The new ELAC Navis 'powered speaker' series is a slick system alternative, whether or not you use it wirelessly
As one of the largest-scale speaker manufacturers around, US/German company ELAC has what can sometimes seem like a baffling range, all the way from very affordable mini-monitors and 'subwoofer and satellites' packages right the way up to very high-end floorstanding designs. And apart from the sheer breadth of the lineup, this diversity allows it to explore a variety of technologies: in this range there's no signs of a 'one design fits all, just in different scales' approach.
A classic belt-drive turntable from a brand that time forgot, but is this fully-automatic, British-built mid '70s deck still worth seeking out? It's time to put it to the test...
Birmingham Sound Reproducers, or BSR, is a name that's scarcely mentioned in hi-fi circles today. Once the world's largest producer of turntables, the story of this company serves as a reminder of what a tough place the audio market can be.
With their unusually extended ovoid cups – pear-shaped, you might say – these new planar magnetics, once auditioned, could easily become the apple of your eye
With 16 current models in its Reference range, HiFiMan's product offering many not be as extensive or potentially confusing as Audio-Technica's but still it's a lot to get your head around. I classify them, informally, into round capsule and ovoid capsule models, the £1500 Arya being one of the latter. It's an apt classification in that once you've worn the Arya – or any other headphone whose capsules better reflect the shape of the external ear – you wonder why headphones aren't all designed this way. You wouldn't wear rectangular shoes, so why are these shapes so widely used for headphone capsules and earpads? It flies in the face of anatomical logic.
The Hi-Fi Show Live 2019, U.K’s largest specialty high-end audio event, will take place this Saturday and Sunday at the Ascot Racecourse Grandstand in Ascot, England.
This latest integrated amp from a stalwart of the US high-end may be stereotypically big and bold, but it's also both extremely flexible and surprisingly affordable
Although many aspire to grabbing themselves a chunk of American high-end audio, there's all too often a problem – price. It's very tempting to look at the price-tags back home in the States and shake one's head at the UK ticket. But most of us can guess at the differences between the US and UK markets, the import taxes and costs involved in shipping and distributing small samples of heavyweight equipment.