MA's smallest fistful of Silver features a host of '7th generation' technology to punch above its weight
Arguably more so than any other UK loudspeaker manufacturer, Monitor Audio seems keen to offer something for everyone. Across its four ranges named after precious metals and an alloy (Platinum, Gold, Silver and Bronze), it sells 16 different standmount/bookshelf and floorstanding models, stretching in price from £285 (the Bronze 50 6G) to £14,995 (the Platinum PL500 II). There are other lines too, including the budget Monitor series, compact Mass and Radius, and in-wall 'architectural' speakers. The Silver 50 7G auditioned here, a compact two-way priced at £575, hails from Monitor Audio's mid-range, although it's a mid-range that's considerably more crowded than most.
Remember when a CD player was just, well, a CD player? No DAC input, streaming or other digital goodies. Electrocompaniet does – say 'hello' to an old-school disc spinner
By coincidence, I started writing this review of Electrocompaniet's EMC 1 MKV CD player on October 21, which serious film nerds will know is 'Back To The Future Day', the date, in 1955, that intrepid time traveller Marty McFly (Michael J Fox) arrives in the smash-hit sci-fi movie. Marty has bent the spacetime continuum to head back 30 years, and I had a similar feeling with this silver disc spinner, albeit by a decade or so less and without aid from a DeLorean.
In 1986, the singer-songwriter bowed out of pop duo Wham! with a sell-out farewell concert at Wembley Stadium. A year later he was back with his first solo album, having swapped the flash suits and swimming trunks for stubble, leather and shades...
In Spring 1986, Wham! announced they were splitting, with a farewell album and single, and a final concert at Wembley Stadium in June. In doing so they pulled the plug on a group that had enjoyed a string of international hit singles and albums over the previous four years, and who had become one of the biggest pop outfits in the world.
Guided by theory and practice from the costly REX-series, traditional output pentodes are usurped by a pair of power triodes in BAT's fully-balanced tube integrated amplifier
There's a certain amount of extra-curricular activity that can come with using a valve amp. As with their fellow stalwarts of hi-fi – turntables – valve amps present opportunities for setup, tweaking, and maintenance, and for some that's part of the appeal. Balanced Audio Technology's new £9995 VK-80i integrated, however, is intended to be 'plug-and-play', and provide a user experience more in line with its own solid-state models than some hot bottle contemporaries. All the thrills of the tube sound without the fuss? Where do I sign?
The singer-songwriter's sophomore album from 1989, reissued on 180g vinyl, showcased her lyrical wit and Johnny Marr's lush guitar licks, says Steve Sutherland
What can you buy for £61? A new pair of trainers at a discount store? A set of Sennheiser HD 200 PRO closed-back headphones? A Billie Holiday Classic Lady Day vinyl box set?
The latest all-in-one compact Class D streaming system from the German company features an enhanced network audio platform – but that's only the start of its appeal
As the model designation suggests, this isn't the first all-in-one network audio system from German high-end company AVM. Replacing its existing Inspiration CS 2.2 model, the new Inspiration CS 2.3, selling for £5250 in black or silver finishes, with a chrome 'Cellini' finish available as a somewhat glitzy extra-cost option, is based around the company's latest streaming platform.
It was where Big Star were born, Primal Scream embraced the Blues, and Isaac Hayes made Hot Buttered Soul. Steve Sutherland has the story of Ardent Studios in Memphis
Over there in the corner is a teetering tower of folding chairs. On the chairs are sheets of glass. And around the tower are something like 100 microphones, all set up and ready to capture what comes next. And what comes next is cacophony as the band hurl cinder blocks at the tower in an attempt to simulate the sound of a car crash.
The flagship of Paradigm's Founder range has power and precision to delight – and it's a whole lot of fun, too!
At first glance, you may think 'we've been here before' as these Paradigm Founder 120H speakers, yours for a couple of pence short of £8600, look very much like the 100F model [HFN Jul '21]. Yet there's more than enough going on with this flagship design from the Canadian manufacturer to set it apart from the next model down, and justify the £3200 price differential over the £5400 Founder 100F.
Johnny Sharp on the creation of the artwork for The Who's late '60s album The Who Sell Out
If you want an illustration of just how quickly pop evolved in the 1960s, you only have to look at the first two years of The Who's recording career. That was the stretch of time between their flinty, mod-informed R 'n' B rock debut LP – 1965's My Generation – and a cheekily post-modern third album that seemed to mock the very idea of pop music as anything more than a vehicle for commerce.
Look beyond the ostentatious livery and tongue-in-cheek labelling, and darTZeel's flagships are revealed as sensational amplifiers, with a sound as imperious as it is refined
If you want an amplifier with a face, not a fascia, start saving up for a darTZeel. Designer Hervé Delétraz has a sense of humour – turning an on/off button into a 'nose' with selector/volume knobs as bulbous eyes and grinning LEDs beneath. Then there's this Swiss manufacturer's mix of golden fascias and red casework, already iconic as the brand's house style over its two decade timeline.