The outlook for the couple appeared grim, yet despite having no record contract, their marriage being on the rocks and Linda finding it difficult to sing, their sixth and what would be their final album together is now hailed as a British folk rock classic...
After a decade of recording and touring as a couple, Richard and Linda Thompson found themselves dropped by Chrysalis Records when their 1979 LP Sunnyvista flopped. They had made five albums in total, and brought two children into the world, with another one on the way. Clearly, it was time for a radical re-think.
Taking its cues from the PD-171 turntable, but with a more elegant aesthetic, the PD-151 is Luxman's first new deck in eight years. Does it sound as clean as it looks?
How deliciously ironic: two turntables this month from companies with vast experience in vacuum hold-down of the LP, yet neither of them possesses it. Continuum's Obsidian is a complete departure from its LP-sucking forebears, while Luxman's PD-151 is fundamentally a simplified PD-171 [HFN Dec '13] – the model which revived the brand's turntable line in 2011, but minus the vacuum function of yore.
We report on a classic with a modern twist as Spendor launches a flagship inspired by its iconic 1970s models
As any hi-fi enthusiast will know, Spendor has an illustrious history, its co-founder Spencer Hughes creating the company's first speaker, the BC1, using knowledge he'd gained while working at the BBC in the '60s. Yet for the past decade the brand has been working hard to reinvent itself, its affordable A and higher-end D series selling into the mainstream speaker market.
The big beast of the budget audiophile jungle is back with two new models to beef-up its 14-series lineup. Does this affordable CD/amp combination have real teeth?
Something is afoot in the land of hi-fi separates. First we had Musical Fidelity with its M2scd/M2si [HFN Jul '19], then Cambridge Audio's AXC35/AXA35 [HFN Sep '19] and now Rotel has launched its own affordable amplifier and CD player pairing, in the form of the £429 CD11 and £599 A11.
This month we review and test releases from: Lise Davidsen, Orch Mozart/Claudio Abbado, Sofia Fomina/lPO/Vladimir Jurowski, Berlin Baroque Soloists/Reinhard Goebel and Augustin Hadelich, Norwegian Radio Orch/Miguel Harth-Bedoya.
Continuum's third LP-spinning package, the Obsidian and Viper, departs from the template of its vacuum-equipped predecessors. Can the brand do 'conventional'?
Looks can be deceiving, especially if you first see a Continuum Obsidian turntable and Viper arm fully-assembled. Its three-legged, dust-coverless design recalls innumerable open-plan decks from affordable up to high-five-figure absurdity. Then you note the Continuum's price tag and realise it's of the latter: the Obsidian sells for £39,998, the Viper £11,998. Generously, you can save a grand buying the pair for £49,998.
A blend of beauty and violence... Steve Sutherland sets out the claims for this late British folk singer/songwriter's 1973 LP as he hears the album afresh on 180g vinyl
Two men walk into a bar… Ouch! No, not that one. Start again. OK, two men walk into a pub and head straight to the bar. The taller of the two smiles and says to the barmaid, 'We'd like to see the landlord'. She calls her boss over and he looks the pair up and down. They're dishevelled, a bit rough-looking, like they haven't slept or washed in a while, but hey, he's seen worse.
Naim's latest version of its classic Nait amplifier features not only improved overall performance, but also a built-in phono stage. Whatever will they think of next?
While it could never hope to match the seemingly annual product replacement cycle of some mass-market brands – and nor, I suspect, would it care to – Naim still maintains a continuous programme of product development that goes on 'behind the scenes' of some of its more attention-grabbing launches. So while all the big news from Salisbury has concerned network-capable audio, as Naim rolls out its 'Future Platform' from the latest Uniti products to new ND-series network players [HFN Apr '19] and second-generation Mu-so models, in the background the company has been working on its core integrated amplifiers, the Nait series.
The First had an immediate world acclaim not mirrored after the Second was premiered. Only recently did non-UK recordings appear, says Christopher Breunig
We have to admit that, at present at any rate, Elgar does not travel,' noted the much respected Gramophone reviewer Trevor Harvey, in 1964. He was writing about one of Sir Adrian Boult's less well known recordings of the Symphony No 2, made with the Scottish National Orchestra and issued on the Waverley label.
Are the days of the disc almost over? Evidence to the contrary comes in the form of this flagship SACD/CD transport and network DAC/preamp from T+A's 'High Voltage' series
I think I can be pretty confident in saying there aren't too many new British hi-fi components out there whose development has been government-funded. Clearly they do things differently in Germany, where the Federal Ministry of Economics and Energy underwrote the design and development of the network-capable DAC/preamp forming half of the subject of this test, T+A's £23,400 SDV 3100 HV. The project has borne fruit in the behemoth of a digital converter you see here, all 26kg of it, described as a 'Super High Definition Audio DAC with bit-perfect data transmission and resolutions of DSD1024 and PCM768'.