This 'Art Series' is the first silver CrystalConnect offering curated by high-end specialists Crystal Cable. We hear the midrange interconnect.
Spin-off or temporary re-branding, CrystalConnect is part of the same Crystal Cable company, led by Gabi Rynveld, that audiophiles have been familiar with for over 17 years. Synonymous with silver conductors, the brand's latest 'Art Series' employs a development of its monocrystal (or long-crystal) conductors dubbed 'Infinite Crystal Silver' (iCS). Strands of this high conductivity metal are deployed across a range that includes analogue RCA/XLR interconnects, power and speaker cables plus USB, S/PDIF and AES digital interconnects.
There are three two-way standmounts in Spendor's 1970s-inspired Classic range, and the 3/1 is the centre model. Is this entirely UK-built model the sweetspot of the series?
Rather than follow tradition in everything it does, Spendor has wisely divided its loudspeakers into different categories. The company's A-Line and D-Line models aim to reflect changes in consumer tastes by combining fresh in-house design thinking with engineering philosophies it has spent years refining. Alongside these sits the Classic Series which, as the name suggests, sees the brand build upon proven technologies from its earliest days with an eye to keeping the flame of its renowned '70s designs alive.
Get your Vaccines here on 180g black vinyl (sorry, we couldn't resist), as Steve Sutherland sets out the background story to this UK indie/rock debut album
Remember Joe Lean & The Jing Jang Jong? Of course you don't. No reason why you should. They didn't amount to a hill of beans. To elucidate: they were one of those thousands of bands heaped on the steaming pile of what was rather cruelly described in the mid-'90s as Landfill Indie.
Launched three years ago but only now released for review, PMC's flagship fenestria is a towering statement
The PMC fact fenestria – the British brand's flagship 'domestic' speaker (note lower case f) – was launched at a packed press conference at Munich's High End Show. That's the 2018 High End Show, and it's taken over three years for it to arrive for review – in which time the price has risen from the inaugural £45,000 to the £54,995 for the pair you see here. In the intervening period there's actually only been one Munich show – that in 2019, at which the company launched its smaller 'fact signature' models: the 2020 show fell victim to the pandemic, as did this year's at least twice, being rescheduled from May to September, then cancelled completely.
This month we review: Sandrine Piau, Il Giardino Armonico/Giovanni Antonini, BBC Scottish Symphony Orch/Thomas Dausgaard, Freiburg Baroque Orch/Gottfried Von Der Goltz and Stephen Hough.
This month we review and test releases from: Manna Lucia Richter, Bamberg Symphoniker/Jakub Hruša, Daniel Murray, Marilyn Mazur & Michala Petri, Martin Stadtfeld, The Eye Of Time and Ryland Angel & David Merrill.