This fifth album by the glam rock/hair metal pioneers from Finland (and Leamington Spa) should have been the start of something beautiful, says Steve Sutherland
Let's say you are walking along Shaftesbury Avenue in London in the general direction of Cambridge Circus. It is the mid 1980s. Maybe you've been to the Shaftesbury Theatre just over the road to see a show. Or maybe you've just been for a dip in the Oasis swimming pool next door. Whatever, you've worked up a bit of a thirst so you duck through the door of the Oporto public house, just on the corner opposite St Mungo's home for the homeless, and take the couple of steps to the bar.
Informed by the design of Audio-Technica's AT-OC9 pick-ups and tuned to 'hit the midrange', is VPI's latest cartridge collaboration a no-brainer for its turntable owners?
When New Jersey-based turntable brand VPI wanted a cartridge (or three) to complement its range of decks and tonearms it was not inclined to waste precious time, money and effort on something that somebody else had been doing for years. So, rather than stray from its own speciality in 'large scale' engineering, it instead went knocking on Audio-Technica's door for the construction of its new £1250 Goldy MC.
Powered by twin guitars, pop-style melodies, hyperactive drumming and unusual song structures, this debut album from the youthful Manchester punks – now signed to a major record label – showed they were a force to be reckoned with...
When punk broke in the UK in 1976, much was made in the media of the confrontational 'us and them' relationship between this New Wave and the old wave of progressive rock and big stadium acts. But more importantly, it prompted the rapid growth of independent record labels, with some groups even financing and making their own records. And with the establishment of a closer relationship between bands and their audience, local scenes began to blossom, with the spotlight turning away from London. Manchester band Buzzcocks played an important role in both respects.
American marque's flagship Motion tower is a three-way that showcases driver upgrades and a bold new aesthetic
Although MartinLogan is known for its electrostatic loudspeakers, culminating in the flagship Neolith [HFN Jul '16], and 'static/moving-coil hybrids [HFN Jan '17, Feb '18 & Nov '21], the Kansas-based brand has, since 2003, ploughed another furrow with conventional cabinet models targeted at a wider audience. And since 2010, MartinLogan's Motion range, now headed by the Motion XT F200 reviewed here, has employed a tweeter technology the company says offers 'electrostatic-like high frequency detail'. There's a strong suggestion that the move from specialist brand to mass-market competitor hasn't extinguished ML's raison d'etre.
With full-sized CD players stealing a march on portables in the late 1980s it was left to Sony to step up with a palm-sized marvel of a machine. How would it fare today?
The appearance of portable CD players in the mid 1980s presented buyers with something of a dilemma. Should they purchase a full-width model or one of the mobile machines, almost all of which could easily be connected to a full-sized system? A portable would be more versatile, but a large player would be expected to offer more facilities and better sound quality.
From the man behind the iconic Continuum turntable comes this next-generation range, under his own brand, incorporating a 'negative-stiffness mechanism' suspension
Australia is not only home to some of the world's most fascinating animals but it's also the stomping ground of high-end heavyweights Halcro [HFN May '23] and Döhmann Audio, the latter responsible for the finely-engineered, and robustly elegant, turntable that graces the pages of this month's feature review. For Mark Döhmann, Director of Design, the 'Two' – one of a pair of decks in the Helix range, now in Mk3 guise – represents his latest thinking on the art and science of vinyl replay.
Long-awaited, while the monoblock version of Exposure's 3510 amplifier series looks just like its Stereo and Integrated models, in practice it is a new and highly refined amp
When Exposure launched its 3510 series in 2021, as a replacement for the venerable 3010 range, attention was first given, perhaps unsurprisingly, to the integrated amplifier [HFN Nov '21]. One year later it was joined by a stereo power amp and partnering preamp [HFN Nov '22], and a year after that we witness the arrival of the 3510 Mono, tested here. Such an approach is not unusual for a boutique brand – a fair description of the Sussex-based company – but it's perhaps also indicative of the hidden differences between Exposure's amplifier designs.
Informed by the design of Audio-Technica's AT-OC9 pick-ups and tuned to 'hit the midrange', is VPI's latest cartridge collaboration a no-brainer for its turntable owners?
With full-sized CD players stealing a march on portables in the late 1980s it was left to Sony to step up with a palm-sized marvel of a machine. How would it fare today?
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