LATEST ADDITIONS

Cryogenic treatment, a patented demagnetisation process and silver/gold ‘dosing’ lie at the heart of Furutech’s latest flagship speaker cables

It’s all about the copper in Furutech’s cables. Even the geometry of this flagship NanoFlux design is fairly conventional, as is the multistrand conductor style and ‘audio grade’ PE (polyethylene) dielectric that binds it. The carbon-fibre sleeving of those bright, rhodium-plated plugs/spades and ferrite clamp certainly adds to the exquisite finish of these supremely well built cables, but it’s what you can’t see that really makes the difference – Furutech’s proprietary ‘Alpha Nano-Au-Ag OCC Pure Transmission Conductors’.

Focal’s latest luxo-headphone slots in between the Elear and Utopia models, in the hotly-contested ‘affordable high-end’ middle ground – we hear the sound of £1400

If I have learned anything about committing one’s thoughts to print, it is Never Make Predictions. They will invariably be wrong and will come back to haunt you. I am thus unwilling to hazard a guess as to the longevity of the boom in headphone sales and usage. As long as it continues, however, in the best ‘make hay while the sun shines’ manner, Focal is covering all its bases. The latest to join its high-end family is the £1399 Clear, between the dearer Utopia [HFN Feb ’17] and less costly Elear [HFN Apr ’17].

Her breathy contralto and big compositions have long been the core of Diana Krall’s appeal, but this release goes in a sadly soporific direction. Her band almost starts swinging on a handful of tracks, including ‘Blue Skies’ and ‘I’ll See You In My Dreams’, but it’s more tease than fulfilment. ‘Sway’ has huge interpretive potential, but here it’s given a ponderously intimate treatment loaded down by an overproduced cinematic ending. Krall’s singing isn’t quite up to the fine standard she’s set over the decades: frequently awkward phrasing made more apparent by shortness of breath on sustained notes, all while keeping the dynamic lid on tight.

Having scored her biggest international hit with her 2010 album Same Girl [ACT 9024-2], the South Korean-born singing star takes a new direction with this one – her ninth (and fourth for ACT) – recorded at Sear Sound, New York, in Dec ’16, and produced/arranged by keyboard wiz Jamie Saft – he’s also co-writer with Vanessa Saft of track 3, ‘Too Late’. Youn Sun Nah opens with her own five-minute ‘Traveller’, a characteristic blend of strength and melancholy, and goes on to offer an eclectic choice of covers, all beautifully done. Marc Ribot contributes brilliantly to several tracks, with electric and acoustic guitars, from the fast-moving Paul Simon song that’s the title tune to perfect Staples/Al Green funk on Lou Reed’s ‘Teach The Gifted Children’ and a majestic reading of Jimi Hendrix’s ‘Drifting’. It’s a great album with great sound too.