISA Loudspeaker of 2010-11 [see HFN, ’Oct 10], the latest version of Dali’s Ikon 6 may be relatively easy on the wallet, but you wouldn’t believe it to look at it. OK, it has a vinyl finish (this comes in a choice of black, light walnut or white) rather than a proper wood veneer. But most customers will surely consider that to be a fair exchange for what is a large cabinet at 1028mm tall, equipped with twin 6. 5in reflex-loaded bass-mid drivers – the lower of which is rolled off gently above 700Hz – and Dali’s trademark twin-tweeter module.
Ed Selley  |  Nov 20, 2011
The inexpensive Studio series represents fine value for money Not for the first time with inexpensive JBLs, we wonder how – if – they can possibly turn a profit. The Studio 190 offers outstanding value. In most respects this speaker represents familiar fare for a modern floorstander: the cabinet is a conventional tall, narrow box with rather resonant side panels; and the bass is reflex-loaded via a single rear-firing port. The Weave design of the front baffle JBL calls ‘bold and dynamic’, and that appears to be the sum of its purpose – to catch the eye rather than influence the sound.

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