Luxman continues to launch new models in advance of its 100th anniversary in 2025, with the L-509Z integrated amplifier [HFN May ’24] now followed by the Japanese marque’s first network transport/bridge.
Audiovector has returned to the design of founder Ole Klifoth’s first ever loudspeaker – the 1979 Trapez – for a new £15,500 model called Trapeze Reimagined.
2024 edition of Magico’s s5 floorstander goes bigger... and better?
Magico says its new S5 loudspeaker ‘continues what began’ with the S3 2023 model [HFN May ’24], leveraging new design and test technologies at its Californian R&D facility. These include a Klippel Near-Field Scanner to fully quantify its on and off-axis responses, and a laser vibrometer to identify and minimise vibrations in its 1.21m-tall, 118.8kg cabinet.
Often seen as an attempt to ape The Beatles’ mystical magic, this 1967 oddity, now reissued on 180g, is The Stones at their most ragged, says Steve Sutherland
Following on from last month’s Vinyl Release about brilliant records that nobody else likes but you, I bet I’m not the only one who has an album that, although you’ve played it on and off down the years, even the decades, you can’t decide whether it’s any good or not. On one occasion it may sound great. Significant even, a landmark piece. Other times it just sounds... well, rubbish.
What could match a Lumley Stratosphere turntable better than Lumley’s LM2 speakers and PS2/M250 pre/power amps, says Peter J Comeau
It was back in the March 1996 issue of Hi-Fi News that I took my first look at the £6250 Stratosphere ST1 – a turntable that proved out of this world in sound quality as well as name. Now John Jeffries of Reference International (the name behind both the Strat and Lumley) has delivered a complete system including the £4500 LM2 loudspeakers.
Gimmick or grand plan as Toshiba looks to spice up the mid-’80s CD scene with a
dual-disc player offering over two hours of continuous music. How does it fare today?
Anumber of our recent Vintage Reviews have featured CD players designed to broaden the appeal of the format by making the hardware available at progressively lower price points. This was one way to maintain sales, but another approach was to add additional features at little or no extra cost.
This month we review: Christina Landshamer, Akademie für das alte Musik Berlin/BERNHARD Forck, Yomiuri Nippon SO/Skrowaczewski, Asmik Grigorian, and
Christophe Rousset