From the Vault

Paranoia is not a condition to which I subscribed prior to entering the brotherhood of audio writers. Ignorant of my near-leper status, it came as something of a shock to find myself the only valve-loving, moving-magnet cartridge supporter in the immediate vicinity. Thankfully, editor John Atkinson tends to offer advice and make suggestions, rather than threaten my physical well-being for failing to embrace the solid-state, and so decided that a review of a moving-coil cartridge would be a subtle way of sowing the seeds for my conversion. And he knows my weaknesses well: anachrophilia.

Afavourable acoustic, and music Mitsuko Uchida has been playing since she was 13 years old – but even at The Maltings, Snape, there were unforeseen snags when it came to recording Debussy's 12 Études.

The time is early June, and let us imagine that this issue has been on the stands for two weeks. Editorial secretary Jennifer Scotland walks to where I am sitting and dumps a pile of letters on my desk. The angry correspondence has arrived.

The Series V tonearm is on sale at last, albeit in limited quantities. The fruit of many years of creative research, a handmade prototype 'V' was shown to prospective distributors at the American and German shows two years ago, but it has taken a long time to get the arm into production. Components were continually tried from prospective suppliers until the quality was right and when first shown in 1984, the price was targeted at what was then a very high level, at £750 or so. Some expressed doubts concerning its credibility at that price, indeed of any similarly-priced tonearm.

Following last month's batch of integrated amplifiers costing under the £200 mark, more advanced models have been chosen for this project. The new Mission 778 (Mission Cambridge) represents the UK contribution (£240). The Harman Kardon PM650 combines Japanese and American design (£250), while the European contender is the Revox B251 (£900 plus £45 for the remote controller). All three models are integrated amps with MC and MM input facilities. I also look at another new UK model, the powerhouse P128 from Sugden, which is a dual 'monoblock' power amp (£395).

What could be more apt than the UK launch of the Well-Tempered Arm at the end of Bach's tercentenary year? Ken Kessler brought you the first picture of this iconoclastic tonearm as part of his April '85 CES report and even before then, he had inveigled California-based designer William Firebaugh into letting us have a review sample.